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Everything posted by Bob M.
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Hi Pietro, Yes, using the design on both sides was done quite often , or a mix of designs . From what I have seen recently for sale , usually in auctions , I would say it is about 50/50 between single sided decoration and double sided. These pieces were not just made for western knives , but often ended up for sale to tourists in Japan with an inexpensive kogatana fitted. As they were made in large quantities ( and are possibly still being made today ) it is not surprising that they turn up so often. Regards
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Hi Bjorn , Thought I would reply with a few thoughts - The fact that you have not had any replies to your post , says that it is difficult to make an honest opinion from the pictures . I do feel however that if the kozuka is real or not , it will prove to be a little disappointing . I may be completely wrong , but it reminds me of the kozuka that were made to be fitted with a western style knife blade and were produced in large numbers to the same pattern , often being pressed from sheet metal. I am glad you have not paid a lot of money - please take a little time to look at something like the Aoi site ( link in the commercial 2 column on NMB frontpage ) - I have just seen , for instance , item nos. F20694 & F19411 , which although a bit more expensive are the real thing and would be more satisfactory as a start for a collection. There are lots of other dealers to look at also - Aoi just happen to have a wide variety of pieces at pretty reasonable prices in my opinion. Best of Luck ! Regards
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George , Thanks for another of your invaluable contributions - I did not realise the full significance of the imagery until your post. The piece looks better in hand , with the dark shibuichi not as noticeable as in the picture . Best Regards
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Item No. 28 - Kozuka in shibuichi with inlays of gold , silver and shakudo - Ichinomiya school 19th cent. Subect of winter scene with Moso tying up a bundle of bamboo shoots. Snow has fallen on his hat and also lies on the ground . He also wears a cape with feathers ? against the cold. Signed Nagatsune with kao Ex C.P.Peak collection Published : Red Cross Exhibition Catalogue , London 1915 , Plate CXXXVI , no. 710
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Hi Bruno, Thanks for quick reply - any idea which school , if any ? I don't have Haynes... Regards
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Item No. 27 Katana sized tsuba in brass and mixed metals inlay 7.81cm x 7.92cm x 0.44cm Theme of waves. NBTHK Hozon papers I have had this tsuba for over 18 years but it was not until writing out this post that I realised I do not have a translation of the signature or papers. If anyone can help , I would appreciate it... A scan of the papers is attached separately , as the signature itself is indistinct and is not easy to read. The tsuba looks different today from when it was papered - I have had the Hitsu-ana plugs removed . Where a tsuba has plugs which are the first things you see when glancing at it , then unless they are part of the original design , in my view have just been added to make the fitting more saleable to the Western buyer or tourist ( who like a bit of extra flash ). If the plugs are discreet or have been incorporated into the original design , then they are part of the history of the piece and should be left in place . Not in this case , however. Any alternative views ?
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Item No. 26 - Tsuba in Sentoku with Gold and Shakudo takazogan highlights 7.2cm x 6.9cm x 0.4cm ( 0.5cm over rim ) Subject of travellers in a ferry boat with temples in the distance , boatman and river bank on rear. Carved using sukidashibori and shishiabori techniques with takazogan highlights. Signed Noda Yasunobu saku - According to Sesko Geheologies , page 22 , he appears to be the founder / head of the Uemura school in Kyoto. Ex Clarence McKenzie Lewis Jr. collection Ex Michael Tomkinson Collection Ex W.C. Hope Collection Quite heavily encrusted with dirt in places , could probably do with a light clean , but not to disturb the mature patina...
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Hi Jussi, I seem to remember meetings in Stockholm and Utrecht ? One of the things with these meetings is that usually there is so much to see in such a short amount of time , it is impossible to take in more than about 10% . At least this way you can spend as much time as you want looking, ( although nothing beats having the piece in hand ) without having to move out of the way for the next person.
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Just a few observations on ' A series of fittings ...etc ' Having just posted item No. 25 , I wanted to mention that this is a similar quantity to what I would take and show at a Token of GB outreach meeting , and this in part is the idea of the thread. As we have all been in various stages of lockdown , for probably a year or so , for most people , I thought that I would put my fittings on the NMB instead and give a wider access to those who are interested. The main difference is that the entire collection will be displayed , albeit one at a time , over the coming months . Of course this may be regarded as a ' look what I've got' vanity project , but that is not the intent - as I have stated in an earlier post , the good , bad, and indifferent will all be shown. I have numbered up all fittings and then generated a random sequence of them so that , with the exception of a few favourites which I am keeping to the end , any quality or type of fitting could appear next. No. 26 will be posted tomorrow ( Wednesday )....
