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Lewis B

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Everything posted by Lewis B

  1. What an amazing coincidence to be rediscovered exactly a century later.
  2. For anyone with FB. Here are Shiotsuna's images of the Mitsutada Ken. What I don't get is why the plaque said it's the only known sword by Mitsutada, there are others. Maybe the only known Ken. https://www.facebook.com/photo/?fbid=2025021488070415&set=a.2025022978070266 And the koshirae
  3. Thanks for the photos. That blade has had a tough life. A chunk out of the edge and a nakago that is shall we say...interesting. Certainly not something I've seen on another blade from the era. Unfortunately Shiotsuna, the local photography GOAT can't travel to record these blades. Such a shame.
  4. Is it common blades to lose National Treasure status? I thought that attribution would be a forever thing.
  5. When I visited a year ago they had an extraordinarily healthy Rai Kunimitsu sword in the display booth. A couple weeks later I saw it in hand as part of a special NBTHK-EB event at the Museums research centre and took this video. It had marumune and Hon'ami Kochu Kinzoganmei
  6. When the Yamatorige was purchased by Setouchi City the US$ was much weaker. 500mil JPY was around $5mil (just over $3.1mil based on todays FX) making it a far better headline. Speaking of visually impressive swords, do any of these big name sword museums in Japan use the macro observation system successfully employed by the Samurai Museum in Berlin? There is nothing like viewing these blades under a macro lens (like observing pond water under a microscope).
  7. You will have to contact Chris directly. He withdrew the listing and the photos disappeared.
  8. You're welcome. Contact info for a couple of habaki makers can be found in this thread https://www.militaria.co.za/nmb/topic/15473-i-would-like-to-buy-koshirae-or-shirasaya/
  9. You're welcome. Contact info for a couple of habaki makers can be found in this thread
  10. This may still be available
  11. An older thread but the suggestions are probably still valid and worth pursuing. I would suggest you start with John Bolton. https://www.militaria.co.za/nmb/topic/23338-habaki-maker-uk/
  12. I hope the buyer knows what he bought when he gets them in hand and demands a refund. ~11k Euro after fees is a big hit. Got to wonder how many other pieces in the collection are suspect.
  13. This was a shocker. Paul Kremers says these tsuba are fake and I would assume he should know.
  14. I thought it was a tanto.
  15. Welcome. There is a template that should be completed with all the details people are likely to ask. And a price is obligatory. I assume you’re asking $5659 and $3500 to NMB members?
  16. Agreed. Leave alone. Most of the time you won’t even notice it. Judging by the gaps towards the munemachi I would say this was not originally made for the blade or the blade has seen many many polishes(unlikely). It’s not uncommon for fittings to be married to a blade for sale purposes.
  17. Welcome Andy. Would be helpful if you post a photo so we can see the material (copper vs gold foil vs silver vs solid gold), single vs double habaki and the crack you’re seeing on the habaki. There are people in the UK who can make repairs and the material might help determine who best to contact.
  18. Google Drive should be fine. It’s like posting a URL for an Imgur images file. I have a huge issue with zip files on the other hand.
  19. There is also a Kotegiri-Masamune https://markussesko.com/2013/06/25/the-kotegiri-masamune/
  20. Correct. The kinzoganmei says Kotegiri Yoshihiro Hon'a (Kao) and the silver inlay "Possession of Inaba (Masakatsu) Tango-no-kami.
  21. Superb deal. This little tidbit just adds to the soup "The nidai Masachika, Kaei (嘉永, 1848-1854), Musashi province, never signed with the same characters as his father, but instead used 正近. Of note, the nidai was executed in 1868 for producing gimei blades." Although he could equally have been beheaded for politcal allegiances. Afterall Kajihei wasn't executed for his gimei foibles. Nethertheless an interesting historical demise.
  22. Something I just noticed on the two examples I posted is that the horizontal strike on mitsu appear deeper than the other strikes. Reminiscent of some Norishige mei when he carved the shige kanji. One smith influencing another?
  23. I think we can say is that the Midare Shintogo represents an important transitional work. Call it a prototype, that establishes the first toe into the Soshuden pool. It would not surprise me if there was a difference to later works by Yukimitsu when working independently together with Masamune, as the forging style evolved. If by Yukimitsu then the fact it's signed 'Kunimitsu' is another indication it was made during his apprenticeship with the old guy.
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