Gunome Posted January 3, 2015 Report Posted January 3, 2015 Hello This is a shakudo menuki with inlay for the eyes. My guess is that it is a goto school menuki from the Edo period. Is it a correct attribution ? Thanks Sebastien Quote
Brian Posted January 3, 2015 Report Posted January 3, 2015 There are supposedly "secret" signs of Goto shisi, including angles in the tail and indentations etc. I think a lot of the articles are in Japanese, and I don't have a list of them. I don't see anything specific here that points to Goto though. Brian Quote
Gunome Posted January 3, 2015 Author Report Posted January 3, 2015 Thanks for your reply Brian, any idea of the school that could have product these menuki ? Quote
Ian Posted January 3, 2015 Report Posted January 3, 2015 I think this is part of what Brian was referring to? Quote
b.hennick Posted January 3, 2015 Report Posted January 3, 2015 Does anyone have a translation that will go with those images? I would love to learn more about those secret marks. Quote
nagamaki - Franco Posted January 3, 2015 Report Posted January 3, 2015 Hello My guess is that it is a goto school menuki from the Edo period. Is it a correct attribution ? Thanks Sebastien Not Goto style imo, look to other schools. Quote
Pete Klein Posted January 4, 2015 Report Posted January 4, 2015 Hi Sebastien -- please take a look at these menuki of 'Shi Shi' papered to Goto (NBTHK Hozon) and then compare them to the ones you posted: Here is a link to Shi Shi menuki by Goto Sojo: http://www.nihonto.com/8.4.14.html They are of gold but that doesn't matter. Take care to look at the depths of carving, the thickness of the metal plate and especially look at the back side to see the depth and finish of the inside. These are all important in discerning Goto work. The mainline Goto family were purveyors to the Shogun so what they did had to be of highest quality. As for those, 'secret marks' yes, they do exist but need to be viewed from a greater context. This book: http://www.japaneseswordbooksandtsuba.com/store/books/b723-kokusai-tosogu-kai-2nd-convention# contains the translation to the remarks made here: http://www.japaneseswordbooksandtsuba.com/store/books/b718-sengoku-busho-no-yosoi-sano-museum Kengo Sekido (now most unfortunately deceased) went over many of these marks in his comments. Those old books are almost untranslatable as they use a variant form of earlier Japanese but the salient points have been mentioned in the Sekido translation. You can get more from just buying the big Fukushi sensei book on Goto and a good magnifying glass to go over the pictures. It's all in the carving and the techniques by which the iro-e was accomplished. I hope this is of assistance. 1 Quote
Gunome Posted January 4, 2015 Author Report Posted January 4, 2015 Thanks all for your replies. I naively thought that shishi menuki are a theme of the goto school and do not thought that others schools did it also. Do you have an idea of which school had produced shishi theme ? Thanks Sébastien Quote
Brian Posted January 4, 2015 Report Posted January 4, 2015 All of them Very common theme. Everything from unknown small craftsmen and mass produced pressed junk up to top level stuff. Kantei by theme is unfortunately a dead end. Brian Quote
Darcy Posted January 8, 2015 Report Posted January 8, 2015 The chart is Teijo in the little inset on the upper left, and then everything else is Yujo that I can see anyway, including the larger bit above the small inset. Quote
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