Jump to content

Search the Community

Showing results for tags 'katana'.

  • Search By Tags

    Type tags separated by commas.
  • Search By Author

Content Type


Forums

  • NMB General Japanese Discussion
    • Forum Technical Details and Maintenance
    • General Nihonto Related Discussion
    • Translation Assistance
    • Auctions and Online Sales or Sellers
  • Nihonto Discussion
    • Nihonto
    • Tosogu
  • Related Subjects
    • Katchu
    • Military Swords of Japan
    • Tanegashima / Teppo / Hinawajū
    • Other Japanese Arts
  • Events and Nihonto Related News
    • Sword Shows, Events, Community News and Legislation Issues
  • Commercial Listings
    • Dealer Showcase
    • For Sale or Trade
    • Wanted to Buy
    • Sold Archive

Product Groups

There are no results to display.

Categories

  • Free Nihonto Books
  • Nihonto E-Books For Sale
  • Member Articles
  • General Articles
  • Files

Collections

  • Care and Maintenance
  • Buying and Selling
  • Blade Restoration
  • How and Why?
  • Translating Mei

Find results in...

Find results that contain...


Date Created

  • Start

    End


Last Updated

  • Start

    End


Filter by number of...

Joined

  • Start

    End


Group


AIM


MSN


Website URL


ICQ


Yahoo


Jabber


Skype


Location:


Interests


Name

  1. I just purchased a katana with a sayagaki and a very old origami. I want to have them translated into a document with the kanji, transliteration, and translation. I know this is more than a simple mei translation, so I am seeking someone to do this for a reasonable fee. Is anyone on the forum offering this service, or can anyone recommend someone to do this for me? The sayagaki covers both sides of the saya, and the origami is quite old with very stylized calligraphy. Thanks in advance for any assistance you can provide.
  2. Hello, I'm currently downsizing my collection and would like to pass on some nice items. The first item is a beautiful red Edo period Higo Koshirae. The Tsuka is wrapped in lacquered leather, following the Katate Maki style. The Tsukaito is antique, possibly the original one from the Edo times. The Fuchi/Kashira are made of iron. The Kashira displays the classic Higo design of a winding mountain path. The Fuchi is a masterpiece of Gold Zogan, an absolutely marvelous ornamental work! The Menukis are old Kinko pieces in Shakudo with gold accents, depicting lions or Shishi dogs and lanterns. The Tsuba features a famous design of an Ume or Sakura tree with an irregular mimi. The Seppa are made of copper with gold sheet wrapping. The Saya is red, with a matte lacquered finish and has likely been restored. The Kojiri is made of iron and features a siple but tasteful design. The Sageo is of black sude leather it is also lacquered in red urushi (intricate, masterful workmanship!). The Koshirae comes with a Tsunagi and a Koshirae Bag. Price: € 1820 (A donation will be made to the forum upon sale) Open for reasonable offers, additional info and images on request. Worldwide shipping to be estimated. Thanks for visiting Hannes
  3. I have recently come into the possession of a Japanese sword which I am having difficulty identifying. Based on the appearance of the nakago alone, would it be possible to get a very general period date? Is this a gendaito, gunto, pre-meiji? Any help will be much appreciated!
