Pete Klein Posted June 3, 2017 Report Posted June 3, 2017 George M. -- It would be helpful to see the ura of your menuki also as much can be observed about your explanations from them. Quote
JohnTo Posted June 3, 2017 Report Posted June 3, 2017 Thanks guys for putting me straight regarding the lost wax moulding process vs the actual way menuki are made. I'm not a pratical metal worker, just someone who observes and makes comments on their observations. Menuki don't have a particular interest to me, I much prefer tsuba. When I ran a science group I would often say (when I was wrong) 'A c$%p theory is better than no theory at all' regards, John Quote
nagamaki - Franco Posted June 3, 2017 Report Posted June 3, 2017 Why did the chicken menuki cross the ocean? When it comes to menuki in particular, the proof is in the detail. If fine detail isn't there, then 'like' is likely making your decision. Which is not being objective. Like it or not sellers count and play to that factor. And like the song says "I see trouble on the way." 2 Quote
TETSUGENDO Posted June 5, 2017 Report Posted June 5, 2017 "There's a bad moon on the rise" -StevenK Quote
Bugyotsuji Posted June 5, 2017 Report Posted June 5, 2017 Of course, clay molds for menuki were unearthed at the Sengoku Jidai ruins at Asakura Ishijodani in Fukui. So there might have been one 'original' master and many repros, even 600 years ago. (Thanks to a little bird that flitted past my window.) Quote
John A Stuart Posted June 5, 2017 Report Posted June 5, 2017 Not to mention the resin moulds that have gold foil pressed onto them. John Quote
Ford Hallam Posted June 5, 2017 Report Posted June 5, 2017 Piers, without seeing the moulds you're referring to I would suggest that they were part of the record taking process that John is referencing. It was common practice to take a record of finished work either as a way of creating a sample catalogue or simply a record of studio work. The finished piece is simply pressed into wet clay which is then allowed to dry out. Then hot matsuyani (pine rosin mixture) can be poured in to the clay mould (after the metal original was removed). Once cold the matsuyani is very hard to the touch, you can't really indent it with a finger nail, but easily cracks so can't be used to form thin gold sheet on. The real problem I have with the recurring notion that the casting of tosogu, including tsuba, was performed in the Edo period is that while there has yet been no evidence that this technology was used the mere suggestion that is was possible allows for a gray space in which modern faked items are given a pass. 2 Quote
niknik Posted December 16, 2019 Report Posted December 16, 2019 Hello. I think this is fake. What do you say about this thing? Quote
b.hennick Posted December 16, 2019 Report Posted December 16, 2019 The set is a poor quality fake. Quote
rkg Posted December 16, 2019 Report Posted December 16, 2019 Is that a tobacco pouch clasp? Best, rkg (Richard George) Quote
b.hennick Posted December 16, 2019 Report Posted December 16, 2019 It could be a pouch clasp. They usually have two wires sticking out. Quote
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