Bryce

G'day Moriyama San, What about this one? Cheers, Bryce

G'day Paul, Unfortunately we can't see the boshi. Here are a couple of shots of my Bizen Yokoyama Sukenaga to compare. Cheers, Bryce

G'day John, I am not sure if this is the same thing, but these shots are of a mumei shinshinto katana in my collection. It has old NBTHK papers attributing it to Kanenaga from the end of the shinshinto period. I have never been able to find any information about this smith. Cheers, Bryce

G'day Guys, I have been thinking further on the two blades I posted above. They are signed Gassan Sadakatsu, but not in his hand. Their jigane, hamon and sugata are not typical for his work and this suggests to me that while they may have been made by one of his students, they weren't made by Gassan Sadakatsu himself. At what point does a blade become gimei? Cheers, Bryce

G'day Guys, While trawling the internet looking for examples of Gassan Sadakatsu's work, I have come across several examples which look atypical and I had assumed they must be gimei. They are straighter than usual, the hada is koitame rather than ayasugi or masame, the mei is by a different hand and the kao is different. Then I found one with NBTHK papers and I began to wonder if the NBTHK may have made a mistake. I think I have worked out what they are. They are signed Gassan Sadakatsu, but they are actually by Gassan Sadaichi and signed with his kao. Here are two examples followed by a later blade by Sadaichi and signed as such. Cheers, Bryce

G'day Guys, Here is the link to the discussion of this tanto in the translation section. Cheers, Bryce

G'day Paz, I am not sure if you are only referring to Japanese swords and armour or arms and armour in general? The Wallace Collection in London is amazing!!! They only have a few Japanese examples on display, but their collection of European and Indo-Persian arms and armour is incredible. Cheers, Bryce

G'day Guys, Here is an early type 98 with an unusually long tsuka and dome head hanger. The beautiful shinshinto blade is by the Nidai Bizen Yokoyama Sukenaga and has a nagasa of 68.3cm. Cheers, Bryce

Don't want to hijack this thread, but Blackadder is the funniest TV show ever! Cheers, Bryce

G'day Piers, Thankyou for your explanation. Cheers, Bryce

G'day Guys, Am I right in thinking this is a Daki Myoga mon? You often see mon used within a circle, but also without one. What is the significance of the circle? Does a mon within a circle represent a different family to a mon without a circle? Cheers, Bryce

G'day John, What are the blades? Cheers, Bryce

G'day Mal, I have had most success with DHL lately. The only downside is, it is very expensive. Items that have been sent via USPS sit around for a month or so, before being returned to sender. Cheers, Bryce

G'day Guys, For completeness I am including some photos of the boxed tanto made in 1942 using steel smelted by the Japan Iron Sand Steel Industry Company here. I found these images in the sold section of a Japanese site. It was discussed over in the translation thread. Cheers, Bryce

Thanks for sharing this Stegel. I had read about these advertisements on Darcy's Yuhindo site, but it is good to see this firsthand. Has anyone translated Mr Venizelos' letter? Cheers, Bryce

Thanks Steve, The boxed swords/tanto Gassan Sadakatsu made to commemorate the birth of Prince Akihito in 1933 are packaged the same way. They obviously weren't commissioned by an individual, but were marketed by Sadakatsu as a clever sales gimic. I am beginning to think that these Japan Iron Sand Steel Industry Company swords were marketed by Sadakatsu in the same way, rather than being commissioned by the company. Cheers, Bryce

On closer inspection, the date is definitely 1942. Cheers, Bryce

G'day Guys, Unfortunately this isn't mine. I found the images on the net. Cheers, Bryce

G'day Guys, I have come across this tanto, made by Gassan Sadakatsu using steel smelted by the Japan Iron Sand Steel Industry company. It is dated on the box either 1941 or possibly 1942. What I am trying to find out is if there is anything in the writing on the box, which gives some clue as to whether these was commissioned by the company as gifts, or were they just made by Gassan Sadakatsu using this new special steel. Cheers, Bryce

G'day Guys, Just realised I had doubled up one of the kao's in the above photo. Here is an updated collage comparing kao's from five other blades forged between 1940 and 1943 with the suspect one. Cheers, Bryce

G'day John, The kao is close, but it isn't right. If you look at the blade as a whole, the only thing that looks remotely Gassan is the kao. I think the Gassan signed blades that don't have a kao are the ones made by his students. They look different from all the others with his kao. Here is a collage of Gassan Sadakatsu's kao's from around the same time, with the suspect one in the bottom right.

Here is a side by side comparison with my blade. Both blades were supposedly made in 1940, so there is no chance that the differences can be attributed to Gassan Sadakatsu changing his style over time. Cheers, Bryce

G'day Guys, I think I have found a gimei example of one of these Japan Iron Sand Steel Industry Company swords. Everything about this blade is off. What do you guys think? Cheers, Bryce

G'day Dave, I have only looked at his long blades, not wakizashi or tanto. About 60% of his blades are signed katana-mei and 40% tachi-mei. It almost looks random, there is no pattern to it that I can see. I have only come across 4 examples without his kao. Two of these are star stamped. There are very few examples to look at, but in general they don't look as good as his blades with a kao. Cheers, Bryce

G'day Guys, I have a database of 53 of his long blades that I have found on the net. His most common hada is ayasugi, followed by masame, followed by soshu in the ratio of 4:2:1. Then there is the odd example of other styles such as koitame. Cheers, Bryce