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Restoration of a rusty Washida Tsuba


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Posted

Thank you for entrusting me with this restoration, at first it looked quite serious but after removing the oxidation I found that the original patina underneath was pretty much untouched by corrosion, also the zogan was rock solid in position, a testament to the quality of the work from this tsubashi.

So I just had to make a new patina on the brass and stabilize the iron patina.

It was a pleasure bringing back to life this excellent work.

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  • Love 1
Posted

Really stunning pieces, thank you for sharing! 

I love these before and after threads. They really shows the potential beauty hiding in the rough. 

I'd be proud to have such a tsuba!
Cheers,
-Sam

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Posted

Also similar to mine:

 

SC53537.thumb.jpg.9e297e5529dda8d499bef3e20a611994.jpg

 

Tsuba with design of peonies and arabesques
Washida Mitsunaka (Japanese, 1830–1889)
School: Shonai School (Japanese)JapaneseEdo period1847
Medium/Technique
Main material: iron; other metals: silver; shakudo plugs; decorative technique: hirazogan
Dimensions
Overall: 8.4 x 8.1 x 0.3 cm (3 5/16 x 3 3/16 x 1/8 in.)
William Sturgis Bigelow Collection
Accession Number
11.12197
Signed
Shonai no ju Washida Mitsunaka, with a kao; Koka yon hinoto-hitsuji natsu juhassai saku
庄内住鷲田光中(花押)弘化四丁未夏十八歳作
Provenance
By 1911, purchased by William Sturgis Bigelow (b. 1850 - d. 1926), Boston [see note 1]; 1911, gift of Bigelow to the MFA. (Accession Date: August 3, 1911)

NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.

 

https://collections.mfa.org/objects/11916

 
 
 
  • Like 2
Posted

Thank you for posting this Luca, what a wonderful result. I think it shows your good eye in noticing this being worth of restoration and Manuel doing amazing work with this. :clap:

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Posted
On 12/31/2024 at 11:31 AM, C0D said:

Thank you for entrusting me with this restoration, at first it looked quite serious but after removing the oxidation I found that the original patina underneath was pretty much untouched by corrosion, also the zogan was rock solid in position, a testament to the quality of the work from this tsubashi.

So I just had to make a new patina on the brass and stabilize the iron patina.

It was a pleasure bringing back to life this excellent work.

Well done Manuel, very skillful restoration 

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