  4. Specifications: Age : 1831, Tempo era (1830-1844) Location : Inaba Swordsmith : Inaba no kuni Myoitsu Hosetsu Nyudo Kanesaki Length: 78.3 cm (30.83 inches) Curvature (Sori): 1.8 cm (0.71 inches) Mekugi-ana (peg hole): 1 Moto-haba (Base width): 3.2 cm (1.26 inches) Moto-kasane (Base thickness): 0.9 cm (0.35 inches) Saki-haba (Tip width): 2.2 cm (0.87 inches) Saki-kasane (Tip thickness): 0.65 cm (0.26 inches) Scabbard (Sheath) Length: 110 cm (43.31 inches) Blade Weight: 1166.2 g (41.12 oz) Habaki Weight: 38.5 g (1.36 oz) Handle Weight: 193.5 g (6.82 oz) Handle Width: 28.5 cm (11.22 inches) Tsuba (Hand guard) Weight: 152.8 g (5.39 oz) Tsuba Height: 8.6 cm (3.39 inches) Tsuba Thickness: 0.45 cm (0.18 inches) Overall Length of the Sword with Handle: 114.5 cm (45.08 inches) Price : $3500 + $50 Shipping (from Japan) You can see more pictures / video and also more details here : https://tokyo-nihont...yudo-kanesaki-katana
  5. Two new sword listings on St. Croix Blades site: 1. RARE ~1935 date Type 94 Two Hanger Army Gendai by Masayuki. 1 in 1000 swords approximately are Type 94's. It's a rare one! harder to find crab claw hamon. stamped signature. Fine gendai sword. $3500 https://stcroixblade...2-hanger-rare-mount/ 2. RARE Red Sharkskin Saya Army Sword. Old family blade by Ueno no Kami Fujiwara Sukekane, 1688-1704 A.D. $3800 https://stcroixblade...signed-samurai-rare/
  6. I’m envisaging to buy a katana (longtime dream) and was offered following item. Koto attributed to Bizen Osafune Sukesada end of XV - first third of XVI century. Length- 75,2 Nagasa- 59,8, nakago nagasa - 15,3 sori - 2,1. Koshirae - late Edo. One expert supposes that it can belong to Yosozaemon Sukesada. The question is - does it worth buying for collection? What do you think about its value (not in price terms). Thank you in advance, appreciate all the opinions.
  7. Hello! Got my hands on this blade recently and would like to have some opinions from fellow forum members! Signature might translate as Tsuda Echizen no kami Sukehiro Nagasa is 64.5 cm (~25.4 inches) To me the activity looks a bit odd, yet really appealing to my taste. Though I am not an expert by any means What do you guys think? Do you think it is authentic? Any reply is welcome! More photos here: https://drive.google...NbdZl9W3?usp=sharing
  8. Hello, selling a Hachiya Kanesada Katana. Can't add a lot of pictures on the forum because of images size. If you want more just send me a message please. I also have a video. Mei (Signature): 表【兼貞】Kanesada Type: Katana Period : Muromachi Registration Date: September 12, Heisei 3 (1991) Blade Length: 63.4 cm Curvature (Sori): 1.6 cm Mekugi-ana: 2 Motohaba (Width at the base): 2.0 cm Motokasane (Thickness at the base): 0.45 cm Sakihaba (Width at the tip): 1.35 cm Sakikasane (Thickness at the tip): 0.3 cm Blade Weight: Approximately 308.4g (excluding Habaki and handle) Habaki Weight: Approximately 10g Total Sheath (Saya) Length: Approximately 90.5 cm Price : $1400 + $50 Shipping
  9. I'm not sure if its from ww2 period but that suggested my father. He had this sword as gift from a friend. It's a short sword.
  10. YOSE

