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Everything posted by Brian
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You could always buy something (if you have the money) that comes in shirasaya with separate koshirae, and display the koshirae with tsunagi, and keep the sword safe elsewhere? As mentioned..this is a personal choice. I don't think I would display openly a nice piece though. Brian
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Just experimenting with a few add-ons. I have activated a live chat room at the following address: http://www.militaria.co.za/mychat You do not have to register to use it, you can just choose a username and click chat, or you can register if you wish to reserve your username. Very basic chat. There is a tutorial there if you need it. Not sure if there is any call for one, but thought I would see how it goes. Because this is just a test for now, there are no rules except be polite. Can discuss anything, or just have a social chat. Does not have to be strictly Nihonto related. We'll try it out for a few days and see if there is any use for it. You can leave the room, and come back later..and the messages will still be there for 24 hours. To exit, just type /exit in the room. Any comments can be made in this thread. Might be able to co-ordinate certain times for people to meet there if they feel like discussing anything on a real time basis. After a few days we will see if it stays, goes, or get's modified. Regards, Brian
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Morita san, Good catch there. I had noticed the stamp, but hadn't looked it up yet. Yes..definitely worth getting a better pic of. We tend to think that all stamps are a negative point...but there are some that can be advantageous. Look forward to hearing more about this one. Brian
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It's just after Xmas still..who has money at this time? :D Good deal there. I have lots I want to buy..but saving for my Japan trip in April. Brian
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Chris, There are many characters that are totally different that can read the same. There is more than one kanji for "nori" and they can be completely different. The same goes for other sounds too. Different smiths used a different kanji for the same name, and it is one way you can narrow down the smiths sometimes. Take a look at this page: http://www.nihontokanjipages.com/kanji_for_mei.html One of the best out there for kanji 2 Nori's there..and at least 6 different ones for "yoshi" as an example. Regards, Brian Edit to add: About the dates..the way I understand it is it is the 18th year of Showa..not Showa plus 18. So 1926 is the first year of Showa, and the 18th year is 1943. Basically add the number and minus one.
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Jeremy, I think the simple answer is no. The way to sharpen any Nihonto is to go through the polishing process. There are no shortcuts. Perhaps there are methods used by some that are less traditional, but this board's stance is that the traditional method is the one that should be applied to prevent damage. I assume by shinsakuto you are referring to traditionally forged, folded and tempered modern swords. If you are referring to modern copies like Chen, Hanwei etc..then that might be a different story. Regards, Brian
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Could it be Nobumitsu? There are quite a few Showa era smiths with that name. Like your other one..also signed tachi mei? (Btw..do we get a discount off your ebay auctions now? :D ) Have seen your listings a few times. Some interesting stuff. Regards, Brian
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Steve, 2 Difficult ones there. I don't think that either is "fatal" in the common terms we normally use. I think the kissaki flaw is a bad fold/ware that is showing up quite badly. Difficult to polish the whole thing out as it looks quite deep near the yokote, but not cutting through the hamon. It will be easier to evaluate during polish to see how deep and serious it is. The other one doesn't look to me to go right through the blade. Perhaps it is co-incidence that they are in the same place? Looks like a bad area of forging..maybe carbon pocket or fukure? That might cause it to look like it is right through. I don't think it is fatal though, just a bit nasty. Fatal flaws would have to interfere with the structural integrity of the blade when being used. None of these 2 cut through the hamon to cause a catastrophic failure, so I would call them bad flaws, but not fatal. Just my opinion though...the more knowledgeable members might disagree. Brian
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Ford, I really love the surface treatment of your work. Looks very refined. Do you sell all of your work, or do you at least retain some of them for your own private collection? Love that new tsuba pic..I think Stephen captured the feeling well Brian
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Does anyone have a good guide to the English dvd's or tv shows about Nihonto that are out there? I know of the History Channel ones...I think one was called "The Master" and there was another possibly by National Geographic. I believe Paul Martin may now also be a member here (welcome Paul) Hopefully he is able to fill us in a bit on his current project. Thanks for the info so far all...looking forward to the completion of this one. Brian
