Baka Gaijin

Hi Piers., You might contact the Nihon Kobudo Shinkokai at the Tokyo Budokan. Here's some footage of Donn Draeger and possibly Shimizu Sensei c. 1970 From 5.20 to 5.54 https://www.youtube.com/watch?v=wwKmcbdKKYc http://en.wikipedia.org/wiki/History_of ... D-ry%C5%AB Cheers

Here's part of the permanent display at the Rekihaku Museum in Sakura:

Here's a selection of Mempo from this years DTI: Spot the School.......

Great work guys, If we can add Kanji or at least Hiragana to the terms it will make browsing the Japanese websites way easier.

Hi Mike., The pattern of the constellation looks like the Little Dipper not the Big Dipper, the bottom star (closest to the compass) is likely to be the Pole Star, you may find more info by researching Myōken 妙見 and Onmyōdō 陰陽道. Cheers

A few snaps:

Just back from Japan., DTI was again an excellent learning experience for me. Actually met Jean at Robert's Benkyokai, and his accent is best described as a suave combination of Maurice Chevalier, Charles Trenet, Jean Dujardin with a little Piaf.... On the Holiday Monday, one of the highlights of my trip was the Meiji Jingu Embu organised by the Nihon Kobudo Shinkokai. A host of Koryu schools showing both their armed and unarmed forms. There was also a Yabusame parade and demonstration on a specially prepared track. Inspirational!! Cheers

Evening HJ Link works here in UK. Cheers

Hi Guido, what is a Monbusho investigator please? Google says no..... Cheers

Here ya go: http://www.thejapaneseconnection.com/mm ... e=Takazawa Cheers

Good morning Jimi san., I can't be much help here, save to say that two rectangles intertwined in a Kamon are sometimes referred to as Kumiawase. Cheers

Gentlemen., I'm drawn to this opinion: "Art is never finished, only abandoned." Leonardo di ser Piero da Vinci (The other one, not the one in Titanic)

Morning all., Also the Tsuba is 1st pattern and the Saya has the early chape (Ishizuki). http://ohmura-study.net/957.html Altogether a rareity. Cheers

Good evening ZHANG., These work very well: http://www.tozandoshop.com/Genuine-Leat ... chi33s.htm Cheers Malcolm

Hi Johnny., Check that there is a small piece of paper (Torokusho) with the sword in Japan, unlicensed swords are illegal in Japan, it's a really big deal. This should help to explain the situation: http://www.jssus.org/nkp/japanese_sword_laws.html Cheers

Good afternoon all Style and placement of numbers on Habaki is also another giveaway to it's origins.......as well perhaps where you saw it. Price? What you are prepared to pay for it. $15 - $20 sounds about right. Cheers

I think you've nailed it Guido

Could it be a Baku 獏 (Supernatural being that devours dreams and nightmares)? Cheers

Chris said 素晴らしい！　ありがとう、森田さん。。。 Ditto

Good morning Jorgensen Jimi - san., This should help you understand how papers are structured: http://www.nihontocraft.com/japanese_sword_papers.html Most other Kanji you require will be here: http://www.jssus.org/nkp/index.html If you get stuck, ask again. Cheers

Good evening Robert, I looked and thought Ando also. I'd heard the blocks of Ando were recut in 1900, so I thought, recut printed on Chirimen....Tourist and Export market. But the signature was wrong, that made me go to the 2 versions of San Ju Roku, and search through them. Then the hunt was afoot. I've learned a great deal today from this. Including how Ando was in charge of a Fire fighting unit as part of his Samurai duties. Thank you

Hi Grev., This may help: Treasures of the San Diego: Exhibition at the Philippine Consulate New York from November 1, 1996 to February 28, 1997 Desroches, Jean-Paul & Casal, Fr. Gabriel & Goddio, Franck, 380 pp., profusely illustrated in color, bibliography, list of illustrations, paper, New York, 1996 Le San Diego: Un Tresor Sous La Mer. Dominique Carre. Reunion des Musees Nationaux. Paris. 1994. ISBN 2-7118-3135-3. http://www.franckgoddio.org/projects/an ... diego.html http://www.ieasm.org/ships.php?lang=fr& ... hip_type=G http://www.shibuiswords.com/sandiego.htm Here's a thread I opened on NMB back in 2011: viewtopic.php?f=2&t=7078&view=previous Cheers

Good morning all, Only just spotted this thread, Peter & Robert, I believe the print is not by Ando Hiroshige but by Utagawa Hiroshige IV. It is known as Twilight Hill at Meguro in the Eastern Capital. From the series Thirty-six Views of Mt. Fuji The print series is believed to have been originally produced early 20th Century, certainly after 1911. In this case on crepe paper known as Chirimen-gami-e. (Which suggests export or Tourists item). For those who fancy a bit of Sunday morning Soap Opera: The line of Hiroshige which is considered by some to be dubious and filled with sometimes bitter intrigues runs: Jūemon Tokutarō known as Hiroshige "Ando" and Utagawa Hiroshige I - 1797 -1858 Suzuki Chimpei known as Hiroshige "Shigenobu" and Utagawa Hiroshige II Given the "Gō" Official Art Name by Hiroshige I, on the celebration of marriage to Hiroshige I's daughter Otatsu whom he later divorced. Signed later as Ryūshō. Ended up painting lanterns to survive. died 1869 Gotō Torakichi known as Hiroshige "Shigemasa" as Utagawa Hiroshige III also married Otatsu and also used the name Hiroshige II and Andō Tokubei for a while, then used Hiroshige III died 1894. Kikuchi Kiichiro later Ryusho II known as Utagawa Hiroshige IV took the name in 1911 I get the feeling he was essentially a pastiche Artist working in a style similar to the preceding three (Can't find other dates for him). Bestowing of the Gō was the official sanction that you and your work was worthy of the name. A bit like product endorsement...... Cartier not Kartier, Rolex not Roleks Sources: http://ukiyo-e.org/image/chazen/1980_2303 http://books.google.co.uk/books?id=p2Qn ... IV&f=false http://www.hiroshige.org.uk/hiroshige/w ... e_eras.htm http://viewingjapaneseprints.net/texts/ ... rimen.html Cheers

Good afternoon Robert., Is it a full wrap same or is there a join line on the omote side? If it's a full wrap, it suggests that someone cared that the tsuka would be strong The thickness of the tsuba reminds me of the type used in Maniwa Nen Ryu: http://blog.goo.ne.jp/isyota/e/9b8907ff ... 8108a01e87 https://www.flickr.com/photos/oroshi/8958080504/ I have never seen a Koshirae like this before, perhaps one of our senior members has. Cheers

Good morning all., Thank you Robert, for posting more images of the Koshirae, it really is an interesting item. The absence of a Kurikata does not mean it could not be worn in a training environment. The tightness of the Obi and Hakama Himo determine whether a saya slips or not, the Kurikata has very little to do with it. The saya wrap looks like a split grass or some vegetable fibre which has been bound very tightly around the saya and laquered. Ages ago Tsuruta san had a sword in his Iai section which had similar wrap over Kojiri and Kashira, as I recall he described the Koshirae as late Edo, specifically for Iai training. The Koshirae looks like it was meant for some serious useage. Again thank you for posting the extra images. Cheers