- use of kozuka as Menuki
- wook tsuka and lacquer saya
- gold dragon in the kojiri but not in kozuka
- tsuba not en suite
- etc ....
Does I read Gassan sadayoshi on the paper ?!
Hello,
Thanks for your replies.
Grey, I am not sure it is Shinshinto. It could also be a showa smith.
BTW, page 216 of Markus Sesko's book, there is a katsumitsu in Keio (1865-1868), so near showa periode. I wonder if it could be this smith ?
Hello,
This shinshinto tanto is signed KATSUMITSU.
Following my researches, I found a smith who signed "Oshu Sendai no ju Minamoto Katsumitsu" and work at Keio time area.
I wonder if someone has an oshigata or informations about the work of this smith ? Do you think this tanto could be done by him or just gimei ?
Nagasa : 19 cm
Any comment or information is welcome :D
Thanks
Sébastien
Hi John,
Thanks for your comment.
yes it is an iron fuchi.
I make some research in internet. As Masayuki is a big, I think it is a copy of his work. But I a have no idea of which school could have do it.
Thanks again for your comment on this fuchi :D
Hello,
to adjust the koiguchi, I use a plane on a piece of honoki wood to get a thin wood chip. Then I stick it in the koiguchi like this.
https://docs.google.com/viewer?a=v&q=ca ... XOezwQdOfQ
Hi,
Another indication for cast is the lower part of the tsuba on the photo. You can see something that seems crude and unfinished. A failure during the cast process that won't be like this in a carve tsuba.