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Bruno

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Everything posted by Bruno

  1. Yes best Nagamitsu i have seen in a while. I hope it will end in good hands.
  2. Not fake. There is a great deal of variations in the Nagamitsu signatures. It's well done. I wouldn't be concerned.
  3. A togishi can do miracles with pitted blades, you could be very surprised. You could sent it to one of them at least to know for good if it can be restored, or not.
  4. Any photos of the nakago?
  5. Gendai-to or showa-to?
  6. Well, I have a SEKI RJT smith sword with several paint marks on the nakago too (which is a good antirust btw).
  7. Thanks, was training my eyes, yasurime and nakago shape ressemble to the usual Seki syle. Really like RJT blades, many fun to study.
  8. You can't fix stupid.
  9. Smith seems to be TAKEHISA, average showa-to/gendai-to maker. http://www.japaneseswordindex.com/oshigata/takehisa.jpg The W stamp is often found on his blades.
  10. The wrap is an amateur job done post war. I have only seen 1 star stamped blade in these mounts but late war anything is possible. Blade looks forged- I think it is a genuine, late, star stamped blade.
  11. Star stamp looks ok to me. It looks like a showa-to though, but I think it is more due to the the fact it is a "RJT last ditch" sword. Let's wait for better photos of the blade and nakago.
  12. David McDonalds all the way. http://www.montanairon.com/swords.html
  13. Andy,, Very late blade, which coudl explain the pretty rough finish for a star stamped gendaito. I don't see any photos that show the complete mei: one shows the top Seki ju and the other the bottom, tomo saku, without any showing the kanji in the middle which is the first kanji in the maker's name. Can you post better photos showing entire mei (signature) and of the other side (date)? Thank you
  14. I woul guess one is just more faded/discolored than the other one. They were identical at some point.
  15. Much appreciated Mal, thanks!
  16. Thank you George, you are very helpful as always! So to be sure, Mistunobu is this guy on the smaller attached photo or the guy on the larger one (right and left depends if you are facing the photo or if you are turning your back)
  17. Thanks Mal! What surprises me is that I have been told by a knowledgable person that Mitsunobu is back row middle and Nakata Kanehide back row right. On the translation p.28 it says Mitsunobu is back row right and Nakata Kanehide is back row left. So one version is not correct.
  18. I may have found on Ohmura website ,a photo with Seki Mitsunobu. He is back row middle, back row right is Nakata Kanehide. Can anyone can read the name and place of the other smiths? Thanks
  19. Peter, There is a page on SLOUGH oshigata book for the 3 smiths if I am not wrong. You can buy the book or ask for scans pages here. NB: there should by a small Gifu stamp on the nakago
  20. Peter, Fukumoto Kanemune worked in Gifu in a family workshop with his father Fukumoto Amahide and Ido idetoshi. You can do a research with his name on the forum and find more infos, or even Google him.
  21. NENGO : SHO WA JYU KU NEN JYU NI GATSU ( December 1944 maybe)
  22. Maybe SHOWA JYU KU NEN ICHI GATSU
  23. Interesting John, i did not know some ito were suede made. Do you have an example?
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