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Grey Doffin

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Everything posted by Grey Doffin

  1. I see a catterpiggle and chrysallis, a.k.a. butterfly. Grey
  2. Cas, Hitachi is a Province and Daijo is an honorary title. Something along the lines of "Junior Lord of Hitachi" (Hitachi no Kami would be "Senior Lord of Hitachi). Not actually the Lord of the province; only honorarily so. Grey
  3. Or, how about this one, titled "Higo Diletant" by Skip Holbrook, and available dirt cheap on the For Sale forum. Grey
  4. How do you recognize a fake? Same way all of us do. Before you buy a sword you buy books, read, reread, and study. Go to sword shows and look at lots of real swords, ask questions, and ask you way into collections and ask more questions. If you had decided to collect old master oil paintings you wouldn't expect to buy a great one at the first flea market you attended; no different with Nihonto. First pay your dues; then collect swords. Grey
  5. Jumyo. Grey
  6. I believe what Reinhard is referring to is the curve of the shinogi away from the ha between the 2 mekugi-ana. This isn't right and probably happened sometime after the original shortening. Perhaps a different mei was filed away? Grey
  7. Yes, when you get the sword, Knorad, please post a picture of the tsuba. Be nice to see the whole of it unmounted. Thanks, Grey
  8. Kalvin, I think Bruno was answering your question; it was made by Nagamitsu or one of his helpers. It is not uncommon in Nihonto history for a student to sign his master's name to a sword. In some cases the work of the 2 are close enough that it can't be determined which smith did the work; in other cases the works differ and if the blade were papered the paper would make note of this. In the case of the WWII era Nagamitsu, there are so many blades with this signature that it is certain they couldn't all have been made by the same man; assistants must have made and signed some. In most cases, however, the work isn't exceptional and there is no way to judge who may have done the work. It seems to me (put target on back) that the prison guard story that goes along with Nagamitsu swords has unrealistically inflated their value; they aren't very special. You did well to find one at a garage sale; you can sell it and buy something nice. Grey
  9. Grey Doffin

    Kaneomi

    Kevin, Checking my index I find that Kaneomi didn't make it into any of the 68 references included. If Chris Bowen hasn't had anything to say about him you may be out of luck. Grey
  10. Hi Carl, The Connoisseur's Book of Japanese Swords by Nagayama (in English) might be helpful. It goes through the different aspects of Nihonto: grain, hamon, sugata, etc., and tells which schools/smiths would be expected to produce blades with the particular types of these aspects. See my book list on the 'For Sale' forum for a good price on a copy. Shameless self promotion courtesy of Grey
  11. CJ Even taking the route suggested by Chris & Brian will cost more than the mounts will add to the values of your blades. For example, if a sword is worth $3,000 in shirasaya and you spend $2,000 having it mounted (cost of antique parts and labor to make and mount the tsuka and saya), it will likely be worth $4,000, not $5,000 when you finish. Difficult to believe, I know, but that's the market; collectors want original koshirae, not something put together yesterday by you (or most anybody). I think a better plan would be to leave well enough alone (leave these blades in shirasaya) and spend your money on something else with original koshirae. If you shop wisely you won't lose money in the process. But it's your call; you can do as you wish. Grey
  12. Hi Darcy, If you need me I can proof. Grey
  13. Hi John, 1st sword: handle wrap is wrong, the habaki is wrong, the tsuba appears to be iron and rusted (tsuba of this style are supposed to be brass, the fitting at the bottom of the scabbard is the same as the one at the top of the handle (should be different from the handle). 2nd sword: Chinese gobbledegook written on tang, weird angle where tang joins blade, drilled hole in tang (that, curiously, isn't corroded while the tang around it is. drilled after fake patina was applied), the fake patina on the blade stops half way down the tang (the faker didn't want to put his hand into the solution). There would be more if I spent some time looking but this much was obvious. Good luck with the auction house but don't be too surprised if you get stuck. Buy books. Grey
  14. Hi John, Ditto; both fakes. You need badly to gain an interest in Japanese sword books and do some serious study before you buy another sword. Grey
  15. Hi Andrew, Actually, the top Kunimune would be Bizen Saburo Kunimune, but Uda Kunimune was no slouch either. I don't think either of these smiths lived long enough to have made this tanto, they being of Kamakura and Nambokucho and the tanto looking like it was made in the 20th century. Look at the sugata: the blade is either too short for its width or too wide for its length to be early. The nakago isn't finished very well, a bit sloppily done. You never see this on the good stuff. Also, the nakago is too new; the yasurime and patina are too fresh to have great age. Any case, that's what I think. I'm not an authority; maybe others can tell you more or even the opposite. Grey
  16. The 1st picture reads Kiyohisa; can't read the 2nd. Looks like a fake but I'm not 100% sure of that. Anyone else care to add? Grey
  17. Hi Vitali, I probably missed it but I can't find where on your site the nuts and bolts are explained: Does the auction end at a set time or that time plus so long as there isn't a new bid? Do we pay through your site or with the seller by paypal or some other means? Please point me to answers to these questions and others I'm bound to think of later, or if they aren't on your site maybe you could explain more here. Thanks, Grey
  18. A different take on crab sukashi. Grey
  19. Hi (name please), Ask your public library to get you a copy of A Glossary of the Construction Decoration and use of Arms and Armor by Stone. Good chance you'll find this illustrated some place in the book. Grey
  20. Definitely starts out, "Bishu Osafune Ju" and then maybe Hiroyasu. Grey
  21. Doesn't look even close to Japanese to me. Don't buy a sword; buy a book. Grey
  22. Hi Roy, I was in mind of something like Glenrothes or the 15 year Laphroig, either of which are great single malts without the silly price. Grey
  23. Tsuba aren't great but nice enough. Send them to me and I'll buy you a bottle of very nice single malt. Grey
  24. Jumyo. Grey
  25. Hi guys, The JSS/US needs some help; We don't have enough articles for our Newsletter. This has been a growing problem for some time but it has become particularly so recently. We are currently in the beginning stages of 2 projects: translation and publishing, that I'm sure will be well received once we get them out, but work on them is dependent on having enough money coming in through member fees and member fees are dependent on having an interesting Newsletter to attract the members. If any of you would be willing to write for us we'd sure appreciate it. It doesn't pay much (nothing, to be exact) but it will look good on your resume'. Articles don't have to be especially scholarly (although we won't complain if they are), just interesting. If you have something to offer you can email it to our editor, John Eliyas: eliyasj at comcast.net Thanks, Grey, JSS/US Publications
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