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roninjje

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Posts posted by roninjje

  1. Hi Jean, the hada is itame and the hamon is suguha with many fine ashi pulling down from it. The hamon is very thin, in part due to the tiredness of the blade. I even had the polisher leave one nick in the ha because I thought it might impact the geometry.

     

    I have been curious about the nakago ana as well. Perhaps it was mounted in two pin tachi furniture? and then to the single? I agree it was shortened perhaps an 3-4cm but no more.

  2. Hi all, this is from my collection. A 28.5 in. tachi signed Kunimune. I picked it up for $40 out of a barrel of sabers (wish I had bought the whole barrel :? ) at an antique store that was being sold as part of an estate. Had it polished as it was full of pitting and nicks.

     

    Let me know what you think. I believe it is Hokke Kunimune, though I am not sure. Have to get it shinsa'd one of these days.

    post-300-14196739466621_thumb.jpg

    post-300-14196739468296_thumb.jpg

    post-300-14196739470106_thumb.jpg

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  3. It certainly looks like nihonto that has been buffed down to remove rust and the geometry was shot, perhaps gimie, but not fake as Peter alleges.

     

    As for the tsuba, who knows, but this would certainly be a problem fo any polisher to rectify. The sanbonsuji doesn't look fakes, it just looks tired.

     

    I would have someone in the UK take a look. I think you are going to get a bit less than you think.

     

    The f/k are nice too.

  4. :shock:

     

    Trouble is, I have seen high class swords and furniture broken up. I have see tsuba go one way, f/k go the other, etc. but granted the fittings for this blade were rather ratty (though from what I can tell the tsuba wasn't too bad.) I will be the first to replace a shoddy tsuba with a period one and get rid of the shoddy. I just think the seller, who has the bottom line in mind, should take more prudence in parsing out the pieces (e.g. the habaki)

     

    And Max, many of us do have serious activities we dedicate our time to, but this diversion or hobby means something to us as well. And if that lousy wak makes it another 200 yrs in reasonable condition, it just may paper juyo

  5. Hisayuki

     

    Shinshinto, Musashi no kuni (Bunsei:1818)

    Jo saku

    HIS185 TTp517, ¥3M

     

    1.kawai hisayuki saku

     

    2.bakufu shin kawai hisayuki saku

     

     

    Hisayuki

     

    Gendaito, Musashi no kuni (Meiji:1868)

    Chu-jo saku

    HIS186 TT: ¥2M

     

     

    I actually have what I believe to be the later Hisayuki (if again you think they are two different individuals) yet it has an identical nakago to the extant example provided in the link. The hada on my blade is incredible, and the sword is virtually flawless. (though it needs a polish to bring out the best in it)

  6. Now there is a question worth pondering. I picked up a Horikawa Kunitake in WWII mounts for $700 at a gun show. Had the polish touched up for under $500 (by a reputable US polisher) and I can tell you the blade is worth far more than what I have in it. Same show, different date I picked up a killer shin shinto katana out of polish for under $1000. conversely at the Tampa show I picked up a very nice Yamato diajo Yoshimichi in goto mounts for $3k.

     

    None of these are papered. Papers mean little to me as I look for what I like. If I resell a piece I usually sell it for what I have in it to purchase another. Collect what you like! Some of my swords are mumei, some gimei, some sho-shin mei. But you can find swords in the full range. Heck, I even have my eye on one at aoi-arts for $8k (not happening anytime soon!)

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