Curran

Dave- I have enjoyed following this story, crossing its tracks every now and then from the first time you posted. I look forward to better photos from Dr. Melaville's grandson, be it a stainless steel or something more than that.

But they do care! Why.... I have no idea. This is the second time I've had tsuba stopped. NBTHK shinsa is getting to be an impossible thing.

Chris, Something like that. They want proof the items are antique. Never mind that one of them is Nambokuchu or earliest Muromachi and looks it.... Its getting to be a ridiculous amount of work, and I'm rather mad about it.

This is important to me to resolve an issue with Japanese Customs. Can someone please to me the great favor of scanning in the entire Sasano Silver Book page for the Hayashi tsuba similar to the one discussed in this thread: viewtopic.php?f=2&t=14486&st=0&sk=t&sd=a&hilit=hayashi Japanese Customs needs to see the time period before they will admit a tsuba to Japan as an antique. Japanese Customs is getting to be a real pain in the arse. Please help, if you can. I don't have access to my books.

Ouch.

David, My feeling on Namban: Nice to have a few for a while, but not to keep. Only keep the if they are: (1) Really fine condition early examples (2) Something very funky or different You definitely have #1. This one on ebay is #2. Signature is one of the most unique I can remember, design is straight out of a D&D Monster Manual, and NBTHK Hozon. That table of Nambans in Tampa: 49 out of 50 didn't interest me much. Give me #1 (yours) or #2 (something like this ebay one). I visited Katana-Maeda website, and it looks like they were regulars on Bidders.com until it got shut down. Then they decided to migrate to eBay and give it a try.

I had a very pleasant purchase on eBay from a Japanese seller. In my experience, they are a class act. I decided to recommend them. They have an interesting tsuba up now: http://www.ebay.com/itm/TSUBA-Japanese- ... 1e78e285dc NBTHK papers and all. It actually says made with namban tetsu. I've seen this on swords, but don't recall seeing this on a tsuba. Enjoyable looking tsuba too. Attached below are images of the fuchi kashira I purchased. I was a little shocked to see this on ebay. They are 4th generation Nishigaki, signed and dated July 1776 He was about 76 years old at the time of making these very large f/k, and did them in a very non-Higo shape. Really interesting experimentation by a retired mainline maker at an old age, at a time when our USA founding fathers were off trying some experiments of their own. Since we are moving soon, I offered to pay for express delivery. They told me not to worry, and sent it right away lighting fast. They paid the extra $15 or so to send it that way, and did a phenomenal job packaging it. Both wife and I were just impressed by old school class of the seller. Highly recommended, and I hope others have similar experiences.

$20? Newbie luck or you took a really good shot after having learned from NMB a bit. I can only back up Boris' comments about the hitsu-ana. I put on my dark glasses, grab my zato cane, and stumble around in his area of expertise, always learning something from him. The similarity to ko-mino point was a good one. Please share a photo or two of the tsuba in natural sunlight, if you ever get the chance or can photograph it near a window in what is probably still cold weather in the UK. David are you in Japan, or just about to head to Japan?

Peter- PM sent

Henk-Jan, Thank you for that. I was so starved for English when a foreign exchange student in Japan in 1989. A classmate handed me a copy of 'The Dirty Pair' in both Japanese and English. I wonder now if that was some of his work.

Even if it is a moot point, I'd like to know how he died. He added both to the Nihonto and Japanese Art / Anime world. It should be given at least a moments respect here.

I agree with Peter. Leave this one alone. Maybe a light horse hair brushing now and then, and some handling. Nothing more. Its hard to age that gracefully. Curran

I'm looking for fellow friends of Toren Smith. I haven't spoken with him in years, but Darcy contacted me. Word is the former collector and well known translator has died.

Much of it doesn't come from Japan. It comes from farms in Georgia, South Carolina, and the likes. The Japanese came in the 1980s and bought up all future production for 30+ years out.

