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Why I prefer Japanese oshigata


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Posted

I'll play. This is a bit of the curve ball though. The Kaikuni Go has 2 quite different oshigata although the 1st one was probably drawn after it sustained fire damage and 2nd after an unsympathetic saiha. 

 

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Echo's of this sorry workmanship

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Posted
31 minutes ago, Brano said:

... and a video of this blade from the Masamune no Sono Ichimon 2024 exhibition
Sorry for the quality, the lighting conditions were limited

https://eu.zonerama.com/Nihonto/Photo/14796705/599892574?secret=4mw04Yf9fo7i2EYh32MPkN3JO

 

Whilst I love seeing high res Oshigata (although at the moment we are very much the scan rather than the original source generation) I wish we had more videos like this. Absolutely transforms the way we see and understand blades on the web. Invaluable for how we learn about and can appreciate blades from a long distance. Wish museums and the NBTHK would pick this up and do it professionally for all the swords of note in their collections and that pass through their doors.

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Posted

Just me or does anyone else prefer to view the Oshigata images flipped landscape? Helps me blow them on the big screen to look at them a little more closely - although this is only valuable if I have a good resolution... to echo @Lewis B we need more high res images and I would love to start seeing some of these original images appearing online rather than scanned images as the problem with scanned images unless they come from actual photographs you start to see the printing dots.

56.2 Samonji (Kosetsu).jpeg

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Posted
7 hours ago, MassiveMoonHeh said:

Just me or does anyone else prefer to view the Oshigata images flipped landscape?

 

Absolutely, yes. And having two large monitors next to each other means I can view most blades at "actual size" (playing with the zoom until the on-screen measurements match the measurements in the description) across the two of them.

 

"Actual size" in quotes because the proportions will usually be at least slightly warped due to the perspective of the scanner bed or camera lens.

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Posted

Video that Brano took of the sword is incredible. I have viewed the sword in its normal residing place and it is a wonderful sword.

 

The video shows the details very nicely. I think sometimes with high quality video I can see more details than with my own eyes.

 

However as for me the size and shape is the driving factor with swords, seeing them in person can create different effect than seeing oshigata, photos or videos.

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Posted
5 hours ago, Jussi Ekholm said:

Video that Brano took of the sword is incredible. I have viewed the sword in its normal residing place and it is a wonderful sword.

 

The video shows the details very nicely. I think sometimes with high quality video I can see more details than with my own eyes.

 

However as for me the size and shape is the driving factor with swords, seeing them in person can create different effect than seeing oshigata, photos or videos.

You can't see the nioiguchi on the video, yet it's an essential factor in evaluating a sword.

 

 

Don't confuse oshigata with a drawing

Posted

I think there are always compromises that you need to make in sword viewing unless you can hold the actual item in person.

 

I am happy I am not interested in small details so I can easily enjoy displays in museums & shrines even if the lighting for example would not allow viewing finer details.

 

Most often we can only view one side of the item in museum displays. I really like the displays where you can view both sides but then the backside is often not lit well.

 

I am not a photographer but I would think you would need several videos to capture the various details because you would need to film at various angles. As you will often need to perform lot of moving around and shifting positions when looking at items in museums. Sometimes the museums in Tokyo for example can be crowded and in good manners the view time for a sword can be bit limited in one go. That is why I love some of the rural shrines as they have items I love and I can spend the whole day looking at them if I want.

 

One extremely good thing about oshigata is that the published ones are mostly made by experts with an expert eye. They can identify small details that I don't see or grasp and feature them in the oshigata. In ideal world I could see all the things featured in oshigata but in reality I am not at that level.

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