    Sō Tsutomu

    I have been lurking in this forum for some time, but rarely post anything. I apologize for that. Please also move this thread to the appropriate sub-forum, should it not be. I have been trying to "authentify" a gendaitō/shinsakutō that is supposed to be made by the honorable swordsmith Sō Tsutomu (宗勉), who unfortunately passed away in 2015. It seems that he specialized in replicating Kiyomaro clan's style, but this blade does not seem to match this description. It appears to be rather a wise and disciplined suguha and a rather short blade length, among others. I had the unfounded impression that NMB is rather old blade-orientated (?), therefore hesitated to ask here. The sword is no longer in Japan and is not in my possession. It is not for commercial gain nor for item sales as it already has been sold. I am rather new to nihontō and still need guidance from experienced people. May I ask the collective wisdom here for some expertise on that particular blade? Sincere thanks in advance. Yoshi
  11. I offer a very beautiful yasukuni to made by the famous tosho Kotani Yasunori in March 1943. This especially long katana comes in shirasaya and the original matching numbers shingunto koshirae. This yasukunito has a good wartime polish, so every activity is clearly visible. Anyway I recommend a new quality polish to reveal the supreme beauty of the Yasunori entirely. The shingunto koshirae is in excellent to near mint condition. The locking mechanism works well. Here are the measurements of the katana: Nagasa: 69,85cm Overall: 91,44cm Motohaba: 3,175cm Sakihaba: 2,1cm Kasane: 0,63cm Sori: 1,9cm This katana was purchased from Ed Marshall. With his permission I post here the link to the former listing. There are detailed pictures and further information about this special smith. The asking price is 6250€ or best offer. The sword is currently in Germany and can be shipped worldwide with DHL premium international. As payment method I prefer paypal friends and family or bank transaction. https://yakiba.com/yasunori-kotani/
  12. https://stcroixblade...hop/Japanese-swords/ Layaway is available on stcroixblades.com. Put down a deposit to lock in the sale price even if you don't have the full funds right now. Let me know if you have any questions. --Matthew Brice St. Croix Blades
  13. This distinctive katana hails from the Nanbokucho Era, characterized by the expert craftsmanship associated with this period. The sword is mumei, attributed to Den Bizen Masamitsu, a fact further validated by the NBTHK, dated October 13, 1979 . The nagasa (blade length) measures 69.4 cm, with a sori (curve) of 2 cm. Its sugata (shape) is a shinogi-zukuri and iori-mune, with a wide mi-haba that tapers slightly towards the kissaki (point). The kasane (thickness) is substantial, and the kissaki extends just slightly, aligning with the design traditions of this era. In terms of the blade's jihada (grain pattern), the katana exhibits an itame with hints of mokume mingled within the flowing hada. An appealing touch of ji-nie can be spotted, and the steel boasts plentiful chikei. Furthermore, utsuri can be discerned within the beautifully forged hada. The hamon (temper line) is a ko-notare with a ko-gunome pattern, with pointed elements also visible. As for activities, ashi and yo can be seen, complemented by fine kinsugi and sunagashi. The boshi (temper pattern in the tip area) showcases a jizo-boshi with a long kaeri. The nakago (tang) appears suri-age with three mekugi-ana, aligning with the modification traditions of its time. The sword's form displays the defining characteristics of the Nanbokucho era - a wide mi-haba, slightly extended kissaki, and ample sori. Its hamon and hada further hint at the school of the famed Bizen Osafune smith, Kanemitsu. The NBTHK attributes the blade to Masamitsu, who was among Kanemitsu's top students. The sword is mounted in a shirasaya with a sayagaki attributing the blade to Bizen Osafune Masamitsu, as confirmed by the renowned sword expert and former head of the NBTHK, Dr. Kanzan Sato. Kanemitsu, believed to be a student of the Soshu den master Masamune, brought the Soshu style of smithing to Bizen, resulting in the popular Soden-Bizen style. His techniques attracted several top students, including Masamitsu. Masamitsu's works span around 40 years, from the Enbun to Oei periods. Although a theory exists that two generations may have adopted the Masamitsu name due to a shift in working style, it remains unconfirmed. Masamitsu's swords have achieved the prestigious Juyo Token rank, indicating high quality and significance. Given this sword's features and quality, it stands as a promising candidate for the NBTHK Juyo Token shinsa, further increasing its value and importance. This katana thus presents a remarkable blend of artistry, history, and tradition in the sphere of Japanese sword-making. Price : $2500
