DanielM

Thank you Ray for sharing this tsuba I realy like these Sansui tsuba. i can spend a lot of time admiring these "paysages"

Thank you very much Moriyama San have a good week end all the best Daniel

Could you help me identifying this Sansui tsuba and its signature Many thanks in advance

Many thanks Peter, effectively it is like Haru Toshi...un unknown smith....thanks for the help best regards Daniel

I need help to translate this signature i suppose it is a shinshinto kaji but nothing else many many thanks in advance

Many many thanks for your help Piers D San this is fantastic May I wish you all the best Daniel

Hello Members, Could anybody help me to read the signature on this back plate of this mae kanagu it represent Fujin the god of the wind...brother of Raijin the god of thunder There are 2 kanji and the Kao of the artist It will be of a great help and i thank you very much in advance Daniel

Many thanks SteveM I did not know that school all the best DM

Hello dear member, I réal hope that one of you will be able to translate this Mei....i can only read the first kanji on the left. TERU....the rest is ???? Many many thanks for your time DM

Now we know that Nara school used sometimes a gold panel for the Mei...we also know that some Nara tsuba were made with old iron back plate ..showing "iron bone" in the rim...(as in this exemple)...we were misled to the Tanaka by the Kuchi beni often associated with Tanaka But we have have never think that some nara were made with Kuchi beni...as in the exemple joined...it is made by Nara Toshiharu...it is a copy from Tanaka Toryusai Thus possibly the Tsuba we were questionned about...is from the Nara school..... May i hope that some Nara specialist will comment this possibility? Thanks in advance

Hello membres can you help me reading correctly this Mei....many many thanks in advance ichi ryu sha? sei ryu sha ? Shi ryu sha ? or????

Hello Stephen, many thanks for your comments. I was not aware that some Nara tsuba had mei in gold panel...interesting. I also discovered that the otsuki school had the same practice...i also recognise that the plate background of this tsuba is not in the style of the tanaka...and the sekigane are very badly done...so it remains a mystery.. thanks for your help

Thank you Dale and Grev for your comments.....so we have one for the tanaka school with arguments...(the rim, the sekigane, the gold cartouche...ands i will add the negative sukashi (drumstick) that we find sometimes in this school (see the photo )....and one against without comments at this moment...so please Grev could you give us your comments By the way have you any idea when the practice to sign in a gold cartouche appeared ? i would guess late 19th?? Thanks to you both one for with arguments and one against without comments..

Hello Members, I would like to identify the school of this tsuba It has a sligtly rised border, the plate seems well hammered In takazogan we have « Raijin » the god of thunder juggling with his drumsticks. (in sukashi) A signature in a gold cartouche Ichi ryu sha ? i have no reference of this artisan The big sekigane make me think of the tanaka school?? but these are not carefully done? Any comment is welcome, thanks in advance

Dear Moriyama San and Franco D Many many thanks for your help...it is great...i am very happy i wish you all the best