Bruno

Thanks Stephen! "do a search here for Kanemune" WHERE IS THE "HERE"? Sorry, the little mark is not at the end of the nakago, you are right, it is close to the begining of the tang. Is it out of topic, but I remember you were looking for KANETSUGU swords, right? Because there is one to sell, mounted in a Type 3 mounting, this week on EBAY. If it is not you, excuse me. Regards Bruno

Hey Stephen, Did we go down this road before? I do not remember. Yes it is on the end of the nakago close to the habaki, and looks like a half of a stamp. Very small (3mm), impossible to identify. There is no try to delete it. I saw what a showa stamp looks like but it does not look like it. I also try to take a pic but so small that my camera zoom is not powerfull enought to catch it. Thank you Stephen, it is nice to help me. Bruno

Hi everybody! I have a simple question for those who are better connoisseurs than me. I have a gunto sword signed and dated, and until now, I have never saw any stamp on the tang. Yesterday, I looked the tang very closely and noticed what it looks like a "mark" or "stamp" but it is so small(around 3mm) and just half stamped that I am wondering if it is an arsenal stamp or not. I checked Gunto arsenal stamps on books, but the one on I am talking about is so small that I am not able to determine it(even if it should be showa stamp). Does anybody knows what were the "regular" or "standard" size of showa, seki arsenal stamps? If those ones were much bigger it would give an idea. I do like to post a pic but a 3mm mark will be difficult to see clearly. I will be gratefull of any help and opinions about my questions. If my question is stupid, forget it! PS: the sword is a FUKUMOTO KANEMUNE mounted in a Type 3 koshirae, if that help...? Thanks Bruno

Hi Matt, I live in France and what I know about sending swords to France is that it could be complicated if you do not write the right thing on the package. In fact, it is allowed to send sword to France, but....french postmen have the right to refuse to deliver the package if they think what it is inside could injured them(sword, knifes, etc...). So your package could be stopped anywhere in a post office waiting for you to pick it up. It can be annoying! To me, best thing to do is to write on the box something not explicit as "nihonto", or "gunto" etc... few people know what it is. Regards Bruno

Thanks George! It is very interesting! regards Bruno

Huuuuuummmmm.....??? What does it mean Stephen? Bruno

Thank you Moriyama san That is what I thought but wasn't 100% sure. Is it possible that the mei I joined belong to KIRIBUCHI instead of FUKUMOTO? Does the SHOWA stamp means that it a showato? Bruno

Hi everyone! On a previous post I asked some help about the mei I posted again. Some friendly persons helped me to translate it and their answer was KANEMUNE(FUKUMOTO) who seems to be the son of AMAHIDE(FUKUMOTO). Once again I want to thanks these people for having helped me. After few new researches, I found out that there were several KANEMUNE during that time. 桐淵 兼宗 (Kiribuchi Kanemune) CHUGE SAKU(RYOKO NO JOI) 福本 兼宗 (Fukumoto Kanemune) CHUGE SAKU(RYOKO NO JOI) 兼宗 (Kanemune) real name:福本 小市 SEKI KAJI TOSHO Furthermore, I saw what it looks like a SHOWA stamp on the tang, even if this one is very very difficult to see. I am wondering if these new researches can change the previous result of the mei translation? I hope MORIYAMA SAN could help me on this once again. I also want to thank Steven, George, Moriyama san and the others who gave all the previous informations before.

Thank you very much Moriyama san Bruno

Here is the AMACHIKA mei. It looks like what it is written on the tang, no? Regards

George Yes this website is very interesting. But I do not really understand(lack of english skills) if the iron/aluminium scabbards of the Type 94 and 98 showed on this website, who look like glossy aspects or semi glossy aspects are lacquered or painted. I can not the difference. Thanks Bruno

Thank you very much George! I have pics of the mei and the date on the tang, I do not know if it is readable, I joined the pics anyway. But there is no seki stamp on that tang. I will be glad to know your sources, where you found all these informations and translations(DAIDO,Higashidani, Katsukichi (or Katsuyoshi). I hope to that Moriyama san will have a look. To conclude, no chance that it could be a gendaito! I am really gratefull for your help George, I do appreciate the time you spent for getting all these informations for me. I will soon buy the famous book on modern Japanese swordsmiths, it will be helpfull. Kind regards Bruno

Thank you George! That is what I was thinking too! In fact, iron scabbards were never lacquered even if in some cases it looks like they were. Maybe because iron/aluminium is not a good support for lacquer, and wood is better support? I am asking that because I was thinking about restaurating an aluminium Gunto scabbard with a nice ishime or urushi lacquer instead of the damaged paint it has now. But I do not want to make something it has never been done before in Japanese shops supplying fittings during ww2. I'll be happy to have your opinion on that George. Best regards Bruno