  14. This intriguing Katana takes us back to the later Muromachi (Eisho-Tensho) era, steeped in the artistry of traditional Japanese sword-making. With a kin zogan mei attributing the blade to Masayuki, it comes with an NBTHK Tokubetsu Kicho kantei-sho dated October 8, 1967, further validating its provenance. Intriguingly, an inscription on the blade reads ("shortened by Nobukuni Yoshimasa"), indicating a possible modification to the blade's original length. The nagasa of the blade measures 67.4 cm, with a sori (curve) of 1.4 cm. Its sugata (body) displays a shinogi-zukuri, iori-mune design with an average mi-haba (width) that tapers elegantly to the tip. The kasane (thickness) is also of average thickness, and the kissaki (tip) is of medium length. The slight shallowness of the sori and the typical katate-uchi shape add to its distinctiveness. Examining the jihada, the blade exhibits a ko-itame mixed with masame. The presence of fine ji-nie testifies to the blade's quality, and its steel has been tightly forged. Kitae-ware can be spotted in the bo-hi, adding a characterful touch. The hamon presents a classic chu-sugu-ha with a bright ha-buchi lined in ko-nie, while the boshi manifests as ko-maru with a lengthy return. The nakago appears machi-okuri with four mekugi-ana, one filled with copper. Adding an intriguing element, a shinobi-ana is present at the end of the nakago. The blade also features bo-hi horimono. Despite initial attribution to Masayuki from Bizen, this katana is likely the work of the Bingo Masayuki group of the Mihara school from the Eisho to Tensho period. This deduction is due to the absence of the typical traits of Nanbokucho-era Bizen blades in this piece, such as great length, wide mi-haba, extended kissaki, and Soshu den influences in the hada and hamon. Meanwhile, the Meikan lists several smiths from the Mihara school in Bingo using the Masayuki mei in the later Muromachi period. Blades from this period are often referred to as "katate-uchi" or "one-handed swords" and exhibit several features present in this blade. These features include its length, relative slenderness, light weight, shallow sori, medium kissaki, and the presence of a shinobi-ana. The blade's shape and features, along with the hada and the sugu-ha hamon, are typical of late Muromachi Mihara school work. The inscription, "shortened by Nobukuni Yoshimasa," is also consistent with an apparent machi-okuri shortening. This katana is paired with an elegant buke-zukuri koshirae. It features a vermilion lacquered saya, a square-shaped, shakudo sukashi tsuba with temple window-shaped piercing and a silver fukurin. The kashira is made of tsuno paired with a fuchi crafted in shakudo, adorned with a wave design in kin zogan. The menuki are crabs in shakudo, adding a unique artistic touch. The habaki is a one-piece design with a copper base covered in silver foil. This katana embodies the rich history of Japanese sword-making, drawing on the traditions of the later Muromachi era and the craftsmanship of the Mihara school. Its fine construction and elegant koshirae make it a valuable piece for any collector or admirer of Japanese art and culture. This fine blade comes with a well appointed buke-zukuri koshirae. It features a vermillion lacquered saya, a square shaped, shakudo sukashi tsuba with temple window shaped piercing and a silver fukurin, and a tsuno kashira paired with a fuchi done in shakudo with a wave design in kin zogan. The menuki are crabs in shakudo. The habaki of a one piece design with a copper base covered in silver foil. Price : $2700
  15. This exquisite katana represents a modern convergence of traditional craftsmanship and historical lineage, carrying forth the spirit of Japanese sword-making. Crafted in the Showa era, the blade is the work of Tachibana Munehiro, an accomplished smith from Yo Shu (modern-day Ehime Prefecture). Created in July 1987 at the behest of Ashitate Yasushi, the General Director of the Otsuki School of Swordsmanship, this katana evokes the strength and discipline of a time-honored martial tradition. The katana's nagasa, measures 2 shaku 1 sun 5 rin (63.8 cm/ 25.11 inches), with a sori (curve) of 1.4 cm / 0.55 inches. Rendered in the iconic shinogi-zukuri style with an iori-mune and chu-gissaki, the blade features an ubu nakago, skillfully finished with kesho yasuri-me, and one mekugi-ana. Munehiro’s meticulous craftsmanship is on full display through the blade's Gunome-choji-midare hamon, characterized by a play of deep ashi and fine sunagashi, over a bed of tight itame covered in delicate ji-nie that contributes to a textured and vibrant landscape. Tachibana Munehiro Background : Tachibana Munehiro, whose real name was Toriu Hiromu, was born on September 5, 1925, in Ehime Prefecture. His sword smithing journey began in 1939 under his father Hiromasa's guidance, a student of the celebrated smith Takahashi Yoshimune. Munehiro