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This has some traits of the good fakes, but it does have some indicators of a genuine WW2 gunto. I'm unsure of this one. The menuki have traces of old wear to the finish, and the expedient use of some other material besides same under the wrap leads me to consider that this might be a very late war sword produced when there was a lack of good materials. Some of the fittings look like they may have had some stock of normal fittings, and used whatever they could get for the rest. Can't be certain (especially with the rough look and slightly odd shape to the nakago) but I would go with late war production mass production shin gunto. Brian
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Tony, Welcome to the forum. Try the How To forum http://www.militaria.co.za/nihontomessa ... um.php?f=8 for help with uploading pics. Brian
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In SA, the militaria guys use Dubbin on old WW2 holsters and leather bandoliers. Get it from the shoe shops. Beeswax with other additives I think? Works quite well in moderation. Makes the leather supple and rehydrates. I use it myself on old holsters, and have had some success. I think the old leather shoe rejuvinators might be the way to go on this, but would approach that method with caution as always. Brian
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Grey, If this post was from an unknown newbie, I would be inclined to wite it off as a rumour that has no basis. But comming from yourself, and with your background, I think this definitely warrants further input and investigation. I recall reading something similar..perhaps in a JSSUS article? Can't say I have seen evidence myself though. I have a nice yoroi doshi with shakudo habaki that seems to have no problems. Another uchigatana has a low class shakudo habaki, and doesn't seem to be a very good blade, but doesn't appear to me to be otherwise flawed. I would assume if this was some school or traditional indicator...then it would have become public knowledge by now. If anyone has contacts in Japan, perhaps they would have info on whether or not this is a common trait. No doubt there are thousands of very high class blades with shakudo habaki. I would personally guess it is just an abnormal co-incidence without further proof....kind of like the thoughts that blades with double habaki are usually of a better quality than those with single ones. Don't think that one is always true either..but maybe the stats would show a marked slant towards the positive, that leads to the theory? Brian
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Just to back up a bit what Keith said..there is a bit of useful info here. You will have to weed out the non-relevant stuff and the info that is a bit fantastical..but some of it might be relevant. http://forums.dfoggknives.com/index.php?showtopic=6300 Brian
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Rich, No need to change your sign in name..you can just go into your profile and add a signature with your name and initial, or just sign each post at the bottom. No real hassle at all On the right track now..let's see what others have to say. Sometimes these can be added to cover a flaw in the metal, or just for luck or patriotism. Sounds like yours is a good luck symbol. If done originally to the blade, it's possible you have a blade that is higher than the usual mass produced WW2 blade. Would have to see more pics and info. Not a guarantee..but worth following up on. Brian
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Hi Rich, Welcome to the forum. Phew...I think you may be the 5th or 6th Rich we have here! :D If you could sign with your name and an initial of your surname..it would help us to differentiate (unless your surname starts with a T or an S :D ) The carving looks like a bonji symbol sometimes carved on blades. You can find much info here: http://www.nihontokanjipages.com/bonji.html Doesn't look very well carved, but does appear to be a Buddhist character to me. Am sure someone will provide more info shortly. Regards, Brian
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Keith, Good points, and glad to have you posting here again. Nothing like hearing it from someone who has "been there, done that" I also recall reading somewhere that the habaki plays more of a role than some of us may assume in the use and manufacture of a sword. Good post. Brian
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Ford, That is absolutely mind-blowing Makes just about every other statue I have ever seen seem primitive. At this top level, I am sure you don't come across them for sale very often? Brian
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I agree. Fake. Brian
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All, Apologies for the server downtime today. My hosts in the USA seem to have been down for half the day, and it took me a few hours to get extreme amounts of no explanation :D Will try to make sure the site doesn't go down for any great lengths of time, but if it is ever not connecting, be sure I will be working on the issue frantically and try again a bit later Regards, Brian
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John, on that top one... Is that inlayed/carved....or is that entirely sukashi Brian
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Ok..I am not sure how to take that one :lol: Tokyo has really pretty manhole covers This is an interesting theme, and we have demonstrated how prevalent it is in Japanese culture. Strikes me as a really good theme for a collection..similar to Ken and his mantis theme. Btw...if anyone is so inclined...it would probably make for a great article or theme for the JSSUS or NCJSC newsletter. Brian
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Textbook example of how asking the forum can save big $'s :lol: Nice work Stephen. Brian
