Sukaira Posted Thursday at 08:22 PM Report Posted Thursday at 08:22 PM (edited) Bishu Osafune Sukesada Papers: NBTHK Tokubetsu Hozon Country(Kuni)・Era(Jidai): Bizen(Okayama)・Late Muromachi period - August, 1567 (Eiroku 10th year) Blade length(Cutting edge): 71.5cm Curve(SORI): 2.5cm Width at the hamachi(Moto-Haba): 3.22cm Thickness at the Moto-Kasane: 0.77cm Wide at the Kissaki(Saki-Haba): 2.55cm Thickness at the Saki-Kasane: 0.60cm Habaki: oneo part, gold foil Habaki Sword tang(Nakago):Unaltered, Kattesagari file pattern Rivet Holes(Mekugiana): 1 Shape(Taihai): Shinogizukuri, Iorimune, Chu-kissaki Dated and has a wide width and thickness. Hamon is Gunome and Choji with Tobiyaki. Jigane is Itame and Mokume. Nakago is Ubu. Asking: $12,000 Payment: Bank transfer Shipping: Free for continental USA (you pay elsewhere) - but if you want to return it I need to deduct it from the refund This will be going onto Nihonto Antiques soon if it is not picked up here first. Excellent condition, polish is in sashikomi with a very beautiful "light behind the clouds" effect. Strong sugata. Edited Thursday at 08:28 PM by Sukaira 3 Quote
klee Posted Friday at 05:38 AM Report Posted Friday at 05:38 AM My god what a blade in perfect polish. Hadori could never do this blade justice 3 Quote
eternal_newbie Posted Friday at 10:51 AM Report Posted Friday at 10:51 AM 5 hours ago, klee said: Hadori could never do this blade justice Agreed; this is a spectacular, extremely tight and bright nioiguchi that demands to be front and center, not obscured behind a gunome or suguha interpretation. 2 Quote
klee Posted Friday at 10:10 PM Report Posted Friday at 10:10 PM (edited) And I feel like this sword is well deserving of a sayagaki. The workmanship is top tier for Sue Bizen and this size ( esp with the long nakago ) is unusual even for Eiroku/ Tensho / Momoyama Sukesada Edited Friday at 10:10 PM by klee 2 Quote
Sukaira Posted Sunday at 09:30 PM Author Report Posted Sunday at 09:30 PM (edited) Really special piece for sure. Bittersweet goodbye on this one. This was most likely commissioned to a high ranking samurai at the time. Also agree on sayagaki. I regret not having one done before it left Japan. Would love to see Tanobe sensei's thoughts on the workmanship. Several high level Sukesada smiths overlap the date this was forged. Nidai Yosozaemon and Genbei, along with a few other jo-saku Sukesada workshop smiths that were known to sign with this particular signature. In fact, the 9m JPY Genbei that was on Aoi Art a week or so ago (now gone) had a Nakago very similar to this one. Edited Sunday at 09:36 PM by Sukaira 1 Quote
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