Hector Posted June 11 Report Posted June 11 Picked this Tsuba up five months ago - any ideas as to school and age? Best, Hector 1 Quote
Hector Posted June 11 Author Report Posted June 11 36 minutes ago, Bugyotsuji said: Good questions! Thanks. Any good answers? 3 Quote
Spartancrest Posted June 11 Report Posted June 11 https://emuseum.cornell.edu/objects/18527/tsuba-with-pierced-design-of-6pointed-star-inlaid-with-squ similar technique? But the only others are in the Ashmolean museum and are listed as various offshoots of Shoami school - and that is a pretty general attribution as we all know. 1 Quote
Bugyotsuji Posted June 11 Report Posted June 11 I have more questions than answers. The box says simply 'silver zogan tsuba'. I can see it's a thick, almost maru tsuba in iron, quite large, with an unusally wide square-cut mimi fukurin, silver nunome-zogan lattice-work pattern, no hitsu-ana, showing some evidence it may have been in use. Edo Period I reckon, but that is a wide ballpark. Where was it made? Maybe Spartancrest below will have some ideas. (I'm getting a 'show his reply' message as I write). Is it really a lotus, or are those leaves of a sunflower, I am asking myself? Sunflower seeds are often suggested by a crosshatch. 2 Quote
Hector Posted June 11 Author Report Posted June 11 Many thanks for the good replies. 👍 @Spartancrest Dale - that does look similar workmanship. So maybe the generic Shoami, then? @Bugyotsuji Piers - you could be right but, in Buddhist art, deities are always seated on an eight leaved lotus. So I thought it might possibly tie in with the Buddhist beliefs of the man who carried it. But he may just have liked sunflowers! Best, Hector 2 Quote
Bugyotsuji Posted June 11 Report Posted June 11 I’m eating my hat. An open eight-petal lotus flower. https://kyuanji.jp/blog/2022/09/post-28.html 2 Quote
Spartancrest Posted June 11 Report Posted June 11 (edited) What is this then? is this related? Edited June 11 by Spartancrest 1 Quote
Robert S Posted June 11 Report Posted June 11 There's some story there - it's curious that the axes of the lattice are not consistent across the piece. I can't think of why a craftsman would have done that even if, say the piece was started, work stopped, and then resumed later. Puzzled! Quote
Hokke Posted June 11 Report Posted June 11 The base texture of this tsuba is interesting. In jewelry we would call it a kind of Florentine finish. Is this criss cross pattern common? We have gravers made specifically for this texture, but hard to believe that would have had them in the 19th century…..but then, maybe not. Quote
Spartancrest Posted June 12 Report Posted June 12 Nunome Zogan: From this reference Nunome-zogan is NOT originally a Japanese technique - however they certainly mastered it Nunome Zogan means cloth weave overlay and uses very thin foils - 0.02mm thick and the gold is attached to the base metal by creating a cross-hatched ground made with chisels. Around 7 - 9 chisel marks per mm created in three different directions at 45 degrees to each other. The technique is a type of Damascening that was introduced to Japan by the Portuguese in the 16th Century. The technique was originally used on Iron and Steel to decorate weapons although more recent practitioners have expanded this to include copper, brass and sterling silver. https://www.sandrawilson.co.uk/blog/nunome-zogan https://www.scribd.com/document/439904095/Numone-Zogan 3 1 Quote
Hokke Posted June 12 Report Posted June 12 (edited) 32 minutes ago, Spartancrest said: Nunome Zogan: From this reference Nunome-zogan is NOT originally a Japanese technique - however they certainly mastered it Nunome Zogan means cloth weave overlay and uses very thin foils - 0.02mm thick and the gold is attached to the base metal by creating a cross-hatched ground made with chisels. Around 7 - 9 chisel marks per mm created in three different directions at 45 degrees to each other. The technique is a type of Damascening that was introduced to Japan by the Portuguese in the 16th Century. The technique was originally used on Iron and Steel to decorate weapons although more recent practitioners have expanded this to include copper, brass and sterling silver. https://www.sandrawilson.co.uk/blog/nunome-zogan Awesome, thanks for posting this. Today we use gravers with 6+ lines already cut into the tool, had no idea it used to be done with a single edge. That would be MINDNUMBING Edited June 12 by Hokke 1 Quote
Hector Posted Tuesday at 05:20 AM Author Report Posted Tuesday at 05:20 AM Many thanks to all who have contributed an answer - much appreciated! Best, Hector 1 Quote
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