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Posted

Od paper Document (came with this sword) and Mei translation needed _____Aki ____??? A very fine quailty blade with dense nioi and nie, clear tight hada, horizontal yasurimei and mounted in shirasaya...A rough idea of what the papers say would br most helpful.

 

I am unsure of the mei and thought it was a gendaito when I first saw it, but the workmanship is better than normally seen and the signature and file marks are not found in my references...Thanks for the help. Ed

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Posted

Mimasaka ju Akinori saku 美作住昭徳作

 

According to the document, he was from Tsuyama city in Tottori Prefecture. The paper says he worked 100-150 years ago and was a student of Masahide but I could swear he was a gendai tosho in the Kurihara Akihide group. I have seen his work before....

Posted
Mimasaka ju Akinori saku 美作住昭徳作

 

According to the document, he was from Tsuyama city in Tottori Prefecture. The paper says he worked 100-150 years ago and was a student of Masahide but I could swear he was a gendai tosho in the Kurihara Akihide group. I have seen his work before....

 

Chris, Thanks for the quick reply and translations...darned nice sword and my initial impression was that this was/is a gendaito (maybe a very early one perhaps)...If you find any other references on him please let me know-I have nothing showing a maker with the last character of his name Aki Nori...Ed

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Posted

Yes, that is him...note the unusual style for "nori" 徳,,,,,I have seen blades signed the same way yours is.....He was a good smith. Many of the Akihide group smiths made some very nice swords.

Posted
Masahide was a shinshinto smith. Akinori worked during WWII. He studied under Kurihara Akihide at the Denshujo/Nihonto Gakuin.....

Chris, I do understand that distinction...I thought Akinori may have been an old man during WWII and (a real stretch here) may have known Masahide (at best)...I can not read the document so from what you said so far it appears that whoever wrote it either lied or made a very serious error regarding Masahide and an association with the smith Akinori.

 

Again, thanks for helping with this. Ed

Posted

Masahide died in 1825. That would mean Akinori was making swords during the war when he was over 110 years old....

 

I don't think the author lied, just uninformed....

Posted
Masahide died in 1825. That would mean Akinori was making swords during the war when he was over 110 years old....

 

I don't think the author lied, just uninformed....

Akinori would be have been an extremely experienced swordsmith! :crazy: Thanks for the correction to my flawed math/age calculations...Any idea what the paper was for, a sword salesman's certificate or___? Ed
Posted
Ed,

You should throw away the paper,because the paper never raises the value of the sword.

I agree and although this is a very nice sword and not one I will keep likely,I'll give the paper to the next owner just for its novelty value and ceratinly not for its content...I do realize what some folks have done and will do with "papers" such as these, but I will be certain to fully explain the less than historic worth of the paper. Ed

Posted

Question - How common are wide and prominent yasurime such as this one has?

Have seen it once before on a sword, and thought it unusual. Was this a particular trait of a group of Gendai smiths or just something seldom seen?

 

Brian

Posted
Question - How common are wide and prominent yasurime such as this one has?

 

It is rare. though I too have seen it on occasion but it has usually been on late swords and to me was a sign of the smith trying to save time as it is quicker to finish this way that to do a proper ippon suji finishing. Also, it would appear that this sword was not dated, which is another later war, time saving step.

 

I have seen a late Kotani Yasunori blade finished this way; when I asked the smith about conditions at the end of the war, he said they had moved the forge to Shikoku and were doing what they could to simply get swords out the door. I would imagine that one too was made in a hurry...

 

You will note on the oshigata that Morita san provided that this smith put more care into finishing the nakago on that sword, which was entered in a war era contest.

Posted

Akinori blade is 24 inches long in shirasaya...Photos show the strong activity in the hamon, but hard to capture it well...Very tight hada and some scratches on the blade from handling. Ed

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Posted

thank you for taking the time to post the photos.....nice! The hamon clearly shows the activity that results from a water quench. Something to keep in mind when wondering if a blade is oil or water quenched.....

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