Popular Post Okan Posted July 15 Popular Post Report Posted July 15 Hi all, I thought I’d share something neat. Although I haven’t had much experience with Kagamishi, I figured picking one up would be a good opportunity to start learning. These are just some quick photos for now, but I’ll take proper ones when I’m back home. 9 6 Quote
Bugyotsuji Posted July 15 Report Posted July 15 Really interesting tsuba. This is described on the box as Kagamishi, (without the ‘Ko’). Someone recently pulled me up on the difference. 1 Quote
Okan Posted July 15 Author Report Posted July 15 31 minutes ago, Bugyotsuji said: Really interesting tsuba. This is described on the box as Kagamishi, (without the ‘Ko’). Someone recently pulled me up on the difference. Dear Piers, I really don't know the difference between Ko-Kagamishi and Kagamishi..Ko is early Muromachi and without late Muromachi maybe? It's papered as Ko: 3 1 Quote
Bugyotsuji Posted July 15 Report Posted July 15 Ah, yes, thank you Okan. That is interesting! 1 Quote
Curran Posted July 15 Report Posted July 15 (edited) 1 hour ago, Okan said: Dear Piers, I really don't know the difference between Ko-Kagamishi and Kagamishi..Ko is early Muromachi and without late Muromachi maybe? It's papered as Ko: Wow... that is awesome. Such a rare attribution. There are a lot of common or low end Edo period kagamishi, but ones from Momoyama or earlier sometimes transcend. They look and feel different in person- often catching people off guard with their density. One of my favorite tsuba in the world is a Ko-kagamishi . It is a Nambokuchu - early Muromachi one that just makes me stop n stare. Unfortunately, I doubt it will ever be for sale. It is almost certainly published in a book or two, but I do not recall which one(s). I have one very nice Momoyama example. One of our Australian members is more of a specialist in this area. Hopefully he will see this and chime in during the next few days. Edited July 15 by Curran 2 Quote
Iekatsu Posted July 17 Report Posted July 17 (edited) Interesting that it got a Ko-Kagamishi attribution, which is far less common. There is no clear threshold for the Ko attribution, but it is generally reserved for the oldest examples. Stylistically I think it is more likely a later variant and would place it in the Momoyama period, the form, size Hitsu-ana and motif all point in that direction. Regardless it is a really nice example that anyone would be happy to have in their collection. Edited July 17 by Iekatsu 4 1 Quote
Tim Evans Posted July 17 Report Posted July 17 Perhaps it is designated as ko so it does not to contradict the hakogaki ? Quote
Bugyotsuji Posted July 17 Report Posted July 17 The hakogaki says ‘Kagami-Shi’. Surely the kanteisho which must have come later does contradict Kanzan, well maybe it adjusts his judgement.(?) Quote
Kanenaga Posted July 18 Report Posted July 18 That's the kind of kagamishi tsuba I like, with the worm-eaten rim and the little figures, very distinctive. Herer's another example. 4 Quote
Okan Posted July 18 Author Report Posted July 18 8 minutes ago, Kanenaga said: That's the kind of kagamishi tsuba I like, with the worm-eaten rim and the little figures, very distinctive. Herer's another example. Hi Les, Yes I know this tsuba. Is it yours? 1 Quote
GRC Posted July 19 Report Posted July 19 The introduction of the worm-eaten motif is definitely associated with the Azuchi-Momoyama period. I haven't seen anything to suggest it was earlier than that. Keep in mind , the NBTHK's standards for designating "ko" for just about any tsuba is highly questionable and seems almost arbitrary most of the time. It's basically like buying a scratch and win lotto ticket where the person submitting a tsuba for papers gets a little surprise "win" with a "ko" attribution... even though it's an extremely tenuous and purely subjective. Great tsuba by the way 2 1 Quote
Iekatsu Posted July 20 Report Posted July 20 Beautiful Patina, and again a really nice example. I know what you mean Brian, it is why they are the focus of my collecting these days. 2 Quote
