cabowen Posted March 11, 2014 Report Posted March 11, 2014 Take a look at these...There is something very unique about how they were made....Any guesses as to what that may be? Quote
John A Stuart Posted March 11, 2014 Report Posted March 11, 2014 Yakiire with no tsuchioki? John Quote
Gabriel L Posted March 11, 2014 Report Posted March 11, 2014 I read John's comment before your original question, Chris… after that, and based on another clue, I cheated… really amazing. Quote
cabowen Posted March 11, 2014 Author Report Posted March 11, 2014 Yes, seems it has already been discussed. Sugita san was convinced that this was the original technique used to harden Nihon-to. Seeing his results in comparison to Ichimonji and the like, it would seem he was on to something... When you have control over your materials, temps, and time, you can work with them to make these kind of hamon appear naturally. Neat stuff. Quote
John A Stuart Posted March 11, 2014 Report Posted March 11, 2014 Not enough discussion. It may have been one of the original methods. I would suspect certain schools had their special techniques. John Quote
kaigunair Posted March 11, 2014 Report Posted March 11, 2014 any links to working videos? seems like all the old ones were taken down... Quote
runagmc Posted March 12, 2014 Report Posted March 12, 2014 I aslo remember seeing the smith who works with the Kashima sister's/Usagiya (art name, Keiun?) using clay, but only on the back, and without the X lines going perpendicular (name?)... see here, http://www.ksky.ne.jp./~sumie99/yakiire.html... I'll have to reread the site, but I think he was producing choji hamon, and utsuri, this way... Quote
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