Shugyosha

或遭王難苦 臨刑欲壽終 念彼觀音力 刀尋段段壞 Having found the last four kanji and googled the above magically appeared. It gets a lot of hits so I think its fairly well known and linked to Bhuddism. I don't have time to do a proper translation now but I think it hints at the sword being used to gradually break down ignorance and bring about enlightenment.

Bizen Kuni Osafune... Best, John

Alex, You need to stop using Google translate - what you are writing makes no sense in English.

It looks like junk to me.

Bang on the money...

Sergei, This isn't rocket science - it can be a bit tricky but you can handle it. Spend an hour reading around how to count the strokes in kanji and how the radicals work and it will give you the nuts and bolts. After that just try to do a couple every day - the Aoi website is good as the items are described in Japanese and English so you can take a stab and then check and correct yourself. Have fun!!

I read that the 2nd and 8th months were considered auspicious by sword smiths because of the way the numbers are written in Japanese: 二 八 They imply something being cut or cloven horizontally and vertically. Is that just apocryphal?

Hi Peter, It has been a while but I found an entry in an old book which I think is of a tsuba by the guy who made yours signed "Yamashiro Ju Fujiwara Kiyonaga with Kao" (photo attached) and the corresponding entry in Haynes. I think that might solve our respective mysteries. Best, John

Rai Kunimitsu or a banana. You're not coming through very clearly.

Hi Marius, I think we can take this up a level - how about you think of a sword and I have to guess what you're thinking? Best, John

Sorry other John, my bid was for the one working after Kanbun - Markus Sessko lists him as being first generation. The one thing I am confident of is that this is a shinto blade...

Here you go:

Hi John, I wasn't certain, but I've now had a double-check in Sessko and found: MORITATSU (盛龍・盛竜) → KOREYOSHI (惟義), Shōwa (昭和, 1926-1989), Kumamoto KOREYOSHI (惟義), Shōwa (昭和, 1926-1989), Kumamoto – “Koreyoshi” (惟義), “Higo Kikuchi-jū Koreyoshi Minamigawa-satetsu o motte kore o kitae” (肥後菊池住惟義以南川砂鉄 鍛之, “forged by Koreyoshi from Higo´s Kikuchi by using satetsu from the Minamigawa”), real name Ōtsuka Koreyoshi (大塚惟義), born December 24th 1916, he studied during World War II under Kongōbei Moritaka Yasuhiro (金剛兵衛 盛高靖博) and worked then as rikugun-jumei-tōshō, he had signed in his earlier years with Moritatsu (盛竜).

Hi Simon, I think it's Tatsu 龍. Best, John

It’ll take far less than togariba to fool me!!

Hi Matthew, Length is also a significant factor in dating a tanto - if you are able to measure the cutting edge that might give an idea. I'm trying to remember where I saw a chart of the various tanto shapes/ lengths related to era and set out for comparison...might have been on here...?? Best, John

I'll take a put at the first generation Kashu Kiyomitsu.

Something seems off about the sugata to me. It seems too slender and the point too small by comparison to other Hasebe work. Here's a link to a tanto that Darcy had by Kunishige which also has a picture of Hasebe Heshikiri for comparason of the sugata: http://www.nihonto.ca/hasebe-kunishige-2/index.html Also here's another Hasebe blade that Darcy had for sale: http://www.nihonto.ca/index.html But that said, it is a small sample so it might not tell the full story.

大和手掻包永の末文珠九郎三郎子 Yamato Tegai Kanenaga no tsue Monju Kurozaburo Ko. I think that this is a reference to being a descendant of Tegai Kanenaga and gives his real name - Monju Kurozaburo.

Ray beat me to it but I'll post anyway: The origami reads "one katana, mumei, Monju (文珠). The saya gaki is more specific: 南紀文珠重国 (Nanki Monju Shigekuni) Kanbun Goro (寛文頃) - around Kanbun. Best, John

Sorry - you're absolutely correct - that's me automatically associating mizukage with saiha. The Shimada school isn't one I really know anything about. I've had a look at some examples and I think the hada and jinie would certainly support your kantei. Thanks again for posting - I've learned something from that. Best, John

Me neither - I would have given it to Shinto and probably will if I see it again.

Hi Luis, In England we have a saying that "rules are for the guidance of the wise and for the governance of fools". I'm not suggesting that you are a fool (whereas in Nihonto terms I certainly am) but learning the rules is only the beginning... Best, John

Hi Gwyn, Were you able to move your pickle jar tsuba? Best, John

Hi Manuel, Sorry about that but I've always wanted to use that emoticon. Thanks for posting - it's an interesting blade. My initial thoughts from the sugata, tang shape and patina would be Keicho shinto. Looking at the hada tatsu and nagare hada and the hamon, I'd suggest there's a pointer towards Mino, but I don't know quite where to put all that nie utsuri - I haven't got time to have a trawl through the books to nail that down. I don't think that you are seeing mizukage - I just think it's the nie of the utsuri dipping down and meeting the hamon. I say no mizukage because I don't think the blade is suriage - see Darcy's post No. 15 here: http://www.militaria.co.za/nmb/topic/15057-mizukage-retempered-blade-flaw-or-utsuri/ I hope that isn't too wildly out of line and I'll be interested to hear your views and those of the other NMB'ers. Kind regards, John