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Posted
1 hour ago, Anthony de Vos said:

I have multiple examples from some models, both in iron and brass, and are willing to sell some to interested people. PM me if interested.

Irresistible…..PM sent

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Posted

At a quick glance it is giving me a feeling of marine ivory, but that's just one opinion. It could be elephant ivory cut from the outer layers in such a way as to to hide any Schreger angles. 

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Posted

Hi All,

Thank you for the very interewsting and vauluable information in this thread! 

Some incredibly beautiful and delicately carved pieces have been shown so far:clap:

 

I am a metal artist primarily involed in making tosogu, but have had a long fascination with kagamibuta netsuke for obvious reasons.

I made one many years back and have had a desire to make more soon when time permits.

I've been slowly collecting images for a while and there is one from the Wrangham collection, I think in Vol. IV,  that has captivated me.

It's supposedly by Kano Natsuo though I've never seen an image of the mei on the inside.

The bowl was carved from narwhal, the lid is silver delicately inlaid with shakudo geese and carved with the inscription "Summer".  

I'm wondering if you all have a favorite kagamibuta netsuke you would like to share?  I am sure there are many, many I've not seen before.

Many thanks in advace!!

 

Marcus

 

 

Natsuo kagamibuta geese in summer.jpg

  • Love 3
Posted

Beautiful. 
Please see George Lazarnick, Vol.1, Netsuke & Inro Artists.

PS That says ‘Natsuo’ in flowing kana form. (Not ‘summer’)

 

IMG_7555.jpeg.786ca078eccc9ceeec42cee313690e4d.jpeg

Two or three clicks should magnify and clarify the image

IMG_7556.thumb.jpeg.da8543e0acb8176a9dbde6e3bf871820.jpeg
 

Kinkarakawa purse sagemono set

IMG_7557.thumb.jpeg.eea278cc858ca34a0121501cee91aee1.jpeg

 

 

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Posted

For you as a metal artist Marcus it must be the shape, the medium and the cameo ‘canvas’ I am guessing, somewhat like a tsuba.(?)

 

The only kagamibuta (‘mirror lid’) I still have is signed Shibayama, showing a fan and fireflies over water, a summer evening scene. But the base material is not metal…

 

IMG_7562.thumb.jpeg.1f3d7934a523d82d4ef1cb7b18301457.jpeg

 

 

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Posted

PS I once had some work done on a matchlock pistol by an artisan at Osafuné. When I questioned the squiggles (like your なツお example above) he explained he had signed it シげツね Shigetsune, his artist name, in a jumble of hiragana and katakana.

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Posted

Dear Kagamibuta fans,

Have one and only. Bought for many years ago.

As You can see,made of Antler. Motive, flowers and butterfly.Botan of different metals on top.

Wishes

Andrew

Kagamibuta.jpg

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Posted
5 hours ago, Bugyotsuji said:

George Lazarnick, Vol.1, Netsuke & Inro Artists

This book can be borrowed from internet archive if you are registered.

 

John C.

  • Thanks 2
Posted

Andrew, I think yours is more of a ‘Manju’ glutinous rice sweetmeat type, at best a kagamibuta cross. 

 

Most kagamibuta 鏡蓋 are tightly inset with a flat lid (the ‘mirror lid’ section) set into an uncarved, usually round frame. The string connects to a loop on the back of the lid and exits from a hole in the underneath of the frame body. Here is a well-worn example that I used to own.

 

IMG_0365.thumb.jpeg.13e225b9815cceb10c4f256684e0fca3.jpeg

 

And here is a child’s one I posted earlier.

(Top right)

IMG_7313.thumb.jpeg.8191d8a52620c36dd3a5a8c327599182.jpeg

 

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Posted

Thank you Piers for the book recomendations and the lovely pieces you posted!!

I will have to dig around and see if I can find copies.

 

Andrew,

Thank you as well!

 

10 hours ago, Bugyotsuji said:

For you as a metal artist Marcus it must be the shape, the medium and the cameo ‘canvas’ I am guessing, somewhat like a tsuba.(?)