Hi George! Thank you for your response! In fact, I found his name on this website: http://www.geocities.com/alchemyst/oshigata/index.htm I am about to get a showato signed by this swordsmith, and I would be glad to have more informations about him. If you "clic" on his name in the list you will have his mei. But apart from that, I was not able to find anything else about him(ranking, type of swords he made, working place etc...) If you can have informations on him I will be happy to have them! Thank you Best regards Bruno

Hi everyone! I am looking for any informations on the WW2 era swordsmith called AMACHIKA. Presently, I only found his mei, but nothing else. I do like to know more about him, was he a good swordsmith, where was he working, did he used to make both showato and gendaito or just showato etc... Any help will be appreciated. Thanks Bruno

Thanks Steve http://www.h4.dion.ne.jp/ Yes I do know already this nice website. In fact it is the only source that say that iron scabards Type 3 Gunto have semi gloss uneven coating(ishime). Every sources I checked told the contrary: Type 3 iron scabbards are painted and Type 3 wooden scabbards are semi gloss uneven coating. Furthermore and as my english is not perfect, about the Type 98 they seems to make a difference between semi/gloss coating and lacquer semi/gloss coating. Is semi/gloss coating is like paint? is it lacquer? Well, to say that I do not really know if every iron scabbards are painting or could have been lacquered also. If a connoisseur could help me I will be gratefull. Bruno

Hi everyone! I have made some researshes on gunto scabbards. As everybody know, some are painted and some are lacquered(urushi, ishime). I found out that generaly, iron scabbard are painted and wooden scabbards are lacquered. Is anyboby know if iron gunto scabbards were also, sometimes, lacquered (urushi, ishime, or standard lacquered)as wooden ones? Do you have example(pics) of such lacquered iron gunto scabbards? Thanks for your help. Bruno

Hello Stephen, is it a wooden or an iron lacquered scabbard? regards

OK All, The image I particularly wanted to show for Bruno as to quality urushi (traditional lacquer) finish on shingunto swords is this one: The rest of the sword is off-topic and I'll post those on the Board index » Nihonto Discussion list under a new thread UNUSUAL SHINGUNTO. George, I also have a damaged Shingunto lacquered saya that is damaged and shows the cloth underneath the lacquer. Bruno, all this is to say that your "green" scabbards look to be traditional lacquer and should be preserved as such. Best regards, Barry Thomas. Hello Barry, is it a wooden lacquered saya or an iron lacquered saya?

Hi Steve! I drawn and posted KANEMUNE MEI on a previous post in "help for translation", I hope it will help you. Regards Bruno

Hi! After all these differents opinions I am completly lost! I just told to the showato owner that I refused the deal because dented kissaki means "bad sword". Maybe I did a mistake , the sword is very nice except for that kissaki... It is so hard to make the right decision, but that is why Japanese swords are so nice to collect! Bruno

Tu peux me parler en français Sébastien, ça sera plus simple! :D Oui en fait, j'ai mis un post sur ce forum pour échanger mon NCO en super état contre un gunto standard. deux personnes semblent intéressées, une seule pour l'instant m'a envoyée les photos. Le kissaki semble bien tordu ce qui "apparemment" traduit une lame de mauvaise qualité, meme si celle-ci est réparable. En somme je ne pense pas que l'échange se fera. Qu'en pense-tu Sébastien? a plus bruno

thanks. that make sense, soft steel bend, well hardened steel break= this showato was badly made. however, if it did not break when it had probably felt on the tip, that could also mean that it would not break neither if "we" try to fix it, as the steel appear to be soft. anyway, a bad forged sword is a bad forged sword. so it is no worth to swap it for my mint condition NCO? thanks a lot for all your opinions guys

Hello Franco! Thank you for your response. I know a bit about Japanese swords but not that much. I did know that damaged kissaki is a real problem for nihonto. This one is for sure a showato. I do not know how to fix it and if it is worth to do it(expensive or not to repair?). I do not think a standard polishing would be enought, reforged the tip appears to me to be the solution, am I right? Same question, is it worth to do so for a showato? Is this blade "dead" or not? I DO NOT KNOW WHAT TO THINK ABOUT IT? HELP MEEEEEEEE PLEASE!!!!!! Bruno

Hello everyone! I have a question about a dented kisaki on a showato sword that I want to buy. I do not know if it is possible to repair it or not. Is anybody can give his opinion on it? I join two pics of it. Many thanks Bruno