Bugyotsuji

Overall shot, and the plainness of the reverse.

The previous owner polished up all the brasswork so it will take a while to settle down to a good ole patina.

Not quite sure where to post this. I bought another Tanegashima Matchlock the other day. The gun is in pristine condition and looks to have been used very little. The barrel bears the Mei 国友林右衛門 重当　Kunitomo Rin (Hayashi) Uemon Juto/Shigeto, and the number 四 can be seen inside the Dogane brass band. Inside the belly of the stock is written in brush ink the stock maker's name 伴　治平斎（？）基重　and the number 四. It appears to be a 6 Monme, 1.6, 1.7 cm caliber. (The authorities made a mistake on the Torokusho 1.3 cm, LOL, so I will have to have it reregistered next week.) The gun 'feels' to be about the same age as my 1.7 cm Kumamoto Castle Hosokawa long gun, which is dated 1847. Whereas that one is a military gun through and through and bears the shape of the manufacturing area, Higo in Kyushu, this 'new' Kunitomo gun is typical of the Ogino-Ryu school of gunnery and, typical for Kunitomo, lacks any defining Kunitomo regional characteristic. Two back sights and one forward, inner lock mechanism and iron serpentine. What is interesting is that despite this gun having no decoration on it at all (the plain drilled Mekugi-ana having no surrounds, and there is no decorative non-functional brasswork on it anywhere) my gun collector friends have been drooling over it and congratulating me on a very wise purchase. What are they seeing? Beauty in simplicity of function? Lack of ostentation? Singularity of purpose?

Unless someone pulls me up short, :lol: I would say that is definitely a different Yoshisada.

Nice. I like the ishidzuki. Can we see a piccie of the rivet, Eric? Are you sure it is not a screw that has been damaged? You know the threads traditionally went the 'wrong' way and people often screw them up! :lol:

Sawada Sensei uses the word 'distance' shooting when describing long guns for sharp shooting, or target practice. (Just been doing some reading up.) Perhaps the effective range was 'the width of a moat' ? How long is a piece of string and how wide is a moat? It must also depend partly on the quality and amount of powder you pour in before the ball.... 狭間筒Hazama-zutsu is the usual word to describe these guns, and although the loop hole in the castle wall is usually described as 狭間 Hazama, in the blurb for Hikone Castle they call them simply Sama さま. The mini long guns are about 130 cm long, bigger ones go up to 2 meters in length. I also read an explanation that the size of a ricefield stretching from the castle walls was called a Hazama. (Think feudal serfs' fields.) Sawada Sensei is puzzled by the weight of these guns, and the large quantity of iron needed to create one, and then by the very small caliber. He says none of it makes sense, but there are surprisingly large numbers of Awa-zutsu Hazama guns in existence. Was it a fashion? My private theory which has not been tested or thrown around yet, and may be way off the mark, is that the Lord Hachizuka (said to have loved guns) called all his best gunners into the castle to be aware of who was good, and keep potential enemies close at hand. Large unwieldy guns could not be easily or rapidly swung round to cause trouble or to assassinate him, and even if they had managed such, the caliber would ensure no-one was killed. (Think fairground guns...) (Please ignore this last paragraph as necessary, but I will be testing this idea on some of my fellow 'experts' very shortly, and report back.)

Ah, but has it left you any the wiser? :lol:

Eric, have a gander at these! http://www.onmarkproductions.com/html/fukurokuju.shtml http://www.onmarkproductions.com/html/jurojin.shtml

Thomas, it has also been said that Hazama zutsu, (guns fired from the Sama, or Ha-zama) were trained on attacking troops massed on the opposite shore of the castle moat. The idea was that, at that range, you cannot guarantee to kill any one person but you can seriously wound someone within the mass. Four or five of those around the wounded ashigaru would then be removed from the fight as they carried him back and out of the fighting. Ron, thanks for the technical back-up. I was aware that increased length of a smoothbore barrel does not really improve accuracy, but in those days it was the received wisdom and the driving force behind longer gun barrels, I believe.

