Set of fuchi-kashira in shibuichi with katakiri-bori engravins of horses, signed Furikawa Jochin + kao (古川常珍), with shakudo shitodome.
It comes with Hozon certificate.
Dimensions:
Fuchi 36x20 mm
Kashira 32.5x16.5 mm
Price 600€ plus shipping
From the book 刀装小道具講座:
Furukawa Jochin (古川常珍)
Biography and Background
Jochin was the biological son of Moto-akira (元珍, also read as Moto-chin). His skill level was very similar to his predecessor, and he is considered to have been of equal talent. He resided in Bakuro-cho, Kanda, Edo (modern-day Tokyo), and was active during the An'ei to Kansei eras (roughly 1772–1801).
Bakuro-cho was divided into three districts (chome); today, the name survives in Nihonbashi Bakuro-cho 1-chome through 4-chome in Chuo Ward. The name originated from the bakuro (horse dealers/handlers) who managed the horse grounds in the area. During Jochin’s time, it was a district known for having many hatagoya (travelers' inns).
Inscriptions (Mei)
The majority of his works are signed "Furukawa Jochin [Kao]" (古川常珍 followed by a stylized monogram). While he used a consistent style of Kao, subtle variations can be found.
Placement: On most fuchi (collar), kozuka (small knife handle), and kogai (hairpin/skewer), the signature is typically located on the left side.
Calligraphy: The brushwork style of the characters for "Furukawa" resembles that of Moto-akira.
Materials and Techniques
His style is highly reminiscent of Moto-akira. He frequently employed katakiri-bori (incised carving mimicking brushstrokes) on kozuka made of shibuichi (a copper-silver alloy).
Relief Work: Compared to his father, fewer extant works feature takabori (high-relief carving). He also produced works using kin-moku (gold application/inlay).
Base Metals: He primarily worked with shibuichi and shakudo (a copper-gold alloy). Works using nanako-ji (a "fish-roe" stippled background) are rare.
Artistic Style: A defining characteristic of the Furukawa school is the frequent use of vertical compositions (tate-zu).
Methodology: In addition to katakiri-bori and ke-bori (fine-line engraving), he utilized techniques such as:
Katakiri-hira-zogan (flat inlay combined with incised lines)
Takabori-iroe (high-relief carving with colored metal overlays)
Usu-niku-bori (low-relief carving)
School Influence: His carving style for details—such as the curly manes of shishi (lion-dogs)—shows the technical habits and influence of the Yokoya school of metalwork.
Common Motifs (Designs)
Jochin shared many of the same subjects as Moto-akira. The school is characterized by a fondness for figure carvings, including:
Chinese Themes: Characters from The Romance of the Three Kingdoms, the Seven Sages of the Bamboo Grove, Hotei and Daikoku, Hotei with Chinese children (karako), Taoist Immortals (Sennin), and the Tiger Immortal.
Japanese/Folklore Themes: Shuten-doji, monkey trainers, figures washing sweet potatoes (imo-arai), figures with rice-cake hoops (mochi-wa), Manzai dancers, scenes from the Soga Monogatari, doll makers, Ohara-me (flower sellers from Ohara), figures pasting posters, children climbing trees, the Kuya Nenbutsu (monk Kuya), ferry boats, moon-viewing scenes, and young cowherds.
Animals/Mythical Creatures: Shishi lions, tigers, Kirin (qilin) and Phoenixes, and herds of horses.