Markus

Hi Shan, Although I can´t contribute anything particular to the/your sword in question, I would like to add that there are a lot of hamon compositions which do not have a determined nomenclature. It is then just expressed through a enumeration of all of the features seen along the form of hamon which makes so to speak the "main topic". Such a mix as on your drawing for example would be described just as "gunome which shows some togari-gunome-like elements" (gunome ni shosho togari-gunome-gokoro majiri, 互の目に所々尖り互の目ごころ交じり).

Hi Ted, I think its a writing variation of "tsuna" (綱), namely basically with this one as basis (網).

Regardless the price or if its a "bargain" or not, it is interesting that it got Tokubetsu-Juyo papers for the blade AND the koshirae as a set.

Hi Shan. Don´t worry, probably I saw too much Chinese fakes recently, that´s why I am seeing things...

Hi folks, Maybe it´s just too late her in central Europe (just returned from the pub ) but the weakly cut bôhi, the uniform hamon, the hardly existing yokote (if there was once a yokote which got just worn, the areas before and after the place where it was wouldn´t look that uniform), and the two huge identically sized mekugi-ana let ring my warning bell! However, let´s wait for the polishing.

Probably an unrecorded gô. I was not able to find any entries for my (suggested) reading of "Yûshûken" or "Ushûken" (友州軒).

Hi John, Although I am (at the moment) uncertain about the signature, I do know about the motif of the tsuba. Namely the inscriptions reads "Seiki no uta" (正気歌) which is a collection of poems by Wén Tianxíang (文天祥, jap. Bun Tenshô; 1236-1282) he wrote whilst he was in prison. The poems were popular among patriots of the bakumatsu period and frequently reprinted at that time.

The signature reads "Echigo no Kuni Mitsuoki". He was a gendai swordsmith living in Nuttari (present-day Niigata Prefecture). His family name was "Endô".

Hi Grey, The smith´s name or rather signature reads: 高崎御民渡部因 Takasaki Mitami Watanabe In His real name was "Hamabe Toshinori" (浜部寿格), also found as Hawley TOS 349. He was a student of Gassan Sadayoshi.

My interpretation of the (already deciphered) characters would be: shi hôgen no zu (師法眼圖) Based on a picture/drawing of master [who bears the title] hôgen. Hôgen was a honorary title of painters, poets, physicians and the like during. Such an addressing from where the artist did a copy or got inspired is not that uncommon for kinkô metalworkers of the late Edo, bakumatsu period.

Hi John, A lake dwelling with wild geese above is usually associated with one of the "Eight Views of Omi". http://upload.wikimedia.org/wikipedia/c ... a_lake.jpg There was an interesting discussion about this subject (as well as on a very beautiful tsuba) some time ago: viewtopic.php?f=2&t=4704&st=0&sk=t&sd=a&hilit=eight+views

Hi Brian, I think you got the right one (H 10050.0), IMHO just some inconsistencies in the artistic period.

According to Fukushi Shigeo, he was the eighth generation of the Chôshû-Kawaji family. He succeeded as head of the family in Tenmei 4 (1784), and retired in Kansei 9 (1797).

Yes, I was also not able to find a reference to any of the combinations respectively readings. Just for explaining my approach to this name, I felt it not that common to use on-yomi for both names. On-yomi (Seikei) for the given name and kun-yomi (Motoaki) for the family name sounded mostly plausible to me.

My (although wild) guess would be Seikei Motoaki (清畦根明).

I think this will make no headway for the signature, but "ne" (根) is also read as "Moto" in nanori.

Hi Mark, I think your signature is not "Nobuhiro" (信廣) but "Nobuteru" (信輝)

I would go for Katsumitsu too.

This time, I am in need of the reading for a signature on a painting in the possession of a friend of mine. The actual painting shows a kabuto and dates probably back to the Meiji or Taisho period. The last three should read: yo-kakushi (予畫し), whereas "kaku" (畫) is the old character for (画). I´d be much obliged if someone is able to decipher the first two characters or in wider sense, the artist. Thanks alot in advance.

Yes, John you are right. The character is: 鐫 BTW: Kansai (寛斎) was one of Natsuo´s pseudonyms.

The signature on the ura (right pic) reads: There are some illegible characters on the omote (left pic), but my guess is: Just a quick try and I highly appreciate any corrections.

I have to agree with John and Franco. For Renjo menuki with an origami of 2 gold pieces, I honestly would have expected more. Probably the condition is just too detrimental to a clear grasping of the workmanship, or the origami does not belong to this pair of dragons ...

Just one thing to complement: "Chûtatsu" is the Japanese reading of Shibai´s Chinese "nickname", namely "Zhòng-dá" (仲達).

Yes, this would be a possibility too, but then, I think the problem is exactly the missing context. Why one would make or have him made a kozuka which reads "run for your life"? The Sangoku-shi, the legends of the Warring States in good old China, were among standard samurai education, and I think, an educated hanshi understood such an allusion.

Hi Mark, I´m glad to be of any help. Here we go again... Tomoyuki - Yamato Senjûin school, signed with a niji-mei. Moved later to Bungo´s Mine fief. - Genraku period (1184-1184) Tomoyuki - Buzen Usagû Tomoyuki. - Tennin period (1108-1110) Tomoyuki - signed with "Genryô Nyûdô Nobukuni Tomoyuki". Buzen, - Kakitsu period (1441-1444) Tomoyuki - Bungo Takada school, signed with a niji-mei. Descendant from the Tomoyuki of the Genraku period. - Shôwa period (1312-1317) Tomoyuki - "Bungo Takada-jûnin Tomoyuki", or also "Bungo no Kuni-jû Tomoyuki", there are date inscriptions on the ura of the second year Kenmu (1335) and the second year Bunna (1353). - Kenmu period (1334-1338)