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Grey Doffin

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Everything posted by Grey Doffin

  1. It isn't necessarily true that only the great names get faked. I've seen more than a few WWII era swords with signatures that purport to be of some obscure smith from earlier in Shinto. If you fake a famous smith you have to do a good job and your customer has only to look at a book to find you out. If you fake someone nobody ever included in a book you might get away with it. Grey
  2. 6 1/4 x 8 1/2", 208 pages. I hope to post the book list tomorrow. Grey
  3. Thanks to all of you. It is a sword book and it will be available very soon. Watch the buy, sell, trade section for a list of about 40 sword and kodogu books I have to sell. Grey
  4. Can any of you kindly translate into Romanji the title and author/s of this book? Appreciate it. Thanks Grey
  5. Munehisa, I believe. Now, someone tell us how wrong I am. Grey
  6. Grey Doffin

    ko-kinko ?

    If the dealer who sold this on ebay was in Japan, and even with a few dealers in the West, I would expect it to have been repatinated before the sale if any patina was compromised. I don't think repatination of shakudo is that big a deal for a dealer in Japan. Of course, I'm just guessing here. This could be my 1 cents worth. Grey
  7. Grey Doffin

    ko-kinko ?

    The extreme wear to the nanako can't be natural. No amount of wearing a sword, fighting with a sword, or any other normal sword usage would erode the nanako that badly, no matter how old it is. Something had to have happened to this; either the nanako wasn't cut fully to begin with or it was removed all at once later. My 2 cents worth. Grey
  8. Looks like Shunga (erotic art). The quality of work (not too great) is on par with much of the Shunga I've seen. What is the thing, by the way? Grey
  9. Where is it that you plan to use the technique after you've learned it? Not on real Nihonto, I hope. Grey
  10. Henry, I suspect that if auto wax and vaseline did a Samurai sword any good, the old masters back in those feudal times would have invented them!! Grey
  11. The proper amount of oil to put on a blade is applied thusly: Use white, unscented, not made from recycled fibers tissue paper or toilet paper, folded into a rectangle that will fold around the blade. Put just 3 or 4 drops of oil on the paper. Starting an inch above the nakago, with the paper wrapped around the back of the blade, wipe up towards the point and then go back to the same spot and wipe that last inch down towards the nakago. This ensures that you won't drag a rust particle from the nakago over the polished blade surface. Next, use a clean pad of the same paper to wipe off the oil you just applied, using the same technique. The tiny amount of oil that remains after wiping is all that is necessary to protect the blade. If you use too much it will bead on the blade and eventually will foul the inside of the scabbard. Grey
  12. Would someone be so kind as to translate the 2 inscriptions for me please? Thanks. Grey
  13. Email is now an option under my posts. If anyone else wants the articles feel free to write. Grey
  14. I wrote a couple articles on oshigata for the JSS/US "Newsletter" a few years back. If you email me (link below) I can send them to you as an attachment on my return mail. Grey
  15. If a sword has been polished so much that the ha-machi has disappeared the nakago can be reshaped; metal can be removed from the nakago ha, to make the sword appear more healthy. It's not possible to know how many old blades have had this done to them. You can't say, if the ha-machi is gone the blade is tired and if it still exists it isn't; it's more complicated than that. Tiredness refers to the condition of the blade's skin: coarse grain, openings, blisters, or core steel showing through. A sword with no ha-machi can be tired or not and a blade with a ha-machi can be tired or not. That said, it's always better to have a ha-machi and I would be leery of an ebay sale if the seller doesn't show the machi. Grey
  16. For those of you who have access to PBS (public TV in the US), tonight on "Nova" the show is titled, "Secrets of the Samurai Sword". Should be worth a watch. Grey
  17. I agree with the last post; this is a nakago that has been ground down. It looks too clumsy to have been done by the smith. Grey
  18. Brian, You need to read the description a bit more carefully. Grey
  19. There are no signed Sadamune. This is one of them. Grey
  20. Should you wish to bid on this katana: http://cgi.ebay.com/Japanese-Hand-Forged-Katana-Gunto-27-Pierced-Tsuba_W0QQitemZ300156591560QQihZ020QQcategoryZ4080QQssPageNameZWDVWQQrdZ1QQcmdZViewItem you'll find you're up against some very serious competition. Grey
  21. I heard also that one of the blades to come would be the O-Kanehira. Hard to believe that the National Museum and/or the Japanese government would allow it to travel but if it does make sure you get to see it. Even if you have to walk from Texas it will be worth the effort. Grey
  22. A broken top of a katana fitted as a tanto in China. The yokote is at the wrong angle. The geometry seems clumsy. The koshirae are classic Chinese fake. I still think this is a fake; no doubt. Grey
  23. I agree; it's a fake. Grey
  24. This Kanehisa made it into none of the 60 or so references I've added to my index. It probably will be tough finding anything on the smith. Grey
  25. I just picked up a tanto with an interesting kotsuka. It's made of iron in the shape of a nakago (complete with a dimple to represent the mekugi-ana). I'm wondering if one of you can translate the inlay for me. Thanks, Grey
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