Hi,
Quote Fujishiro Shinto jiten:
Quote the seller:
.
Kunisada never produced utsuri (utsuri was extremely scarce in shinto times) and i wonder what is a masa-utsuri. I'm afraid we must understand "masa-utsuri" by shirake (tired) utsuri
Hi,
Jean,
If the saya of your friend looks like this below, this lacquer is called Kokushitsu
Mushikui Urushi (Mushikui = eaten by insects).
According ZVD, explain how it is made, needs 3 weeks of time.
Hi,
In 1949, 7 swordsmiths were authorized to forge 60 swords for the rebuilding of the Ise Shrine.
These smiths were Miyaguchi Toshihiro, Takahashi Sadatsugu, Miyari Akihira, Ishi Akifusa, Nigara Kunitoshi, Endo Mitsuiki, Sakai Shigemasa.
It seems the SakutÅ Gijutsu HappyÅkai was not only an exhibition but also a contest.
Hi,
Many things are wrong (compared with shoshin Hosokawa Masayoshi) on this blade:
Nakago jiri is quite different, yasurime too, the kanji masa is not the same.
This blade shows an ordinary workmanship, and i don't find the characteristics of Masayoshi work.
Hi,
Not really - I couldn't find any info on specialists during that period of time who would fit the bill. Daidô himself wasn't well known for his Horimono, although I remember a Hira-zukuri Wakizashi, one of the favorite swords of Katô Kiyomasa, that has the characters for Hachiman Daibosatsu carved on it by him.
I'm not 100% sure, but it seems to me that Daidô made gassaku with Horikawa Kunihiro. Maybe we can speculate on the fact that Kunihiro made these horimono.
Hi,
I've asked a very knowledgeable person (ZVD)
He says, This inscription is scarce, it is often engraved with others kanji; it means forged energetically.
Hi,
It is only a thought,
First, the nakago suggests a kamakura blade but if you look at the machi they are well prominent. That means this blade was not often polished, odd for a Kamakura one.
Second, look at the mei location, if the third nakago ana was really used, the mei had been under the habaki.
I have recently seen a Mino Kanefusa (23th) with this kind of nakago.
Hi,
Maybe i'm wrong, but i think a blade with a hagire cannot obtain papers except perhaps some very big name of whom work is extremely scarce.
An art saber is still a weapon and this purpose doesn't be forgotten, *to my eyes* a blade with a hagire is like a plane with broken wings, unusable.
Hi,
I have few oshigata of this smith, but i don't think, the mei seems genuine for me. He worked in Tenwa (1681), is rated chusaku in Fujishiro and 240 man in Toko taikan.