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Tarto

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    Reynaldo

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  1. Thank you, this is exactly the kind of assessment I was hoping for. The 迷い鏨 observation is really helpful. I wouldn’t have known to look for hesitation in the strokes, and now that you point it out I can see the unevenness in the chiselling. The auction comparables are sobering. A papered Hozon Kunishige wakizashi at $943 and a gimei katana with koshirae and green paper at $1,579 puts the $4,600 asking price in a completely different light. That’s roughly three times what these actually clear at. Two follow-up questions if you don’t mind: 1. You mentioned the hitatsura is interesting, is the blade itself likely to be a decent piece of work under the wrong signature? I’m curious whether there’s a school or period it might attribute to on its own merits. 2. What would you consider a fair price for this blade as a gimei with koshirae, given it’s already located in my country so there’s no import cost or risk? I’ll be going back to the seller with a much lower offer. Genuinely grateful, you’ve saved me a considerable amount of money.
  2. I’m considering buying this katana from a dealer in Indonesia. No NBTHK papers, but it has a torokusho. The mei reads: 備中國水田大月傳五郎源國重 (Bitchū Kuni Mizuta Ōtsuki Den Gorō Minamoto Kunishige) Nakago is ubu with one mekugi-ana. Asking price is roughly USD $4600 I’ve attached the tang photo and a full blade shot. Questions: 1. Does the mei look shoshin, or does it read as gimei? 2. Which generation would this signature style point to? 3. Anything in the nakago or sugata that concerns you? 4. Is the asking price reasonable for an unpapered blade with this mei? I’m new to nihontō — any honest read appreciated, including if it’s bad news.
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