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nektoalex

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Hello everyone. Following the example of other topics from tosogu and military swords, I think everyone will be interested in the topic of Japanese engravings. Getting started  

           Utagawa Kuniyoshi (1797–1861) Gentoku, from the series Heroes of the Popular History of the Three Kingdoms , Zhao Yong saves A Tou, son of Gentoku, in the battle of Chan Fan Kao in 208 A.D.

post-4112-0-90040800-1585560138_thumb.jpg

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The series Alexandr shows is popularly known as Suikoden, published from 1827- 1830, and was for Kuniyoshi the forging of his reputation.

 

Popular demand was so great that he revisited the series a number of times (Sometimes in name only, using heroes from Japanese folklore as subject matter).

 

Fans of 1970's TV mini series from Japan may remember the story recounted as "The Water Margin".

 

Here are most of the Prints known in the series (Alexandr's print is halfway down Part II):

 

http://www.kuniyoshiproject.com/The%20108%20Heroes%20of%20the%20Popular%20Suikoden,%20Part%20I.htm

 

http://www.kuniyoshiproject.com/The%20108%20Heroes%20of%20the%20Popular%20Suikoden,%20Part%20II.htm

 

 

While we're at it, here's the master returning to the Suikoden again:

 

http://www.kuniyoshiproject.com/108%20Heroes%20of%20the%20Suikoden,%20One%20by%20One.htm

 

 

And then later in the twighlight of his career, he returned to the original Chinese subject matter:

 

http://www.kuniyoshiproject.com/108%20Heroes%20of%20the%20Popular%20Suikoden%20(chuban,%20S47),%20Part%20I.htm

 

http://www.kuniyoshiproject.com/108%20Heroes%20of%20the%20Popular%20Suikoden%20(chuban,%20S47),%20Part%20II.htm

 

:)

 

https://www.youtube.com/watch?v=TVVRMBWGBqw

 

Featuring the voiceover by Kato...... Burt Kwouk, Inspector Clouseau's Nemesis; (Not Kato of Green Hornet fame, but that's another story..........of another little Dragon).

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Hi Stephen,

 

Hiroshige, "Inokashira ni Ike Benzaiten no Yashiro no Kei"  Benten Shrine, Inokashira Pond in a snowstorm.

 

From the series "Famous places, Snow, Moon and Flowers" (Originally printed in 1844/45).

 

Can you please photograph the circular seal on the left lower left corner and the square seal below the signature.

 

Need them really crisp.

 

hiroshige_3.jpg

 This is an example of his signature (Hiroshige ga) in the 1840's

:)

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Well done on the date Alexandr.

 

If you look at the small boxed cartouche at the bottom left:

 

Kagaya_Kichiemon2.jpg

 

This is the seal for the publishers Kaga - Ya Kichiemon, several states were published, as it was a very popular series.

 

The circular seal to the right of it says "Kiwame" (Approved) used from 1790 to 1841 in various single or multiple combinations


 

kiwame.jpg

 

There was another printing in the years 1842 - 1846, but this was published by Iba - Ya Sensaburou.

 

This is his seal:

 

image021.jpg

 

Keep them coming!!!!

 

:)

kiwame.jpg

 

A word of thanks to Andreas Marks for his seminal study of Japanese Publishers:

 

http://www.printsofjapan.com/Publishers.htm

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Good morning SteveM, 

 

If it helps, the publisher on your Eisen looks to be Echizen - Ya Kihei

(Seal name - Etsukichi 越吉)

 

 

Lyon_Collection_Echizenya_Kihei_seal_.jp

 

There is another series with similar (Hogo -  Zome) background from the 1820's:

 

https://collections.mfa.org/objects/209894/the-song-evening-mist-at-asama-peak-yukasumi-asamagatake;jsessionid=D3277199148E524CD072784E090F2957?ctx=c91e3801-8505-4b2d-af0b-a11d187c1ea0&idx=0

 

Oops, that's the Tosei Matsu no Ha series you mentioned!!!!

 

:bang:

 

:)

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Good morning Stephen,

 

Thank you for your closeup images of the Hiroshige print.

