Hi,
Ogasawara Nagamune and his son worked in the middle of the shinto time (shodai 1673-1681, nidai 1716-1736). They lived in Musashi and worked in Yamato tradition.
source: les sabres shinto (Serge DEGORE)
Hi,
Mino-den is considered to be in Yamato mixed with Soshu tradition also abundant nie is natural and required :D
I think this blade is older than shinto but not Nanbokucho.
Hi,
According Kokan Nagayama and some others like Harvey Stearn the tsukurikomi like Kobuse or Makuri were invented in the late Muromachi (around 1450), so many koto blades which are folded never show core steel and seems never tired even though they are also fine as a cigarette paper.
This can be interesting and instructive
An other koto tanto (muromachi) for comparison, this one is healthy.
Hi Mike,
This blade is tired and th nakago was rechaped Why?
first You have a yakiotoshi and Masashige had never done one, also you have a kakedashi in the koshiba.
Masashige was a great smith and when a blade is well done it's from the point of the kissaki to the point of the nakagojiri; look attentively at the part from the ha-machi to the first nagago-ana, it's not really well done.
After some researchs i found that:
Mishina school founder moved from Seki to Kyoto with his 4 sons (Kanemichi-Kinmichi, Rai Kinminchi, Yoshimichi and Masatoshi).
The family developped associations with the imperial family and was permitted to use the circular kiku mon, this one was usually cut on the ura
source: Mino-tô - Malcolm E Cox
You surely made the confusion with The Ray Kinmichi line. In their engraving of the kanji kami the vertical line crosses the horizontal one, in the case of Kinmichi line the vertical engraving is under the vertical one.
Rai kinmichi exemple.
However, i think also that this blade is gimei but i'm not an expert.
You surely made the confusion with The Ray Kinmichi line. In their engraving of the kanji kami the vertical line crosses the horizontal one, in the case of Kinmichi line the vertical engraving is under the vertical one.
Rai kinmichi exemple.
Hi,
Seems unokubi-zukuri (cormoran's neck) and not shobu-zukuri (iris leaf),
Is the mune narrower than the shinogi? Especially on the nakago?
Look at the hamon, it goes straight in the nakago and disappears in the rust
Hi,
Usually Mishina blades have a stout sugata with a thick kasane.
With Acid polish we can't see the start of the hamon wich should be a kyo yakidashi.
Hi,
The ura mei "nihon kaji sosho" (日本鍜冶惣匠 ) indicate the second generation of Kinmichi (for the third generation the character Mune (宗) was used in place of So (惣) ) but the jigane of the nidai is more tight than the shodai one.
Hi,
To learn the nihontô, it's only one way, to see as many blades as possible,
Books are necessary but you'll learn much better seeing blades in good polish . This point is very important to discern different hada and ji-hatakari (chikei, nie, utsuri etc...) the hamon and hatakari.
Some schools have a workmanship really similar impossible to discern if the blade is not in perfect polish.