Eric, quoting myself from the previous page, that is what is written on the bag. The two elegant figures... (Trolls, grrrrrrrrrrrrrrrr ) are two versions of an ancient Chinese scholar/god. Often confused with each other, they are called either Fukurokuju or Jurojin in Japanese, and are usually depicted with high foreheads. The short one is a two-hundred-yr-old 'Netsuke' that I bought about two months ago. Originally worn decoratively on the top edge of the Obi to hang Sagemono from, now worth several hundred dollars. The taller one is a fairly modern 'Okimono' (standing object) and the moment I saw it I wanted it for addition to the family. (No, not trolls, or gnomes or eggheads!)

Yes, Thomas, the 'Hazama-zutsu', or castle/ship slit/port guns, were mostly found in the the country of Awa in Shikoku, so when one thinks of Awa-ju, the image is of a long and heavy Hazama-zutsu, with a rather small bore. They tend to have sights that can be adjusted, but most have lost these, with only the sight base remaining. The Lord Hachisuka of that Tokushima area is said to have set up targets and gathered up the people to have regular shooting exhibitions within the castle, (accuracy being considered better achieved with a longer gun). As to statistics, I will go and have a look. Thanks for the information about the Korean Cheonbochong. Look forward to the pics!

Eric, have a play around with this page, but go down below the stones. You will find some of the Sanskrit letters that were popular and the meanings and associations that they carried for the Japanese in the middle ages. http://kuubokumon.com/bonji.html

Gnomes, you say??? Come here and say that!

Evalerio should be able to tell you more about them, Eric. I like the colour and design! See: http://forums.samurai-archives.com/view ... 6b85fc34ac In the meantime, my Dad says whoever calls me names should come and see him first.

軍扇　gunsen, war fans? How big is that bag? http://www.kyokusho.com/mikawaya/touken/O-02.htm

It kind of looks like 小川歩子

Thank you for those links. I didn't realize that the bale was set in the ceiling beams and rice was drawn off from the sack with a hypodermic like that!

Ah, now that is very close, but not exactly the same, because those were used in every household, but the one in the sheath above is a) not hollow all the way through and b) it was used by an inspector in the district government warehouse.

Well, points for imagination but, no. Hint. This tool was used by an official when straw was still in daily use in Japanese life. PS If anyone cannot stand the suspense, let me know and I will post another piccie.

Double post here. One is an Ishi-tsuki for a Yari. Now about two or three years ago someone on this site (...Jean?) asked me f I could get Ishi-tsuki. They do occasionally come up, so for some reason I bought this one this morning. A bit rusty. Length 8cm, internal diameter 2.7cm, internal depth 2.5cm, two holes. The second object is ... well, let's see if anyone can guess correctly! Overall length 24cm (9.5 inches)

Where is it written, Justin, under the lid? The writing looks very new.

Armor/armour was often passed down and recycled. There are pointers for telling the probable age of manufacture, which include knowledge of popular styles, evidence of usage, etc. Helmets are a specialized sub area. As we on this site study the qualities of sword steel, so people like Sasama Sensei and Ian B. Sensei became members of study groups in order to prise/prize out such arcane secrets.

No, I think you have done pretty well so far!

Maedate are completely interchangeable so it is unlikely that the one on there has any association with your armor/armour, Justin. Dealers swap them around to find one that looks good. All your research on the Maedate will tell you is solely the meaning of the Maedate itself, if you are lucky. Your Maedate is the character for Heaven. 天　This might be a lucky word which one family liked. The character will have been written many different ways, one of which is this, your Kuzushi or 'stylized' character. So directly translated 天の字（崩し）　simply means "The character for Heaven expressed with poetic licence". This does not mean you can continue to exercise poetic licence. The name points to one Kamon. If you wanted to change or develop it, that would require a new fixed name for your new creation.

...and... http://kamon.37gi.com/products/detail.p ... t_id=10062