Grey Doffin

Hi Nick, The mei reads Fujiwara Noriyuki. Not a blade from WWII; rather an older blade and likely Bungo Takada School. Grey

Hi Dan, Your sword was picked up during/after WWII by your father but it is much older than that. Not much specific information we'll be able to provide from just the pictures - needs to be seen in hand for a true appraisal - but here is a care and cleaning brochure you would be smart to read. https://nbthk-ab2.org/sword-characteristics/ Grey

This is not a military sword and it wasn't carried during the war. This is an older, Samurai sword in storage mounts (shirasaya), which has no method to attach it to a soldier. Most likely this was picked up by a US soldier after the war in occupied Japan. Here is a care and handling brochure you should read: https://nbthk-ab2.org/sword-characteristics/ This will show you how to properly remove and replace the handle. As mentioned, if you can give us decent photos of the sword's tang (nakago) and of the writing on the scabbard, we will be able to tell you more. Take the pictures on a dark background; light colored backgrounds make it difficult to see details on darker objects. Grey

Hi Kyle, As mentioned, rough condition but, if the sword is better quality, which it may be in spite of its condition, it may be restorable and end up more valuable than the cost of restoration, which will be significant if done right by a properly trained craftsman. If you'd like someone to bounce questions off, feel free to call. I'm not an authority but I have 40 years experience with these swords and I will tell you what I know. In the mean time, don't rush into any decisions; take the time to better understand what you have before acting. And this includes the bronze brush which is about to be recommended in the next post; don't do it. Restoration should be left to those with training and rank beginners shouldn't be told how to fix their swords. Cheers, Grey 218-340-1001 US central time

The nakago ends at the machi but the top of the nakago is polished and should be oiled with the rest of the polished balde, if you are oiling. Grey

Hi Tyler, The signature is Kiyonori and I think there is a good chance he was working in Bizen Province in the 16th century. But others who know better may have a better idea. Grey

Congrats on the sword but I don't like the "general advice" to drill a small hole in a tight mekugi. Never heard of it, never used it, and sounds like an excellent way to mess up the nakago with a drill bit. A stuck, brittle mekugi can be removed without resorting to fast moving tool steel. Grey

Hi Jay, The nakago and habaki look poorly done. Can't be 100% sure it is a fake but even if it isn't I don't think it is anything you want to collect. Grey

Hi Vitaly, I would stop where you are now. You have cleaned off dirt and grease and you should let well enough alone. Patinas on soft metal fittings often will heal themselves over time. Even if they don't, the wear on your pieces are where they would be expected with use and you may regret any fix you attempt. Grey

Honoki is chosen for, among other attributes, its little or no acid content. I don't know the acid content of alder. Grey Doffin, furniture maker

Thank you Moriyama-san. So this is a statement of ownership rather than a signature of the smith? Grey

Hi folks, Can someone give me Romaji and translation for the picture below? Not sure if this is a mei or possibly something else. Much appreciated. Grey

Colin, You're on the wrong page. Click on Index of Japanese Sword Literature on the top bar, once there click on Sword smiths, and I'm sure you can figure the rest. Grey

Strange. I get 12 results with a search of iga kami. Grey

Hi Colin, You got no results because you searched for Iga no Kami. Try Iga Kami. Grey

A situation like this is one where the Index of Japanese Sword Literature on jssus.org can be quite helpful. Go to the index of swordsmiths and search for iga kami; the result will be all instances of smiths who signed with that title and made it into the many references included in the index. Grey

The tsuba has an ishime like finish: tiny pebbled or hammer worked. However, the surface doesn't look right for ishime and it appears the finish carries over into the mei, especially into the kao, which wouldn't be the case if the mei were chisled. I'm going to stick my head way out and suggest that this may be a cast copy. Hope I'm wrong and waiting to see what those more knowledgeable have to say. Grey

Cheers, Grey

I don't think there are many early Edo iron tsuba that have never been mounted. May not be as early as you think. Grey

How many soldiers, men actually doing the fighting, would have worn swords with kogai? Not many, I bet. I think swords with kogai were largely worn by Samurai who didn't get their hands dirty Grey

Taking the picture against a dark background will help. Grey

Perhaps: Zuikan Toso no Subete. https://www.japaneseswordbooksandtsuba.com/store/book/sword-books/b351-zuikan-toso-no-subete-by-kokubo-kenichi/ Grey

me. Grey

Hi Aaron, Here is a care and handling brochure you should read: https://nbthk-ab2.org/sword-characteristics/ Resist all urges to fix anything on the sword; well meaning amateurs often do damage. Cheers, Grey

For a comprehensive look at tsuba, you'd be hard pressed to do better than Tsuba Kanshoki by Torigoye. The 1975 edition is in Japanese and English. https://www.japaneseswordbooksandtsuba.com/store/book/fittings-books/b823-tsuba-kanshoki-by-torigoye-1975/ Tosogu Classroom by Fukushi as translated by Sesko and published by the JSS/US and NBTHK/AB & EB, is another good one. Grey