 

The closest I can come to the cartouche under his signature is:

 

sig_hiro09.gif
Hiroshige gwa.
Seal, Ichiryusai

 

(https://www.hiroshige.org.uk/Strange/Strange_Appendix_sig_hiroshige.htm)

 

Now to the circular seal in the left hand corner, at first, I thought it was one of the Nanushi censors seals, but yours is set within two concentric circles.

 

The aratame seem to be exclusively a single circle:

 

(http://mercury.lcs.mit.edu/~jnc/prints/sealdate.html)

 

http://mercury.lcs.mit.edu/~jnc/prints/nanushi.html#top

 

I'm stumped for the moment.

 

:dunno:

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Utagawa TOYOHARU 歌川豊春: Naka-no-chô in the New Yoshiwara (Shin Yoshiwara Naka-no-chô no zu 和国景跡新吉原中ノ町之図, from the series "Perspective Pictures of Japanese scenes" (Uki-e wakoku keiseki),1770.

 

The print shows a crowd on the Nakanocho Boulevard at night, near the gate to the Shin-Yoshiwara pleasure district of Tokyo, possibly during the lantern festival, with tea houses and shops lining the street.

 

Utagawa TOYOHARU (1735-1814), founder of the Utagawa school, was known for using one-point perspective (Uki-e). He is credited to be the first Japanese artist to master this device to depict outdoor scenes in Ukiyo-e prints and paintings.

 

On the Net, I found two specimens of this print, in the Museum of Fine Arts, Boston and in the Honolulu Museum of Arts. Here is the link to the MFA https://ukiyo-e.org/image/mfa/sc214069

 

Bernard D

 

 

 

 

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post-2604-0-89459900-1586187828_thumb.jpg

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↑ The left side is the actor Seki Sanjūrō (関三十郎) portraying Hōgan Morihisa (判官盛久)

The right side is actor Ogami Kikugorō (尾上菊五郎) but I don't know who he is portraying - maybe Minamoto no-Yoshihira?.
This may be from the kabuki play Ise Heiji Rishō-no-kaomise.
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Utagawa Kuniyoshi 

Tametomo homare no jikketsu 為朝譽十傑 (Ten Famous Excellences of Tametomo)

Woodblock print, oban tate-e. Minamoto no Tametomo on a beach with a caged crane on his back, which guided him through the Ryukyu Islands.

1848-1851

 

post-4112-0-86158400-1586331025_thumb.jpg

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Thank you for posting the print Alexandr.

 

The printer's seal on your print looks to be that of Arita - Ya - Seiemon, used between 1844 - 61.

 

Tametomo2e.jpg

 

They are known to have used at least three styles of seal during the period 1834 - 1862.

 

If you check out the series on the Kuniyoshi Project site, you will see the different examples:

 

http://www.kuniyoshiproject.com/Ten%20Famous%20Excellencies%20of%20Tametomo.htm

 

(Again thanks to Andreas Marks' database)

 

http://www.printsofjapan.com/Publishers_A_thru_Ebiya.htm

 

The seal is also found on Hiroshige prints as late as 1854.

 

:)

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Hi Piers,

 

A blast from the past - http://www.militaria.co.za/nmb/topic/10046-edo-period-corner-part-ii/page-11

 

Congratulations again on owning T161, as the foundation of the Kuniyoshi project lies in contributions of images from institutions and collectors worldwide, perhaps email them, I trust they would be excited to get clearer images.

 

Remember, although it was part of a triptych, it was also designed as an Hexaptych, a 6 sheet wide display of the Kawanakajima Battlefield, set with T162:

 

If we count them from the right, you have 1 & 2, 3 is not found, but 4,5 & 6 are known.

 

3 is out there somewhere, hopefully, just waiting to be discovered.

 

I remember visiting "Robbie" (B.W. Robinson) a number of times, during School exeats, and later, trips to London for training in Karate- Do & Aiki - Do with Harada Sensei & Chiba Sensei (c.1968/71).

 

That was back when the late Michael Dean had his fledgling Japanese Sword shop, Nihon Token, in the now developed  St Giles Court area, near what is now Center Point,  before the move to Museum Street.

 

Robbie,  though I always called him Mr Robinson, as was right for my "tender" years, was, always unfailingly inspirational, and keen to show the many treasures that the V&A Japanese department held.

 

True scholar, true gentleman, to coin a phrase, oft wasted upon lesser folk, for equally trivial reasons.

 

A different world.

 

:)

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