Kanenaga Posted July 28 Report Posted July 28 Hi Okan, yes, the second one is mine. Round with 3 1/8 inch diameter. Les Quote
Okan Posted July 29 Author Report Posted July 29 13 hours ago, Kanenaga said: Hi Okan, yes, the second one is mine. Round with 3 1/8 inch diameter. Les 2 Quote
MauroP Posted July 29 Report Posted July 29 Another close example from https://shibuiswords.com/haynesTsu-924.html 2 Quote
Dan tsuba Posted July 29 Report Posted July 29 Hey guys, I know nothing about these tsuba. Is the motif hot stamped onto the plate? I mean to my old eyes, the motif doesn't looked carved. Oh wait a minute! I just got on the website that Mauro posted above. It states- "A typical middle size Kagemishi tsuba. It is a cast work and has the usual design elements of its style and period, ca.1400. The hitsu-ana, probably added later, have now been filled and are hard to see, much in the works favor. See KoKubo book for a very similar example. Certified by NBTHK Hozon, dated Heisei 27, 2016. Mumei, Kagemishi work." (Long) Wait a minute. Are they saying this was cast in about 1400? It looks like iron to me! This might have to be added to my other thread! Quote
MauroP Posted July 29 Report Posted July 29 9 minutes ago, Dan tsuba said: Wait a minute. Are they saying this was cast in about 1400? It looks like iron to me! Sorry, the paper says yamagane... 1 Quote
Dan tsuba Posted July 29 Report Posted July 29 Thanks Mauro! Yeah, I just figured that out! Oh well, I got excited for a minute! Ha, ha, ha, ha, etc! Quote
Kanenaga Posted July 30 Report Posted July 30 Okan, Same tsuba. I picked it up at DTI 2 or 3 years ago. What book is that? 1 Quote
Okan Posted July 30 Author Report Posted July 30 18 hours ago, Kanenaga said: Okan, Same tsuba. I picked it up at DTI 2 or 3 years ago. What book is that? Zabō Tsuba Sen. I'll pm it to you. Quote
Iekatsu Posted Monday at 02:02 AM Report Posted Monday at 02:02 AM (edited) Kagamishi are all cast in bronze. The several similar examples above are likely from the same workshop. There are enough examples with the same designs that we can establish that they were likely created in batches and were cast from masters. Edited Monday at 02:03 AM by Iekatsu Quote
Curran Posted Monday at 02:54 AM Report Posted Monday at 02:54 AM 45 minutes ago, Iekatsu said: Kagamishi are all cast in bronze. The several similar examples above are likely from the same workshop. There are enough examples with the same designs that we can establish that they were likely created in batches and were cast from masters. Hi Thomas- Of the NMB crowd, I would say you are the go to person for Kagamishi. What are your thoughts on this sort of one just listed: https://ginzaseikodo.com/en/product/fittings/kagamishi/ Workshop created, or more of a carved 1 off? You also remember the one I have, where I think it was cast and then worked for a bit more detail. More of a momoyama era product between these early ones and the more mass produced Edo ones. It will be my reference piece until the day I can own my ideal one, which I will add tomorrow once I can find a photo. Quote
Bugyotsuji Posted Monday at 08:46 AM Report Posted Monday at 08:46 AM Something I need to get my head around. Many years ago a friend handed me a tsuba and said 'Kagamishi'. It looked like a sandwich construction, with a copper core and identical design (bronze?) plates on the front and back. Could that have been an example of later Edo period construction? Quote
MauroP Posted Monday at 10:48 AM Report Posted Monday at 10:48 AM 2 hours ago, Bugyotsuji said: a friend handed me a tsuba and said 'Kagamishi'. It looked like a sandwich construction NBTHK papers usually attribute sanmai construction to ko-kinkō tsuba (and, exceptionally, to Nagasaki and Umetada schools). The defining construction technique of a kagamishi tsuba, however, is casting (鋳造 - chūzō). Quote
MauroP Posted Monday at 02:52 PM Report Posted Monday at 02:52 PM Here multiplate kagamishi tsuba are reported: https://tsubakansho.com/2020/01/02/hollow-kagamishi-tsuba/ Quote
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