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Everything posted by Gunome
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Some additionnal photos that allow to better see the kanji. Giordy, the blade is from an old french collection. So not coming from Japan without papers. I don't contemplate to send to shinsa. I won't hassel with the shipping and export documentations, and as you said, before a shinsa it means polish. John, some sword are obviously gimei, on other we can have a doubt. For me this mei looks closely to the oshigata. They are not 100% same as oshigata, but you also have difference between 2 oshigata. Looking at the oshigata as a whole, I think this one is close. And I confess that both the state of the nagako with rust and the quality of photo don't' help for an opinion.
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Hello Jacques, Many thanks for pointing out the detail to look on the nakago. I need to double check on the blade itself. the nakago is rusty and I wonder if some strokes are not hiden by the rust. I appology for the poor quality of my photos, not helped with the cloudy weather. I check and come back to you. Thanks
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Here are the oshigata I have in Nihonto Zuikan (not in sosho style). To support my opinion, when I look at these oshigata and compare, I see that Sukehiro did suguha. The yasurime, nakago jiri, place of the mei on the nakago, the style of the mei style and kanji itselves matches. Howerver, when it come to big names like Tadayoshi or others, we need to be cautious. That's why any opinions are welcome.
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Hello, Thanks for your replies. Indeed it was his early work, when it didn't write in sosho style yet. The blade is in suguha I will post photos of the oshigata I have. Jacques, for me your oshigata matchs the mei of my nakago, and also yasurime and nakago jiri.
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Hello, The mei of this wakizashi is Tsuda Echizen no kami Sukehiro. For me, when I compare with books, the mei looks good with nidai oshigata. As it is a big name with lot of gimei, I would like to have your opinion on this one. Thanks Sébastien
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Hello, I also think the mimi is in shakudo. I would exclude Kinai due to the style of this tsuba, but also because of the hitsu ana shape that don't match Kinai production. indeed, maybe a Choshu or Bushu tsuba ?
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Hello, This is a nice tsuba. It is a genuine Japanese and not a chinese fake. I cannot tell if mei is good or not but I like it.
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What about Goto ?
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For me it is a mid edo tsuba from Nara group.
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To come back to the initial question, the texture looks like tsushime
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Hello, Indeed, as you drawn on the photo, the edge of the trunk is hollow engraved. The circled gold inlay is flat, but not sure it is due to a seppa. I enclose a photo, but it is hard to take a good one to show the relief.
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Thanks Paul for these additionnal informations
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Many thanks Ford for your post and the link. The workmanship of the tsuba in the link is very close of mine ! Thanks for the reference.
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Maybe. I don't know enough this school to have an opinion about it, but I Will do some research on it.
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Hello Thanks for the replies. A senior collector suggested Hamano or probably more Tanaka. Son Toryusai seems à Goodyear call too. Th me tree is carve so no need to have a modified seppa.
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Hello, This small iron tsuba (6,5cm) is not signed but appear to be late edo. From your point of view, to which school it belong to ? Thanks
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Hello Morita san, Thanks you so much. This was was very tricky to me !
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Hello, Nice tsuba, I prefer the first one ! I would let them as is. They are in good condition. Nice collection !
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Hello, Nice kozuka. You did a bargain at 100€ !
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Hello, Thanks for the various opinions. I appreciate Here is the photo with the kizu. Around 2 or 3 mm
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Yes, infortunately there is 3 small fukure visible under the rust. That's why I wonder if it is worth polish or not because blades with muneyaki are quite pleasant