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Hi Grev , Glad you are enjoying the thread - lots more to come... I started collecting fittings late 2003 , together with blades , but have concentrated more on fittings for the last 10/12 years. Regards
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Item No. 25 - Iron Mokkogata tsuba 8.9cm x 8.2cm x 0.43cm . Armillary sphere on a stand , a seven star constellation on reverse. Signed Joshu Nishijin ju, Umetada Tachibana Shigeyoshi , Keicho jusanen ( Umetada Shigeyoshi , 1608 ). Ex. Henri Vever collection. In a historical context - this tsuba was made in 1608 - 34 years before the death of Galileo , 34 years before the start of the English Civil War or even 12 years before the voyage of the Pilgrim Fathers.
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Hi John , Re above , nice signatures on the tsuba. I have a few pieces coming up from the collection where the principal reason for acquisition was the quality of the signature in itself, rather than the art work . Do you know , has your piece / signatures been published anywhere ? Regards
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Hi George , Thanks for your reply on item 24. An interesting signing on an unusual piece. Is there a tale in Japanese mythology or folklore that is being referenced here do you think Regards
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Thanks for your positive comments ... Still trying to sort out if the longer inscription is a dedication... Any views ? Regards P.S. Apparently it reads - Nagasaki kuni ju Kounshi kore wo cho -
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Translation Help for ' A Series of Fittings ' thread
Bob M. replied to Bob M.'s topic in Translation Assistance
Thanks, both, for your help on this one . The inscription says , according to Bonhams , - Nagasaki kuni ju Kounshi kore wo cho - How would this translate into English ? Regards -
Translation Help for ' A Series of Fittings ' thread
Bob M. posted a topic in Translation Assistance
Hi , Can anybody help with a reading and translation of the inscriptions on this tsuba ? This has just been posted on the 'Series of Fittings ' thread in the Tosogu section. Many Thanks ! -
Item No.24 - Iron sukashi tsuba - Yagami school , Hizen - late 18th century 7.60 cm dia Subject of three hares running with stormy waters Signed Yagami Mitsuhiro on rear - Can anyone translate the inscription on the front ? Is it a dedication for a commissioned piece ? Haynes Index no. H05200
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Item No. 23 - Shibuichi Fuchi Kashira with copper , shakudo and gold inlays. Sparrows ? flying amongst stooks of rice , signed Yasuchika ?
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Thanks , George - That's great...
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No. 22 Iron Tsuba Mokko shape 8.04cm x 7.51cm x 0.49cm Signed Katsuhiro Sai Enju Tsukuru Theme of Chrysanthemums and flowing water NBTHK papered
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No. 21 - A Washida school tsuba in Sentoku , details in silver , copper and gold. 6.96cm x 6.30cm x 0.41cm . Rounded square plate carved and inlaid with a bird - cuckoo ? on an old plum tree in spring . The reverse with a frog next to a stream. Signed - Yuzenkyo Mitsuchika + Kao A Tsuba for the Spring - again much better in the hand , catch the light and it Glows - very difficult to capture in a photograph. Fine detailing and craftmanship throughout. Signature published in Wakayama , Toso Kodogu Meiji Taikei , Vol.3 , p.34 ( Tokyo , 1979 ) Signature published in K.Kokubo , Shinsen Kinko Meikan , p.388 ( Tokyo , 1993 ) NBTHK papered Also in Vol .6 p. 174 Wakayama , Tosogu Kodogu Meiji Taikei ( 1978 ) - possibly an earlier edition to the above ? If anyone could oblige with pictures of the entries detailed above , I would be most grateful.
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Hi Mark , Nice couple of tsuba with orchids / grasses. The simple styles are also my preference - give room for the design to ' express itself '. However when building a collection , my personal likes are not always the main consideration. Glad to have you on board...
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Nice Tsuba , Barry. I wonder if these pieces have been ' fire glazed ' as a final step of manufacture . I have a few more Myochin in the collection , they will be posted in due course...
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The Mimi is iron - at first I thought it was added after the making of the plate , but if so , it is incredibly well done , as there is no visual evidence of a join , either between the mimi and the face of the tsuba or on the perimeter of the Mimi itself.