Yes, it is very much in the same realm as the tsuba, and I'd like to explore it further. It's even more restricted than the canvas of a tsuba and that appeals to me. 

I feel the kagamibuta would be a wonderful medium to explore some ideas I have been tossing about.

I'm curious if you know what the average size is for them? From what little I know it seems to be around 35mm to 40mm, but I'm not certain.

 

6 hours ago, John C said:

This book can be borrowed from internet archive if you are registered.

John,

I am registered and I will have a look.

Thank you for the info!

 

Thank you all gentleman,

Best regards,

Marcus

 

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Posted

By the way, Andrew, I did not mean that one was better than the other, just that there are many types of Netsuke, and yours is more like a Manju than a Kagamibuta. Here I have three which would have been classed in the West as Manju, but I have discovered that in Japan they can be referred to as 'Senbei/Sembei Netsuke', as they more closely resemble flat 'osenbei' senbei crackers than a fat Manju.

 

You asked about size, Marcus. In the Ashmolean there are some amazingly large examples, especially Manju, but in general kagami-buta too will be about 4~5 cm wide, I would say, as a rule of thumb. But rules, as they say, are meant to be broken. See Eijer's lovely book above for some stunning examples.

 

Here are the three senbei examples. Two are ivory slices and one is narwhal. The narwhal (left) and one of the ivory slices bear a kamon on the central silver fitting. The third has a copper(?) 20-petal chrysanthemum kamon on either side, with a loop fitting underneath. The dark copper is finished in lovely wood-grain patterns that are said to be hard to replicate today.

 

Photos follow

IMG_7575.thumb.jpeg.dbfb33cabf43e4bd32ace66fdb13bde7.jpeg


And the cord attachment loops 

IMG_7572.thumb.jpeg.765e23372e46773a2aaf53bbeac74ab8.jpeg

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Posted

I agree and understand  Mr Piers. No problem. I was too fast and entustiastic.. of cause my item is of cause a manju.Well, Japan and all there details... haha.

//Andrew

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Posted

The two-volume Lazarnick set and the two-volume MCI (Meinertzhagen Card Index, British Museum) are the standard Netsuke references, but heavy and generally not cheap!

 

(There are many other wonderful books on Netsuke but Eijer’s book treats kagamibuta specifically.)

  • 3 weeks later...
Posted

Graham,

The word "please" is a politeness often overlooked but it can do wonders when you're asking a favour from complete strangers. Perhaps a few words about yourself and what you have too?

  • Like 1
Posted

First shot is upside down and fuzzy, but the second is a little better. Can you focus clearly on the signature once more? It seems to be carved into a resin material…(?)

Sometimes if signatures are not immediately obvious, we have to work with dictionaries to narrow down the possibilities. (Many are spurious, many are poorly written and barely legible, and many of course are not listed at all.)

 

So, an art name, beginning with 籍 (Seki) or 簑(or an older kanji version of Mino or Sai?) the last character of which looks as if it might be 雲 (un). Please do not expect an answer right away!

Posted

Hallo forum, I appreciate deeply Japanese art and culture. I have a very detailed Netsuke, carved from wood, which I bought, and have had for many years

It is very difficult to do justice with a photo, and the file only allows 2images.

But let me attempt. 

Thanks for any assistance. 

I think this is a traveller with a basket on his back

I am unable to add images to this post so will send images separately 

Posted

I think it's a particularly compact Ono no Komachi (look at hat, stick, hair and definitely non-youthful appearance). Check this link for a model with several features in common:


https://www.zacke.at/auction/lot/lot-389---a-fine-nagoya-school-wood-netsuke-of-ono-no-komachi/?lot=47957


Piers' identification of the first character seems correct to me, but there are no recorded signatures that include 籍.

 

P.S. how big is it? And is there really a hole going from top to bottom, as suggested by some of the pictures?

  • Like 1
Posted

You are right of course, Pietro. Many thanks for catching that.

 

Referring back to Sekisen, here is the entry in Lazarnick. 
PS ‘Onka’ should be Onko ware.
IMG_7743.thumb.jpeg.6cb1a673a16af63cdc7a68f5a9c6e823.jpeg

 

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