watsonmil

Dear Piers, In answer to c), ... although not the best of photo resolution, ... I think I see a Teppo ( matchlock gun ) laying on the ground in the bottom left corner of the first print. The answers to a) and b) will have to wait until I get out a few books. ... Ron Watson

Dear David, Yes, ... there is a Japanese ( language ) book listing most or at least many of the known Japanese Gunmakers. I believe Piers Dowding ( Bugyotsuji ) has a copy, and although he is presently in the UK, ... you could send him a PM via the Nihonto Message Board. There is also Koichi Moriyama ( Nobody ) who although has limited knowledge of the Tanegashima could possibly help you out with the signature translation. ... Ron Watson

Dear Grey, Thank you for the photos, ... it is nice to see. It is sad the show was not better attended. Perhaps if the show is able to continue, ... more people will learn about it and attend. ... Ron Watson

Dear Junichi, Although it would be better to form an opinion with it in hand rather than making a judgement from photographs. I would say this is plating rather than inlay. It is never the less quite attractive. ... Ron Watson

Dear Howard, Barry spelt the eBay sellers name incorrectly, ... his eBay sellers name is toraba and he has 3 or 4 for sale on eBay at the moment. ... Ron Watson

Dear Peter, I must agree with Mariuszk on this one. The insects are childlike in their execution with some inlay not only badly worn, ... but also missing. The sekiigana in the unplugged hitsu-ana actually has droplets of solder appearing on the join. The fact Peter, as you have pointed out that the abuse as you say is concentrated on the surface rather than the mimi is a puzzle ?? Other than being terribly dirty, ... most of the inlay is in relatively good condition. It makes me wonder if the decorated mimi was added at a later date, ... as in my eyes at least it is of a higher ( somewhat ) quality of workmanship than the rest of this tsuba. I doubt even Ford Hallam could restore this tsuba, ... nor would he want to. ... Ron Watson

Dear Brian, As I posted in a previous thread, ... the time to buy a desired item is when you first see it. It would appear to have been a very nice example ( from what little I see ). Obviously someone else thought so and didn't hesitate. I realize I have few facts to base my criticism on ... price, overall condition, missing or replaced parts, etc. Tanegashima do not pop up everyday particularly in South Africa ! ... Ron Watson

Dear Malcolm, When I was in business ( Watson's Fine Art & Antiques ), ... I had a sub-section on the Internet Store devoted to Antique Silver, ... mostly but not limited to Georgian, ... some really rare Canadian Silver and American as well. I appreciate the " link ", ... as I spent many hours searching books for hallmarks. Since you are still in business, ... should you have cause for suspecting a piece to be either Canadian or American, get in touch with me and perhaps I can provide printed help from my reference library. Kind regards, ... Ron

Dear Malcolm, If you consider Paul Storr to be a maker of dubious quality :D : " Here is a meagre example of some lesser Georgian tat by a maker of dubious quality: " http://www.pashantiques.com/pd866/paul_ ... mports.asp I take it you are being deliberately facetious ( all in good humour I pray ). I have been searching my research library on Antique Silver for a definitive description of the bluish tinge ( subtle ), .... as trying to illustrate via photographs is nigh on impossible. In : The Book OF OLD SILVER, author, Seymour B. Wyler. On page 12, ... I quote: " To an expert, the easiest method of judging the age of a piece is by its color, and although this rule is not infallible, it generally proves true. Silver over a period of years becomes oxidized many times, and this continued action of the elements on the metal gives it a certain softness of texture and color that is known as patina. Frequent cleaning and use in service mellow the piece, and it assumes a certain smoothness that time alone can produce. One often revels in the beauty of old silver, because of its soft BLUISH color. This is an integral part of the make-up of the patina. " ... end of quote. Perhaps it is you Sir rather than my butler who needs a damn good thrashing for over cleaning The defense rests it's case. ... Ron Watson

Dear Piers, Just make sure you keep on rubbing ... the silver and gold with that soft cloth, ( not the shakudo however ) ... The true patina on silver should be a slightly bluish tinge ( very subtle ). You must have seen Georgian Sterling Silver to appreciate. ... Ron Watson

