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Everything posted by Spartancrest
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Great Ford - and no water damage and fewer creases - I might have a play with this image and bring it out a bit more. Mulberry paper is a little dark for me!
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Work this one out if you can - the original print is in the Metropolitan Museum of Art - listed as under copyright restriction on one link and Public domain on another? What happens can you be half sued? https://www.metmuseum.org/art/collection/search/855670 - can't use "rights restricted" https://www.metmuseum.org/art/collection/search/56927 - can use public domain. Perhaps someone should let them know - not me!
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Okan, I took the liberty some time back to "clean the image" as much as possible - boy I wish they had not folded the original! There is a plate in the back of B. W. Robinsons book.
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Darrel I have been talking to the Walters Art Museum for a short while, they have been very helpful with supplying images and information on a book I am about to release on their collection - specifically their tsuba collection. The person to contact is Laura Seitter lseitter@thewalters.org The museum sometimes takes a day to answer any enquiry but that is complicated by the time zone differences for me. Give it a try I am sure she will put you through to any relevant curator. Laura Seitter (she/her) Imaging and Rights Coordinator (410) 547-9000 ext. 245
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Thanks Colin - I am of the same opinion, as the chisel used for the signatures is very much thicker on one than the other. There is a big difference in the quality of the 'worm eaten rim' and I would have thought the Wakizashi would have the more 'showy' display. The signatures also translate slightly differently - not what you would expect if they were made at the same time? [Signature and Place] 越前府住 廣次作; [Transliteration] Echizen fu jû/Hirotsugu saku; [Translation] Residing in Echizen (province)/made by Hirotsugu [Transcription] 越前府住 春田廣次; [Transliteration] Echizen fu jû/Haruta Hirotsugu; [Translation] Residing in Echizen (province)/Haruta Hirotsugu
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I am doing some research on a "pair" of tsuba, but the way the mei has been cut strikes me as very odd in comparing the two. Both these guards are from the Walters Art Museum and are described as a pair - what opinions would you offer? The guard on the left is 77 mm and the one on the right 65 mm in Diam. Thanks in advance.
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Richard, could the rim represent stylised clouds perhaps? At least it would fit in with the flying birds.
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David, I think the thickened rim is just a design element framing the bamboo, it isn't carried through on the ura or the bottom of the guard as a Dote-mimi would be. Pretty sure it isn't 管耳 Kan-mimi - Thicker rounder raised rims. (Thicker and rounder than Dote-mimi )
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Jean is KARAHANA OR KARABANA the right word you are looking for? "Chinese Flower" [most have five petals but as a kamon some have four.] Karabana (or karahana) design on Japanese printed fabric featuring mon heraldic crests Also seen as a squared off version. The actual flower “Four-petalled” leaves attached to the persimmon
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David I just found what is missing from that patch at the bottom omote side of your guard - an inlay of a bird. Three of a kind must have been a popular design, likely others out there. No further along with who made it or when - sorry. http://ancientpoint.com/inf/13134-large_tsuba___bird__bamboo___mokko_style_tasteful_86mm_box.html Popular design indeed - if they like it enough to make cast copies! https://www.jauce.com/auction/b1040148320
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Okan - not so fresh [just a better image. ] Book - Serious Suriage Damage? [your idea] Damnedest Cut! or how about "Leave the bloody things alone!"
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Luca, you would make a good detective! Colin, "Synchronicity" [it happens to me all the time. ] The double even has those "dimples"(?) on the semicircular side panels - no idea what they represent?
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Well I found the original shape of that cherry branch one. There are some slight differences with the decoration so it is unlikely they are cast. Might make a "forced" daisho? https://www.jauce.com/auction/d1067356293 https://www.jauce.com/auction/h1056992179
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I have seen many "everyday" objects with tsuba designs,- trivets, beltbuckles, coasters, cake molds/moulds and candlesticks most are made of course in Japan. These Zippo lighters are branded "Made in USA" It seems a strange subject for a firelighter. https://www.jauce.com/user/nudmr48674?search=tsuba https://jp.mercari.com/item/m64078098798 https://jp.mercari.com/item/m93002899452 No great shakes as far as design or execution but hey if a samurai needs a lighter who is going to say no? Who knew?
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Kosuke-tagane [worm eaten] around the rim something a few smiths used including Nobuiye, Saotome or even Jingo amongst others. Not much help in narrowing it down. Reminds me a little of one of mine - maybe just the wide rim? Still no help as I can't put an attribution on mine!
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Just looking at the nakago-ana I would say modern cast fake. It is in with three other guards that also don't look correct- I like the description by the seller - " Sword accessories Items like sword guards." https://www.jauce.com/auction/m1067617040 The question still remains was it based on a "true" guard and did that guard originally have a rim?
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I think it represents 'Fundo'- weights or as this link says "counterweights" https://www.aoijapan.net/tsuba-mumei-ko-shoami-fundocounterweight-patterns/ You will see the small weights on the edges linking the rim - also the inner design is similar to the kogai hitsu outline. The small quarterfoil shapes are seen here with 'flying geese' and they may also represent Karahana [Chinese flowers] Sparse symmetrical openwork of four voided quatrefoils joined by groups of karigane [EAX.10012] to form a lozenge-shaped device Hope this helps.
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Late new entry- https://www.jauce.com/auction/d1067356293 They do show the side view of the 'stems' but the patina [or rust] hides any cut marks. I strongly believe this guard was not made without a rim, it is just too jagged.
