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Posted

Hope all is well wherever this message finds you. 

 

Reason for my post is that I recently purchased what I believe to be a later Edo koshirae. It has a composition I am not familiar with and would appreciate any help. 

 

There are green 'specks' which are very fine and in the light it can transition from these green 'specks' to a deep purple and almost pink depending on the light. I did some reading to try to identify but really not sure... Thank you in advance for your help or any feedback you can share.

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Posted

Thank you, Colin for the response and confirmation. 

 

Also, thank you for posting an example that is probably one of the best in the world, right after my humble koshirae... LOL :rotfl:

Posted
7 hours ago, Bugyotsuji said:

Be aware that the carapace of a certain beetle was also used for this

Perfectly true but the abalone was far more commonly used  for several reasons. It was more easily available in quantity and after its repeated boilings to separate the layers it was easy to grind and sort into whatever size flakes were needed. It’s is also 100% waterproof and its hardness made it very suitable for saya. It also survives the lacquer polishing stages as the colour goes through the whole shell and the small flakes (although it can change from kingfisher blue to violet to green to pink etc as you degrade it). 
I have used it a lot in restoration work…..it’s an amazing natural product……..

 

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Posted

Hi Stephen, sure thing buddy. I have some last minute shopping to do for Christmas and have to get some coffee…

 

I will circle back later today. Take care and Merry Christmas, Stephen.

Posted

There's a company in NZ that sells pieces or sheets of the abalone nacreous layer. This material was (is?) also used for tosogu and I recently bought a fuchi/kashira set from an NMB member. The Met in NYC also has a tsuba, possibly made by the Somada School. The method is known as raden maki-e. 

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Posted
2 hours ago, Spartancrest said:

Mother of pearl inlay?

Hi Dale

Probably one of the pale colour abalone varieties or perhaps pearly turban shell which was also often used. It has more of a pink colour. When you get those green tints or pink hues it isn’t mother of pearl.

True Mother or pearl also comes in a variety of colours….usually encountered is the  “normal white” but there are other species….yellow lip and black lip are the next most common.

Seasons greetings!

Colin.

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