Spartancrest Posted April 26 Report Posted April 26 I was doing some work on the Poncetton collection [1924] and noticed an Onin tsuba that twigged a memory back to the Hayashi Tadamasa collection of 1902. [yes I do live in the past! ] I found the images and tried to do a visual comparison. Both collections only showed one side view and of course they were not the same view! However the older Hayashi collection had a brief description which included its catalogue number from that time [1902] - The Poncetton image had even less by way of descriptions except for a tiny number at the top of the nakago-ana no. 49 - - the same collection number as the Hayashi description. Bingo!! That allows me to push the provenance of the piece back beyond what the Poncetton collection knew. The Poncetton collection cites H. Vever. as the previous owner and Henri Vever has an interesting Wikipedia article https://en.wikipedia.org/wiki/Henri_Vever Which in part states "By the 1880s, Vever became one of the earliest Europeans to formally collect Japanese ukiyo-e woodblock prints, purchasing extensively from dealers such as Hayashi Tadamasa." He must also have collected tsuba, at least the one that was still in Hayashi's collection in 1902 (Tsuba are not mentioned in the article but other collectors of the same, such as Gonse & Migeon are listed) I guess the point is if you have any old collection numbers on your tsuba, please, please leave them in place - they may come in handy! 4 4 Quote
Jake6500 Posted April 26 Report Posted April 26 Just now, Spartancrest said: I was doing some work on the Poncetton collection [1924] and noticed an Onin tsuba that twigged a memory back to the Hayashi Tadamasa collection of 1902. [yes I do live in the past! ] I found the images and tried to do a visual comparison. Both collections only showed one side view and of course they were not the same view! However the older Hayashi collection had a brief description which included its catalogue number from that time [1902] - The Poncetton image had even less by way of descriptions except for a tiny number at the top of the nakago-ana no. 49 - - the same collection number as the Hayashi description. Bingo!! That allows me to push the provenance of the piece back beyond what the Poncetton collection knew. The Poncetton collection cites H. Vever. as the previous owner and Henri Vever has an interesting Wikipedia article https://en.wikipedia.org/wiki/Henri_Vever Which in part states "By the 1880s, Vever became one of the earliest Europeans to formally collect Japanese ukiyo-e woodblock prints, purchasing extensively from dealers such as Hayashi Tadamasa." He must also have collected tsuba, at least the one that was still in Hayashi's collection in 1902 (Tsuba are not mentioned in the article but other collectors of the same, such as Gonse & Migeon are listed) I guess the point is if you have any old collection numbers on your tsuba, please, please leave them in place - they may come in handy! Those are some incredible investigative powers as usual Dale! Collection and catalogue numbers are an important tool in tracing the provenance of antiques! 1 Quote
Baka Gaijin Posted April 26 Report Posted April 26 Hi Dale, Sotheby's have a long and fascinating relationship with the Vever family of Jewellers: https://www.sothebys.com/en/brands/vever The Henri Vever Sales (Parts 1 & 2) of Tsuba etc took place in 1973. I recall viewing the Sale of much of Henri Vever's extensive collection of prints and drawings in March 1974 at Sotheby's. Two years later, in Dec 1976 Sotheby's published "Japanese Prints and Drawings from the Vever Collection" which was written by Jack Hillier. The final part of the collection was dispersed at Sotheby's in October 1997. 2 1 Quote
Jesta Posted April 27 Report Posted April 27 On 4/26/2025 at 11:46 AM, Spartancrest said: I guess the point is if you have any old collection numbers on your tsuba, please, please leave them in place - they may come in handy! I was just thinking about this, and wondering if it would be a good plan to get rid of them. I am not a fan of the stickers, but you raise an excellent point about provenance. I will keep them on… 1 Quote
