The short middle stroke does appear to be there, angled slightly downwards to the left. The top of the right stroke is lost or obscured due to corrosion. There appear to be two horizontal strokes in the left radical, which is specific to TOSHI. MURA has only one horizontal stroke in the left radical (middle stroke is present, top stroke absent compared with TOSHI). The location of corrosion has made it less obvious overall where FUNE ends and the next kanji begins.
There was a large, thin book published which I bought when Tanobe-sensei came to the 2003 Tampa Sword Show. I do not recall seeing an electronic copy, but a member here may have a copy of the spiral bound book for sale.
Best regards,
Ray
The kitae ware should be mostly or fully covered by the habaki. This may be the reason that the sword is its current length (if osuriage, the shortening may have been just enough to conceal the kizu). I would not consider this to be a fatal flaw. A friend owned an exceptionally nice Juyo Yamato blade with a very large and deep rust pit which was similarly positioned. There was also a great osuriage mumei wakizashi that passed at 77 points to Uda Kunifusa in Tampa, also having a large flaw concealed by the habaki.
Best regards,
Ray
One thing to keep in mind here is that the munemachi may sit higher or lower in the habaki depending on how the habaki is made. I have seen a few where the munemachi was quite low, which would create more distance between the mekugi-ana and the habaki. The mekugi-ana is still implausably high up the nakago though, as others have said.
Best,
Ray
As I mentioned to Bob offline, I know this sword and encountered it in person a couple of months ago. It came out of the same collection as the Dotanuki Genzaemon katana I purchased in February. My impression at the time was Sue Koto Mino Kanemoto. The sanbonsugi seen in the photos is the real hamon, definitely not an artifact created through hadori. I felt it was worth collecting and the fact that I did not try to purchase this one in addition to the Dotanuki was more a reflection of my finances at the time.
Best regards,
Ray
Hizen (no) Kuni ju Mutsu (no) kami Tadayoshi. This is the signature of the 3rd generation mainline. You will find plenty of information on this smith online. Roger Robertshaw is the best resource for evaluating mei of this school.
http://hizento.net/index.php
http://www.sho-shin.com/shinto-hizen.html
- Ray
This was never a wakizashi however may be machiokuri and a longer katana at one point. The nakago mune also appears to be shaved back and I am not sure if what is left of the nakago jiri is original.
Best regards,
Ray
Koto. It looks like the length is 24" or 60.9cm. This is and always has been katana. The photo is a bit blurry so please correct me if I'm mistaken.
Best regards,
Ray
Funny Jean, one of the Mihara on that page is mine and I was not aware that there were photos online. Gustaf, here is an oshigata of the first generation Mihara Masaie who worked in the Kamakura period. This would be earlier than your sword. There was also a Masaie in the Sengo school, however I don't have any oshigata on hand at the moment.
Best regards,
Ray