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MauroP

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Everything posted by MauroP

  1. See here a nice tsuba signed Ichijō, with NBTHK paper: https://www.seiyudo.com/tu-08071.htm Mauro
  2. I'd suggest Shōami, Akao or Owari, early Edo (the thickness makes unlikely a pre-Edo attribution). Here below a Shōami tsuba with the same subject: Bye, Mauro
  3. Agree that Nanban is the box where this kind of tsuba usually are put. Here below 3 tsuba papered as Namban which share some point with your one. Bye, Mauro
  4. 秋草図 - akikusa no zu, Shōami (or Aizu-Shōami), mid to late Edo. Nice catch. Mauro
  5. 江刕 彦根住 藻柄子 入道宗典製 Kōshū Hikone jū Sōheishi Nyūdō Sōten sei A legitimate signature of one of many tsuba maker from mid-late Edo, Ōmi-Sōheishi school (not "the Sōten", of course). Mauro
  6. Well, the origami actually says shinchū-migaki-ji...
  7. Hi Aleksandr, I suppose late Edo tōshō should be a safe call. The carved pattern is usually referred as hiashi-chirimen (日足縮緬) or kawari amida-yasuri (変り阿弥陀鑢).
  8. Two different ways to render wabi-sabi: a material way with beauty which comes from the imperfections and stains in an old and weared tsuba, and a conceptual way representing the impermanence showing the theme of torned fans (yabure ōgi - 破扇).
  9. Samurai used to smoke maple leaves? That's really interesting...
  10. My tsuba inventory (the not-so-bad ones): https://www.dropbox.com/s/f1iy40vi1v1ad92/100%20tsuba.pdf?dl=0 Mauro
  11. MauroP

    Kinko Tsuba

    The quality of this one looks quite comparable: https://blog.goo.ne.jp/tsuba_001/e/67ccd217b2d82b994aef092a14632f8d
  12. MauroP

    Kinko Tsuba

    Hi Chris, wrong kanji: 政春 - Masaharu Mauro
  13. Hi Patrick, the feeling is Owari. Difficult to judge from the pic, but maybe a modern copy...
  14. Just an example here below: the upper one got a ko-katchūshi attribution, the other simply katchūshi. If submitted in the same shinsa would have they obtained the same Edo/pre-Edo attribution? Who can say... For sure the mere geometry of the piece isn't enough.
  15. I'd assume that if submitted to NBTHK shinsa your tsuba most probably would get a tõshõ attribution.
  16. Here below 3 tsuba with the same surface pattern, 2 papered as tōshō an one as katchūshi. Anyway I don't think this pattern is the hallmark of a specific school. In the papers this kind of surface is reported as amida-ishime-ji (阿弥陀石目地), hiashi-chirimen-ji (日足縮緬地) or kaben-amida-mon-ji (花弁阿弥陀文地). Bye, Mauro
  17. Very interesting topic here. My personal attitude toward professional opinion is of great respect (after all I makes my day mostly giving professional opinions - thanks God not about tosogu). What surprise me is that the appraisers in nihonto world have not yet developed a way to deal with uncertainty. Sometimes I'd prefer to see "mid-Edo work of unrecorded artist" rathar than "mumei Shoami". Teach thy tongue to say, “I do not know” [Maimonides]
  18. That's the way Toda Hikozaemon signed his work. See Markus Sesko "Signatures of Japanese Sword Fittings Artists" p. 48.
  19. Ciao Luca, nice tsuba indeed. The surface of iron plate is quite corroded, so maybe it could have been migaki-ji in origin, and the inlays, now protruding a little, were intended as hira-zōgan. The slanted grooves on the circumference configure a nawame-mimi (縄目耳). The two strokes in the mei looks too much clear-cut, and possibly were carved much later than the time the tsuba was made.
  20. MauroP

    Kantei 2

    Thanks Alex, I feel a little less frustrated when I'm in good company... Anyway an useful and interesting topic, thanks Grev.
  21. MauroP

    Kantei 2

    OK folks, is there any experienced member here that can explain me this attribution? The tsuba has an ubu hitsu-ana (a fact that looks quite obvious, isn't it?), so how can we take together an hitsu-ana with a tachi mount? Or maybe tachi-kanagushi tsuba have little/nothing to do with tachi mounts?
  22. Guido, that's exactly the point I've found and that makes me perplexing. Mereover there is a tsubaku family (late Edo) called Horai, but its name is written with different kanji.
  23. MauroP

    Kantei 2

    Difficult to judge the material from your pics, Grev. If made by yamagane, ko-kinkō should be the quite obvious answer. If made by iron, much harder to say...
  24. I'm a little confused. Hōrai (蓬莱) refers to a specific school or is just the definition of crane+turtle design? See: https://blog.goo.ne.jp/tsuba_001/c/3705ca04ebe5e5b0ee21a03a053fc48a/3 https://blog.goo.ne.jp/tsuba_001/e/fe55e018541a57923830533a7ad4f1bb
  25. MauroP

    I'm In Love

    I'd say Hizen. See: http://www.e-sword.jp/sale/2014/1410_6040syousai.htm
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