Dear Piers, I was going to venture that the signature is gimei. Personally, ... I rather like the carving on the Kiseru and/or the Kozuka. To some unless the silver is patinated ( black ) and the gold ( green ???? ), ... never personally ever seen patinated gold ... it would be ugly. But then who am I to judge what others find poor and ugly or what silver and gold should look like ? Thank you for posting Piers, and I thoroughly enjoyed the answer as to why it was so cheap on one hand and expensive on the other . ... Ron Watson

Dear All, The microscope pictured with the diagram of the snowflakes appears to me to be early to mid 1800's if that is any help. I can carry on a basic conversation in French, and can read French fairly well, ... but try to decipher Kanji as my old Japanese friend used to say for me was a hopeless task. I envy those of you who can. It would have been a great boon to my studies. ... Ron Watson

Dear Pete, Mike, et al, I have found in a Japanese book of mine, .... what I believe is the Japanese document from which the artist Ichijo copied the exact snowflakes pictured on his tsuba. Unfortunately I cannot read Japanese, so will leave it up to someone else to do the caption translation. ... Ron Watson

Dear Curran, The time to buy a piece is when you first see it PERIOD. Someone with your experience and taste is unlikely to make a mistake, ... and you can bet someone is standing there just waiting for you to set it down. You are also somewhat forgiving ... let me qualify that, .. to say that if you knew the dealer and he knows you, ... for him to sell the object because someone offered $ 50.00 more shows me a dealer with poor ethics. The proper thing to have done would have been to hold the item and then resell after an hour or so if you did not come back. I've done this many times for customers I know because I know their intentions without spelling it out. Don't know if I have come across the way I intended, ... but you get the picture. Dear Mike, I'm glad once again that Brian in his wisdom has made a fair decision. To me at least I echo Curran's thoughts that such an interesting set should be posted in this section where it will and should generate study both now and in the future. A rare set. Thank you for posting. ... Ron Watson

Dear Justin et al, One should never collect with investment as a reason. Collecting, be it stamps, coins, firearms, or nihonto and related artifacts should be for : interest, love, and study, ... never for the desire to turn a profit. Having in the past operated one of the most prestigious Internet Antique Fine Arts and Weapons Businesses in the world, ... I believe I can speak with a little authority on the subject. When I started back in the early 1970's, ... I remember selling a very nice Sharpes Rifle for $ 750.00, .... I later bought the same rifle back in the early 1990's from the estate auction and subsequently sold it for $ 3750.00. It took 17 years at an average bank interest of 10% to for the $ 750.00 investment to return the selling price of $ 3750.00. What one must remember is I used 10% as an average return, ... not all years returned 10%, ... a few years were higher and a few lower. Meanwhile the value ( what could be purchased ) with that $ 750.00 in the early 1970's was about the same or less than what $ 3750.00 could purchase in goods and services in the 1990's. Therefore, ... no REAL profit was realized either from the banks nor the purchase of the rifle. Both had approximately the same purchasing power. This is inflation. Although we still have inflation today, ... the banks and governments have not addressed the issue, but rather kept interest rates low. In Canada at least we have bank investment interest rates as low as 1.5 % per annum which in no way keeps up to inflation. What it does do is give banks the opportunity of making enormous profits ( Royal Bank of Canada made 7billion 500 million in PROFITS last year ) while the majority of Canadians due to both inflation and higher taxation had less disposable income. Less disposable income translates into fewer buyers of nihonto, kodogu, and any other collectible or non necessities of life. The result being that only the very rich feel secure enough to indulge their love, ... and they traditionally buy only the best. Consequently the value of lesser Nihonto, Kodogu, etc fall in price as fewer collectors have less disposable income. Now some might say, ... well now is the time to buy, ... but truth be known few young people have the security, nor the disposable cash to make purchases right now. Will things turn around, ... I have my doubts. As governments the world over are burdened with ever increased deficit spending the future is not bright. If one looks at the Stock markets, ... we see the same ... over-valued companies, ... and instead of sustainable growth rather we see an unprecedented bull or bear market where speculators are manipulating what investments the average investor makes being sucked up by huge financial institutions. If you Justin had wanted a good investment by buying tosogu, .... you missed the boat by about 40 years, ... and even then you would have barely kept up with inflation and the devaluation of currency. No, ... one buys collectibles the same way as some people buy a pint of beer, .... to be enjoyed now. The only advantage over your tosogu will be that you have the tosogu to look at in the morning long after you've pissed the pint of beer down the lou. ... Ron Watson

