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rkg last won the day on December 26 2021

rkg had the most liked content!


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    Portland, Oregon, USA

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    Richard George

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  1. Bob, Did the seller actually state it was edo period/authentic in his writeup, or did he use the usual "I don't know what this is, do your own due diligence" verbage? If its the former, you might be able to contact buyee, point out that the guy lie-er, was mistaken about its age/authenticity, and ask them to ask the seller to take it back (though that's a long shot unless they really buggered their listing). Best, rkg (Richard George)
  2. and just for grins two more that seem to be crowd pleasers: 11. pretty generic mei, but... 12 and last but not least, an oh-no: Happy Holidays, rkg (Richard George)
  3. continuing.... 6. Really Nice Kyou sukashi: 7. Mokume and made by a swordsmith: 8.sadahiro 9. old kagamishi 10. I don't know what it is (probably myouchin I'd guess), but I like it: rkg (Richard George)
  4. Since its (almost) the end of the year, let's see what treasures you've acquired this year - I seemed to have gotten entirely too many pieces this year, but here are some of the top ones, in no particular order: 1. Killer kanayma: 2. Monkey/moon themed ko-shouami: 3. and just to make your skin crawl, here's a millipede themed tsuba attributed to Myouchin: 4.Kodai Jingo 5."ume" tada: Enjoy, rkg (Richard George)
  5. The first one makes me think of looking down on a Dalek :-) rkg (Richard George)
  6. The other day it struck me how the composition of ebay kodogu fittings has changed over the years. Back in the day most of these er, foreign made utushi were listed out of China - now they are all pretty much listed by sellers from Japan. Between that, the Japanese re-listings of items on Yahoo!Japan (both by the actual owners of the pieces and arbitragers), and the large number of pieces out of Japan with very er, market leading prices (not sure why they do this - fine if you want to dicker, but starting out the piece at several times what it "should" sell for? Really? Maybe they get enough bunnies to make it worth it) its too bad you can't just block certain countries - used to be I'd want to block listings from China, now I'm wondering if it might be more productive to just block the Japanese ones rkg
  7. Glen, I personally kind of think the sekigane on that piece is real, but there does seem to be something odd there - the carving has problems as you point out, there's those odd divots in the surface, etc - could it have been corroded and cleaned up, some kind of period casting, or....? what's odder is that it "rated" Tok Hoz papers. I mean, I guess the condition is OK, but that shigetoshi isn't listed in my "usual suspect" mei book*, so he's probably a lesser known tsubako, etc. The seller seems to have up a number of other er, lackluster (IMHO) pieces with Tok Hoz papers as well. I guess its another "what actually allows a piece get TH papers isn't what we think" moment. I should note that the seller seems legit I am in no way trying to say they aren't, I just can't figure out how some of these kodogu got higher level papers: https://auctions.yahoo.co.jp/seller/yokohama_chishin_net Best, rkg (Richard George) *Markus sesko's excellent translation of the mei book whose name escapes me at the moment - the electronic copy is searchable and makes finding the guys when they are noted in the Japanese auctions a snap (gotta love cut and paste) - highly recommended - he might sell a pdf directly if you ask (contact him directly on that), but here's a link on lulu to the physical book: https://www.lulu.com/en/us/shop/markus-sesko/signatures-of-Japanese-sword-fittings-artists/hardcover/product-1mwe2v6y.html?page=1&pageSize=4 Not deliberately trying to threadjack here but... As an aside, you can do the same thing with his e geneaologies of Japanese tsuba and tōsō-kinkō Artists book (same thing - searchable kanji is great for those of us who are getting old/suffering from CRS and can't seem to memorize/remember the up to 8 different pronunciations associated with those 2000+ kanji of interest anymore :-/ ). rkg EDIT: again, to be fair, the seller has other papered pieces where IMHO the Tok Hoz papers seem right, like this yondai yasuchika - the back/end is a bit beat up, but....: https://page.auctions.yahoo.co.jp/jp/auction/c1021388601
  8. Glen, Just to be clear This isn't my piece (I wish it was). I shot it for somebody else and was given permission to show the images for discussion purposes. Because of the pretty overt Christian symbol its an amazing study piece because you -know- it wasn't mounted after about 1637 (unless one had a death wish). Note that there was a fair amount of missing inlay, even from un-corroded/un-worn surfaces on it. We'll probably never know if it was a fashion/wabi sabi thing, the owner yanked the bits that were tearing at clothing, or what. Best, rkg (Richard George)
  9. Johan, Hoo boy, that's a lot of material to cover... you might start by getting a copy of Markus Sesko's Koshirae Taikan - he does a pretty good job of covering the various styles of koshirae and when they were used. I had gotten an electronic copy a while ago but hadn't really looked at it much until I was researching a piece I -thought- was an old naginata tsuba but -actually- was a Kamakura period tachi tsuba, but I digress: https://www.lulu.com/en/us/shop/markus-sesko/koshirae-taikan/ebook/product-1gg5dkp6.html?page=1&pageSize=4 I love his e-books because they are searchable (including the kanji), and you can zoom in on the images and see a lot of details, but I digress again. Tachi koshirae kind of quit being used in battle regularly during the Muromachi period*, but tachi koshirae were made up until the Meiji period as "dress" pieces (for court in some occasions, the imperial family usually wore an archaic version, etc etc). In addition, there was a b*stardized version of the tachi koshirae called Handachi that was similar but was meant to be worn blade up that you see right up to the end of the Edo period - they typically had the large seppa, etc. If I had to guess, that's what I'd say your piece is (despite its decayed condition, it doesn't look -that- old to me, doesn't have a lot of layers, they built up the mimi with lacquer, it has kozuka/kogai hitsu that kind of look ubu, etc - though ymmv on that - there's one that is in the elephant book that is dated fairly early (momoyama? can't remember now) that might have had lacquer work done to build up the surface (just can't tell until you see it in hand, right?)). Forensically you can look for the brown undertone in the black lacquer, what the crazing looks like, etc - or you can get it carbon dated (kind of cool that these actually -can- be carbon dated, but...). Sometimes they have an iron layer in the middle, sometimes not. - seems like most of the really old survivors had the iron plate in the middle, had a fukurin that held it together, or were small. Intact ones made before the early Edo period are really rare, as they pretty much all delaminate and usually are lost at that point (and it seems to be a fairly destructive process - I've seen a nambokucho period tsuka/seppa set where the seppa are cupped outward from the nakago ana/tsuba surface, apparently by the action of the nerikawa tsuba as it fell apart over time - they must swell at the same time). Good Luck, rkg (Richard George) *outside of the Ainu, etc anyway
  10. rkg

