Icepic Posted July 15, 2010 Report Posted July 15, 2010 Hello, I could use some help with confirmation of two origami (attributions) and maybe a stab at time periods. Wakizashi: Sue-Mihara / Edo ? Nagamaki: Jumyo / Early Muromachi ? I am waiting on Mr. Paul Martin's new book I have on order then maybe I can do this for myself and hopefully help others. Here are some pictures. Quote
Icepic Posted July 15, 2010 Author Report Posted July 15, 2010 Here is a picture of the wakizashi I forgot to post. Buy the way, You can see a rust spot just behind the kissaki, I do not plan to have the sword polished becouse it would cost me more than I paid for the sword, but what is the best way to keep the rust from spreading? Thank You and Good Luck. Mark Pederson. Quote
Toryu2020 Posted July 15, 2010 Report Posted July 15, 2010 Mark - Sue-Mihara is likely around Tenbun/Tensho. Toshinaga (Jumyo) on the other hand is all across the board, the shape will be the best clue to the time-period. I believe your sayagaki is by Fukunaga Suiken - if you have the time I would to love see close-ups of that sayagaki... -t Quote
Icepic Posted July 15, 2010 Author Report Posted July 15, 2010 Hello Thomas, I will try and post some pictures tomorrow. Quote
nagamaki - Franco Posted July 15, 2010 Report Posted July 15, 2010 Greetings, Wakizashi: Sue-Mihara / Edo ? The Koto Bingo Mihara School By Allan H. Pressley http://www.nihontocraft.com/Mihara_Nihonto.html Sue Mihara Yamanaka gives the characteristics of Sue Mihara blades as follows: Shape - Style and shape of Sengoku period (approx 1460 to 1600) with the sori made a little shallow and more graceful than other works of this period. .............. Hawley shows Mokume, gunome, open midare, medium suguba - ko midare, as characteristics of Sue Mihara, and lists them as lasting from 1350 to 1500. Robinson says that later Mihara (he only divides them into 2 groups, not 3) was from 1350 to 1450. He says they made mostly wakizashi and tanto, with itame, and suguha or crumbling suguha. I do not plan to have the sword polished becouse it would cost me more than I paid for the sword Imagine, somehow I thought after 18 years that perhaps I had heard all the reasons for not having a sword polished by now. Quote
Icepic Posted July 15, 2010 Author Report Posted July 15, 2010 Hello Franco, You are correct that is a lame excuse, However I am happy with the polish it has now and I think to much metal would have to be removed to get under the rust. It would probably ruin the blade. Somebody neglected this sword I just want to keep it from any futher deterioration. Quote
Icepic Posted July 15, 2010 Author Report Posted July 15, 2010 Hello Thomas, Here are some pictures of the sayagaki. I hope it helps. By the way, who is Fukunaga Suiken? Quote
nagamaki - Franco Posted July 15, 2010 Report Posted July 15, 2010 Hello Mark, Hello Franco, You are correct that is a lame excuse, However I am happy with the polish it has now and I think to much metal would have to be removed to get under the rust. It would probably ruin the blade. Somebody neglected this sword I just want to keep it from any futher deterioration. No worries, no excuses, no explanation needed. The only reason for the tease was the awkwardness of the cost/polish reasoning, when realizing that a new polish could easily raise the value of a good sword well above all of these initial expenses. Rust, there are times when rust is severe enough to discourage having a sword polished. On the other hand, it should be noted that it is really quite amazing what "good polishers" can do in addressing areas of heavier rust on a sword. For the time being sword oil is the short answer for rust, especially for "red active" rust. I would do a search on NMB for previous threads on this topic. Quote
Toryu2020 Posted July 16, 2010 Report Posted July 16, 2010 Mark - Thanks for those. This is what I think I see, though I have to say I am not sure about some of this; 三原住貝定守 無銘 直調小鉦深き出来良工 長 壹尺七寸有之 昭和壬子年春日 Mihara ju Kai Sadamori Sugu-cho ko-gane Fukaki-deki Ryo-ko nagasa 1 shaku 7 sun kore ari Showa Mizunoe Ne toshi Shunjitsu Kai Sadamori of Mihara (mumei) suguha - tight jigane - deeply tempered - a skilled maker Length 1 shaku 7 sun (this attribution given) on a spring day in Showa (sorry I don't have the right book handy) a year of the rat Suiken (Kao) Fukunaga Suiken is perhaps the most prolific writer of books on Nihonto - a man who came up in the sword world before the war - a student of Takase Uko, (among others), founder of the NTHK, a doctor and a friend to any student of the Japanese sword - He was for many years part of the NTHK under Yoshikawa Koen, where he was an integral part of their shinsa team. Thanks for the chance to check this out, -t Quote
Nobody Posted July 16, 2010 Report Posted July 16, 2010 ...................... 三原住貝定守 無銘 直調小鉦深き出来良工 長 壹尺七寸有之 昭和壬子年春日 Mihara ju Kai Sadamori Sugu-cho ko-gane Fukaki-deki Ryo-ko nagasa 1 shaku 7 sun kore ari Showa Mizunoe Ne toshi Shunjitsu ............... I am not so sure but the “ko-gane (小鉦)” part may be ko-nie (小錵). Quote
Stephen Posted July 16, 2010 Report Posted July 16, 2010 I like the first sword and would like to know more about the sword and meaning of the paper if anyone is up to it. Quote
Toryu2020 Posted July 16, 2010 Report Posted July 16, 2010 Thank you Mr. Moriyama, That makes way more sense "thickly tempered in ko-nie"... -t Quote
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