Spartancrest Posted April 27 Author Report Posted April 27 59 minutes ago, Jesta said: I will keep them on… It does add to their history - I don't think most people would mark their collections anymore, but then we have the ability to photograph and take detailed digital records. I just traced some more information from some old references, which can show how some information can get lost and now brought back together. These two images are two years apart and neither source had both sides published - goes to show that sometimes displaying the incorrect side can come in handy otherwise you would need to guess what the other side looked like. The Poncetton image has a paper tag attached to the nakago-ana & hitsu so it didn't have to have a number painted on - these little paper tags are a less intrusive way to catalogue a collection, pity we can't read the information on it. It would appear Poncetton didn't like stickers on his tsuba in all cases? fickle 3 2 Quote
Curran Posted April 28 Report Posted April 28 Nice bit of detective work there. @Spartancrest (Dale) Thank you for sharing this. Some very interesting unique tsuba, and a good point about seeing both sides of a tsuba. 1 Quote
Tsuba gardener Posted Sunday at 06:13 PM Report Posted Sunday at 06:13 PM On 4/27/2025 at 5:23 AM, Spartancrest said: It does add to their history - I don't think most people would mark their collections anymore, but then we have the ability to photograph and take detailed digital records. I just traced some more information from some old references, which can show how some information can get lost and now brought back together. These two images are two years apart and neither source had both sides published - goes to show that sometimes displaying the incorrect side can come in handy otherwise you would need to guess what the other side looked like. The Poncetton image has a paper tag attached to the nakago-ana & hitsu so it didn't have to have a number painted on - these little paper tags are a less intrusive way to catalogue a collection, pity we can't read the information on it. It would appear Poncetton didn't like stickers on his tsuba in all cases? fickle 1 Quote
Tsuba gardener Posted Thursday at 01:20 PM Report Posted Thursday at 01:20 PM Hi Spartan Quest, (Dale), sorry for the delay, (l mentioned l was going to post my 2 tsuba from the Poncetton collection in April). This one with the gourds was marked by the auction as Kaga. This was a single lot. The second Sukashi was in a lot of 5 along with the single tsuba from the Marquis de Tresson collection. Relevant to your post Dale, l only found the relationship to the earlier collections by researching a single auction number online. I am wondering whether the other 3 sukashi tsuba in the group of 5 were also from earlier European collections but so far l haven't been able to ascertain whether they were. Neil B 2 Quote
Ian B3HR2UH Posted Thursday at 08:02 PM Report Posted Thursday at 08:02 PM Neil , could I trouble you to post a photo of the numbers . I am trying to work out who painted red numbers inside the nakago ana of their tsuba ( which a pair of mine have ). Ian Quote
Spartancrest Posted yesterday at 12:23 AM Author Report Posted yesterday at 12:23 AM 10 hours ago, Tsuba gardener said: the other 3 sukashi tsuba in the group of 5 Neil, can you post the image of the other 3 sukashi? I have a lot of old auction images and I might be able to find their provenance. Google images can sometimes be great to track things down but only if someone has actually scanned the images and they are on-line. Otherwise - thank god for old books! Quote
zanilu Posted 8 hours ago Report Posted 8 hours ago I have this Hamano ({浜野}) school tsuba signed Nobuyuki ({鋪隨}) in my collection that have a red lacquered number painted inside the nakago-ana. By enhancing some images the number seems to be composed by five digits and reads like ``28722'' or ``28.722''. I have tried to find the provenance from the number but without success. If any any information about it or can find out more I will appreciate it! Dimensions are 65.1 mm x 59.0 mm thickness 4.2 mm. Regards Luca Quote
Tsuba gardener Posted 7 hours ago Report Posted 7 hours ago 17 hours ago, Spartancrest said: Neil, can you post the image of the other 3 sukashi? I have a lot of old auction images and I might be able to find their provenance. Google images can sometimes be great to track things down but only if someone has actually scanned the images and they are on-line. Otherwise - thank god for old books! Quote
Tsuba gardener Posted 7 hours ago Report Posted 7 hours ago Just now, Tsuba gardener said: Hi Dale please find the 3 tsuba as requested. The auction l acquired them from was Bonham's Samurai Snow Spectacle, 7/11/24. Best regards, Neil. Quote
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