Dear All, I should like to endeavor to write a short treatise on the Girls / Boys Festival Dolls. I promised to do this sometime ago in response to the following thread by Ray Allen : viewtopic.php?f=9&t=8868&st=0&sk=t&sd=a&hilit=doll but just never seemed to get around to it. Although perhaps not of much interest to our Nihonto nor Kodogu collector members, ... never the less a few of us have interests in all forms of Japanese Art/Artifacts A short history on the Girls Festival ( March 3rd ) is often referred to as Hinamatsuri for when the peach blossoms open or Momo-No-Sekku or Peach Blossom Festival. Displaying dolls near children's beds were meant to ward off illness and evil spirits. The display of dolls became widespread after a display in Kyoto Palace, and continues to this day. Most of the Girls Festival Dolls incorporates the Imperial Couple and their court displayed on a shelf system of steps with the Imperial Couple at the top, and lesser members of court arranged on the lower steps. The dolls are called Hina dolls and vary in height from 4 inches to up to 15 inches. The dolls are constructed of straw, wood, silk cloth, and gofun ( crushed egg shells for the faces and hands ). The dolls are never, never played with and are most often handed down as family heirlooms. The detail and artistic merit of the best Hina dolls are a thing to behold. For a far more detailed discussion on the Girls Festival dolls, please refer to the magazine Arts of Asia September - October 1986 issue. Now lets deal with the Boys Festival ( May 5th ) often know as Tango-No-Sekku .... the first day of the horse. Here the dolls are also Hina dolls of the same construction as the Girls Festival dolls and again are arranged in the same system of steps for display. The main difference is the theme of the dolls. They are generally all of Heroic Personages and their attendants, .. but quite often a doll horse will also be displayed. The dolls again can be of considerable height often as tall as 15 - 16 inches tall, with an average being about 11 - 12 inches tall. The heroes come from all periods of Japanese history, and among the most popular are Yoshitsune, Benki and various non descript samurai attendants. Ocassionally we see the Chinese warrior Shoki ( the demon queller ) . In addition it is not unusual to see displayed clay dolls, as an example the seven gods of good fortune displayed on a lower step of the display. Kato Kiyomasa ( 1562 - 1611 ) is also another popular clay doll. There are several others including Toyotomi Hideyoshi ( 1536 - 1598 ). Again I must emphasis the dolls were never meant to be played with but were considered heirlooms to be put away and handed down to future generations. I have already mentioned the magazine Arts of Asia for further study, but I would also like to add the book: Japanese Dolls by Lea Baten as an excellent reference for not only Girls/Boys Festival dolls, but other traditional Japanese dolls as well. I am including a few photos of Boys Festival dolls from my own collection. I believe all are Meiji era, and all are of very high quality and form an important part of my Japanese Art collection. Presented for the enjoyment of NMB members. Any errors are mine alone. ... Ron Watson PS. I regret the poor quality of the photos but I did not want to remove the dolls from their display case.

Dear All, " Once there was a watch. It had a minute hand and an hour hand, and one was longer than the other. Most people thought it worked just fine. Then someone invented the digital watch. This meant that whenever daylight saving time came or went, you had to devote much time to fooling around with digital buttons or, as I do leave things as they are and add or subtract an hour in your head. This too is called progress. " " Once there was a rule, and most people respected it. The rule was ... " If it ain't broke, don't fix it. " ... Then someone decided the rule was silly, and all sorts of things that worked perfectly well were fixed so they didn't work so well anymore. This is now called progress ( improved technology ). It used to be called STUPIDITY. " Quoted from the Washington Post Magazine ... author Richard Cohen ... Ron Watson PS. I skipped the 8 track cassett player, ... and continued playing vinyl, ... saved a lot of money :D