Thank you gentlemen. I thought it might read Misumi, but wasn't able to get 'Horie' that Chris provided. I knew Misumi as minor artisan or artisans in Higo. However, I have "Horie" as 3 generations working in Tokushima prefecture. Same or different?

This should be easy, however: it isn't in Rich's Kanji Base that I can find, nor in the few tosogu books I have at present. (1) What is the correct reading of the name of this school? (2) can anyone tell me anything about them? Probably the answer will be very simple, and I'll feel dumb. ->The menuki are a bit crude, but cute. I'm curious as how they came up with the attribution.

David, Thank you. I hadn't seen that one before and went through it. I didn't see the a match to the one I suspect is a modern. Interesting "Antique" section they have. All these years and still always a new site to find.

Hi Alan, Another of our listmembers was kind enough to mail me the link. http://tsubaryuken.com/main.html ~~I received PMs from you, but they seem to be truncated to only contain my original post. PM me again if necessary.

A while back someone pointed to a website listing many of the better repro tsuba we see floating around the Japanese market. Anyone know it and able to point me at it? (Here or PM). I've lost the link to it. --> I've been recently pointed at photos of what looks like a Yagyu tsuba- looks good, but a tad off to me. --> I cannot ask for more photos. I suspect it is a very good repro, and that I will find it is one from that site. --> then again, it might be simply a mid period version of the design that I know from early period version. Or kodai...

Oh my. Congrats to you Ray. But two daughters? Time to switch to collecting shotguns. Ask Pete K or Jean for advice there.

Missed you in Tampa this year. I'd like to see that Antiques Roadshow sword some day. The Baxleys asked after you, and I let them know you probably weren't there on the basis of being a new papa (Ah-bu-ji).

Junichi, If you throw me a scan of Wakayama, I can give me 5cent opinion. Looking forward to having my books again in 1 month.

Looks quite real to me. Tengu and Whatshis name? Classic story here. Last year was reading it in the NY Met Museum of Art, but I don't recall it too well. Some people (usually martial artists into the the tengu mythology) really get into collecting these pieces with Tengu, thus rare I see one on the market that is of any quality.

Ford, Its more that I just enjoy that one work. Don't think much of his other work. Have done enough scuba diving where you go from the 2-D world on land to where suddenly 3-D is much more fluid and sometimes you find yourself looking up or down on something fearsome- and you can't respond as you would on land. Altered reality, yadda aydda, you get the idea I am sure. Stuckism- boy haven't thought on that one much in the last decade. Do remember trying to buy one or two of that guy Absolon's (sp?) stuff in wealthier days. Enjoyed most of the Spalding presentation. True to his trick, I preferred the sheep in the box to be Dolly the first cloned one. Much more interesting to me, just as would the tsuba that started this thread- if it had some historical significance that we could evidence and learn from. As is, it is basically what you said- very studiable forensically. It went through a whole lot of something, but is lacking certain signs of abuse I'd expect to go with everything else that has happened to it. Back to the silver mines...

Hazama and Kunitomo tsuba: boy what a difficult topic. Here is a posted article: http://www.nihontocraft.com/Hazama_Tsuba.html Yet even in this article there is a fair bit of what I consider mis-information. It doesn't pop up on a google search, but sahari inlay was going back at least as far as koryo celadon inlay. Sahari inlay isn't universally the same. I've owned two Hazama and 1 Kunitomoto Teiei. All NBTHK papered. Hazama sahari was of one sort rather visibly different from the Kunitomo Teiei. That of Teiei is more perfect, yet much darker. Different books say different things. Ultimately they are considered very desirable, but it is another in the eye of the beholder. The Kunitomo Teiei is a near perfect condition one with Tokubetsu Hozon papers and a decent hakogaki from big name. It is one of only a few I'd consider submitting for Juyo- yet it much more to the Japanese taste than mine. I prefer the Hazama with its flaws. The one you linked is a modern copy, and sort of screams it to me. It isn't just the inlay, but also the surface finish of the better Hazama that makes them distinct. That modern Nagatsugu signed one certainly lacks the surface finish.