Hi Dan, the iron tsuba with fans and waves is rally nice. I think it has not lost a lot of its original inlays (just few dot-shaped inlays), so probably not an Heianjō-zōgan tsuba.
Mauro
Hi Grev, the flower in omote could be Caltha palustris (buttercup or crowfoot family). In Japanese could be 蝦夷立金花 - エゾノリュウキンカ
https://upload.wikimedia.org/wikipedia/commons/0/0e/Ezonoryukinka.JPG Mauro
Hi Jarmo, probably you'd better open a topic by your own. Anyway, yours looks like a true mid/late Edo Bushū-Itō school tsuba (it's a pity it's ruined by delamination). The signature should be 江府住 正久 - Kōfu jū Masahisa. Mauro
Hi Neil, no one chimed in since it's uncomfortable, I suppose, to give bad news. Your pics are not very good, but as far as I can see the tsuba looks a cast one. So it should be coeval with the gunto koshirae. Regards, Mauro
Hi Dan, with 80 bucks you could even get better (rarely) or do worse (usually) on eBay, so not a bad performance for a beginner! As already pointed out, it's a pity the tsuba has been over cleaned. Anyway, if you like neat classification try search for Kyō-kanagushi. Welcome in the forum, Mauro
Hi Ken, actually I've posted just pics from my NBTHK tsuba database. In my collection I have 3 tsuba quite related to yours, I believe they are Shōami, but unfortunately no certification to prove my feelings.
Ben, actually both your tsuba share several features (for instance the vertically aligned nanako is quite uncommon), and the gilding is easily prone to get lost. On the questionable meaning of ko-kinkō you shoud enjoy http://www.nihontomessageboard.com/articles/Irogane_ko-tsuba.pdf
I find intriguing the hypothesis Marius made, and I'm quite prone to share it. On the other hand judging is often difficult. Here below two papered example (in my opinion quite close each other and to Chris' tsuba); the upper one has been judged true Kanayama, the one below Myōchin (and so a sort of "revival Kanayama", maybe).
Bye, Mauro
Hi Robert,
the description of your tsuba on the NBTHK paper is quite vague: 組円文透鐔 - kumi en-mon sukashi tsuba - set of round design open-work tsuba
So the subject seems quite misterious even for the shinsa team...
PS: would you mind to post a full pic of the NBTHK paper (it's for my records)
Hi Steven,
actually the entire surface on my stuba is very irregular, and the inlays follow the up-and-down surface (but I definitely need better pics to show it).
Hi Stephen,
Dome-shaped ten-zōgan are typical of Ōnin tsuba, but yours looks like a Shōami one, so a flat inlay may well be in the original condition.
See here 2 of my tsuba with flat inlays.
Welcome on NMB Michael. You have an interesting Namban/Hizen tsuba (and the suriage tang of the sword looks also promising...)
Mauro
PS: the mei of tsuba should be 平戸住國重 Hirado jū Kunishige
Here below the signature of Gotō Senjō reported in "Signatures of Japanese Sword Fittings Artists" by Markus Sesko. As you can see the kaō is quite different from your tsuba...