Dear All, My bias for sahikomi verses hadori polish is well documented. There is yet another reason for seeing a preponderance of hadori polishes. I believe it is not only a fad, ... but also that the collector has been brain-washed to accept hadori as the polish mostly acceptable. " If one tells a lie often enough it becomes the truth " ( curtoesy of Joseph Goebbels ). It also comes down to personal preference, ... however there is one more reason why the hadori polish is so predominant, .. and that is : " Why would a polisher repolish a blade that was in sashi-komi with a kesho finish? That is a reasonable question. It seems in fact I asked that very question here recently and I will give you the answer I received: "because it was deemed the best finish for the blade at the time". Maybe that satisfies you but it left me wanting....I suspect there are several possibilities, ranging from it is what the customer wanted to the simple fact that there are very few polishers around today that can competently do a traditional sashi-komi polish. I know that to be true because I asked many polishers in Japan if they do sashi-komi and they all told me the same thing- few still can.... " These words spoken by our none other than ... Chris Bowen One of those rare occasions where both Chris and I can agree ! ... Ron Watson

Dear George, This subject was well dissected, discussed, argued about ... ad nauseam. The thread was originated by SwordGuyJoe back in April 2010 under the heading New Polisher Experience. It run until August 30th, 2010. It was a full 9 pages in length. Here is a link to one particular page : viewtopic.php?f=1&t=7381&start=0&st=0&sk=t&sd=a&hilit=conductor I believe this link is to page 1, ... but one can easily go back to page 1 from the above link if it is not and read, and read, and read. Do we really want to go back to hearing the same biased preferences. We ... " old timers " ... are not likely to change our minds re: sashikomi verses hadori polishing. ... Ron Watson PS. Since writing this reply to George, ... I see Chris has already replied with his ... bias.

Dear Jon, Oh God ! Thank you, thank you ! And the silly buggers who frequent this forum call a piece of steel ART, ... ! Anonymouse Ron

Dear Ed, May I join Geraint, and Uwe in thanking you for sharing these wonderful items from your collection. I must say I consider it a privilege to have viewed these artifacts and hope you will continue to post more from your collection. Most impressive ! ... Ron Watson

Dear Curran & Sean, Are my eyes deceiving me ? It would appear the hamon runs straight off the kissaki which would be a fatal flaw. This would indicate that at some point in time the kissaki has been broken and re-shaped. ... Ron Watson ADDED after Jean and Stephen's post, ... Looking once again, ... I think they are right, ... and be thankful I'm wrong !

Dear Mark, It's been a few years since I attended a sword show, ... and I like you have no desire to carry around several thousand dollars in cash. I always carried a couple of hundred in cash, ... and the balance in Travellers Cheques. I actually had a dealer who demanded " cash " ... and I could not convince him that Travellers Cheques were the same as cash. Fortunately a couple of other dealers came to my aid and assured the HillBilly dealer that Travellers Cheques were the same as cash ! ... Ron Watson

Dear Alex, There are much more specialized tsuba collectors than I. I would hazard a guess at mid to late edo. School ?? Best to direct your query as to school to David Stiles ... user name : Soshin . He is very much a gentleman and very knowlegable on the subject of tsuba. I would be interested in knowing the size of this tsuba and thickness however ... if you could post please. ... Ron Watson

Dear George, Excellent ! Yes an OWL .... I was going to comment earlier, ... but given the negative tone, and the abismal identification of the depicted subject ( and Brian's excuse for other's bad manners ) I bit my tongue, ... but what the hell. Now my response to Alex, ... ( if you're still with us ), ... is that although I agree it is not a masterpiece, ... it is not as bad as some here would have you believe. In my ( humble ) opinion, ... it is actually not bad at all. The artist/craftsman is conveying a rustic - rugged interpretation of the subject, ... and AGAIN in my humble opinion has done so quite nicely. If I were sitting around a table with friends, ... it would most certainly not be the last to set before their eyes. Keep your tsuba Alex and enjoy it. I sincerely hope it is the beginning of an enjoyable hobby and learning experience for you. I enjoyed studying your tsuba ( as best as photography allows ), ... and look forward to your posting any future finds. By the way Alex, ... I've been collecting the Arts of the Samurai for 35 years ... which is longer than some of those who post here have been around. ... Ron Watson