    Fake patina?

    John, Its pretty shiny so I'd posit that its waxed. Best, rkg (Richard George)
  11. Well, There's two problems - first, boxes often need to be big enough to stick the customs forms on (depending on the service it was sent by). In addition, sometimes a slightly larger package tends to not get lost, damaged less, etc. And... if the seller has a "system" that works for them, has prevented damage claims, etc it really can be a major pain to do something different. Second, damage is a thing - envelopes can get mutilated (and lost), and even boxes require some thought - here's a couple of my favorite "receptions" (NOT!! - I almost had a heart attack when each of these showed up, as they both had 6 figures worth of kodogu in them for me to image): https://www.facebook.com/permalink.php?story_fbid=1462966100425400&id=266005023454853 In the first case, the sender did everything right, but UPS tried real hard to smash it (and it arrived in the winter so I had to wait a number of hours for it to warm up before I could even open it for inspection to prevent condensation issues). In the second case, the shipper probably could have put this box in the next bigger one and got a better result - again, keeping your goodies away from the corners/sides of the box generally gets you better results... I'm sure some of you guys can probably attest to the crazy packaging I personally use, but I've shipped a lot of small valuable items all over the world/have received a fair number as well and I only do it in response to the damage to boxes I have seen/had to deal with.... I'd love to use less, but until the package carriers of the world stop trying to crush things, that's not gonna happen.... Too bad guys like Pelican/sks, etc haven't addressed this market with lightweight plastic cases so it all could be reused (their normal cases aren't really right for this - tooo heavy) Best, rkg (Richard George)
  12. There's an amazingly large number of cast copies of these, and ts scary how much some get bid up on YJ sometimes - you know the buyer isn't gonna be happy when they figure it out. rkg (Richard George)
  13. Hi, Has anybody recently gone through shipping higher dollar pieces from Japan to the US using EMS? How did it go? Thanks, rkg (Richard George)
  14. A picture of the piece (well, the nakago ana) is in Wakayama's Toso Kodogu Meiji Taikei (volume 2, p.260 if you want to look it up), so I guess at least he thought the mei was good, but.... That work really isn't (IMHO) - most natsuo stuff makes me go "ooh" - the workmanship on this doesn't... George M's assertion that its a student piece that received a "courtesy mei" sounds like as good an explanation as any, though I guess we'll never really know (maybe he did it for a customer he hated/ordered something he didn't want to make, or...). The auction was more fun to watch than the one for that beat up Myoju/Mitsuyoshi piece that was up not tooo long ago... Best, rkg (Richard George)
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