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Posted

Wow! Congratulations! 😀👍

 

From the look of the field saya, I guess it used to have an upper leather seppa with a popper flap passed through the tsuba?

Posted

Yeah, I think at some point the fittings were changed, as the solid tsuba has 2 regular very thin seppa and the tsuba has has a slot for that leather retainer. I'll look at sorting the fittings out sometime. Interesting leather combat cover with lacing, and a brass? protector at the bottom.

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Posted

We still have no conclusive meaning of the signature below the ana?
I know there is talk of onkashi-to, but those had the same on the same side as the mei. So a bit confusing.

Posted

Brian

 

after my reseach the reason for different place of the Mekugi ana could be

 

a visual marker that the blade was made outside the shrine  forge.

 

the smith was free to choose the style of the balde and was not bound by the the strict rules of the shrine smith gulid

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Posted

Congratulations, glad the blade cleaned up nicely. Onkashi had the important differentiation of having "Kinsaku" added to the Mei, they seem to have been only made at the Yasukuni Shrine forge.  

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Posted

Thank you Brian

 

 

 can only confirm, that Kotani san was a kind and polite person and as we all know by now a great swordsmith!

 

 

I was happy and proud to have been in good contact with him until his passing on March 1. 2003  a on nd special thanks to his granddaughter, who kindlydid all the translations between us.

 

Once again, congratulations on your new Taketoku, we've already talked about it.

 

An extremely rare signed example crafted by the great Kajiyama Yasutoku.

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