wakiboy Posted January 16, 2019 Report Posted January 16, 2019 Can anyone please explain Shinto Tokuden, I know about the 5 traditions (Gokaden) but have only just realised there is a 6th one (Shinto Tokuden). I have been unable to find an explanation in the connoisseurs book other than most of the Shinto smiths are said to have worked in this tradition. Is it just that most Shinto Smiths mixed the old traditions? I may be showing my ignorance here but it’s got me stumped... Ian Quote
vajo Posted January 16, 2019 Report Posted January 16, 2019 Ian i don't know many about this. But mixed traditions is called wakimono (Marius told me) if i had it correct in mind. I don't know if this is fixed in all periods? 1 Quote
ROKUJURO Posted January 16, 2019 Report Posted January 16, 2019 Ian,do you mean ROKUDEN or ROKUKADEN? I don't know if something like that exists, but ROKU is six in Japanese. Quote
16k Posted January 16, 2019 Report Posted January 16, 2019 The way I understand it is it's a way to give a name to the new forging methods that appeared in general in opposition to the easily recognizable Gokaden. Quote
wakiboy Posted January 16, 2019 Author Report Posted January 16, 2019 In the Connoisseurs page 116 states that (another style of sword making. called the Shinto Tokuden Tradition, also arose). Quote
wakiboy Posted January 16, 2019 Author Report Posted January 16, 2019 jean I’ve not seen any reference to it being called Rokukaden but it would make sense.. Quote
Rivkin Posted January 16, 2019 Report Posted January 16, 2019 Shinto steel and its typical dense itame are substantially different from gokaden and as such are a separate tradition. Yasutsugu, Sukehiro and even Owari Seki are each not 100% reflection of some koto school. Sometimes you see more Soden Bizen, sometimes direct continuation of late Mmuromachi Mino. Gokaden classification has its issues. It mixes artistic traditions (Soshu, Ichimonji) produced everywhere, with things produced in a specific province (Bizen, Mino). Omits some koto schools altogether (Hoki, Gassan), elevates some production centers (Mino) at expense of others (Uda). And it does not apply directly to shinto which has its own styles and schools. In shinto you do get some smiths that specialize on reproducing Soshu works, sometimes among other things, like Mishina making tanto in classic Soshu style. But otherwise the difference in styles is more along the lines of new groups that are formed at Kyoto, Osaka, Edo, Owari rather than Bizen versus Mino. Kirill R. 1 Quote
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