thus carries the lineage of Takahashi Yoshimune, whose brother, Takahashi Sadatsugu, was the first to receive the distinguished title of "Ningen Kokuho" or "Living National Treasure." This lineage fostered many exceptional smiths, highly regarded for their work. During World War II, in 1942, Munehiro further honed his skills in the Kokura Rikugun Zoheisho, an Imperial Army Factory located in Kokura city, Kyushu. Post-war, he transitioned to blacksmithing, crafting farming tools, before returning to his passion for swordsmithing in 1969. Munehiro’s sword displays the Bizen style of his lineage, featuring a florid gunome-choji hamon, a tight itame hada, and a commanding shape. The blade is housed in an elegantly crafted koshirae, featuring a gold foil, two-piece habaki, ensuring preservation and longevity of this masterpiece. Complementing the blade, the koshirae boasts a stunning gold and shakudo nanako tsuba, gold and shakudo nanako fuchi-gashira signed by Ooka Masatsugu, and matching gold and shakudo menuki. Ooka Masatsugu was the third master of the Ooka school, who lived and worked in Edo in the early 1800s. As a branch of the renowned Hamano school, the Ooka school served the Owari Tokugawa family, thus adding another layer of historical significance to this piece. This katana is not just a blade; it’s a testament to Japanese tradition, meticulously crafted by a distinguished smith, and a reflection of the noble martial ethos of the Otsuki School of Swordsmanship. This blade carries forth an epic tale, intertwining history, lineage, and tradition with each passing cut. Price : 4500$
  16. Hello all, for my second post on NMB I’ll post my first sword, with a story and a question. A few years ago at an estate sale I stumbled upon a katana in very messed up gunto koshirae leaning against the wall of a shed. It was basically just the wood of the tsuka, two seppa and the metal saya. My grandmother’s maternal grandfather was a hatamoto, lineage of which she is quite proud, and she taught me various bits of what to look for and to do if I encountered nihonto. The sword is longer than the typical gunto with around a 29” nagasa, the nakago is signed Fujiwara Kiyondo, dated 1863. I left with it for pennies on the dollar, even at out-of-polish nihonto prices and had a shirasaya and habaki made for it immediately. I’ve attached some images below. It has spots of rust throughout, there are many small nicks in the cutting edge and the ububa remains. It has a magnificent o-kissaki, a somewhat shallow sori, and hints of an active suguha hamon are present. I understand that Kiyondo is a somewhat big name (excellent smith, student of Kiyomaro, etc.) and as such, am treating this sword as gimei until otherwise advised. My questions are, in this current condition, is polish feasible or is it too far gone? If polish is possible, (while my inclination is to do so,) would you pay the steep cost for what are basically entirely sentimental reasons? Finally, who are the better togishi in the greater United States area?
  17. Hi, Long time lurker, first time poster. I've run into a dead end on trying to identify which "Masamitsu" smith made this katana. It looks to be late Showa or early Heisei. 29" nagasa, sori 2.2cm, heavy. Unable to find any oshigata to support which maker it might be. Any help appreciated.
  18. I was doing a few different things around the house this afternoon including the cleaning my Japanese swords today before the seasonal change early next week and the coming of Summer. Here are some better photos of the Koto Kanemoto Katana that I received back from the polisher in February (previous topics are in this discussion group). I am no longer a Japanese sword dealer but can still take great photos. Here are a few resized for upload to NMB. Enjoy and feel free to discuss it politely.
  19. Includes John's personal study notes. $1485 Here is the link to additional photos: https://stcroixblade...n-yumoto-collection/ --Matthew Brice St. Croix Blades
  20. Type (Tachi, Katana, Wakizashi, Tanto, Naginata, Other) : Katana Ubu, Suriage or O-Suriage : Ubu or close to ubu Mei : (Mumei, Signature) : Taira Nagamori (平長盛) Papered or not and by whom? : NBTHK Hozon Era/Age : Muromachi Period Shirasaya, Koshirae or Bare Blade? : Shirasaya & koshirae Nagasa/Blade Length : 71cm / 27.95 inches Sori : 1.7cm / 0.6 in Motohaba : 2.69cm / 1.05 in Kasane : 0.8cm / 0.31 in Hamon Type : based on suguha in nie deki, plentiful ashi, hakikake boshi Jihada : itame-nagare mixed with masame and o-hada Other Hataraki Visible : ji-nie Flaws : conspicuous Masame-ware, conspicuous rough hada and o-hada, small ware near kissaki on ura side Sword Location : Georgia, USA Will ship to : Anywhere. Buyer assumes full responsibility for getting the sword through import customs and/or any legal issues with receiving a sword in the receiving county Payment Methods Accepted : Zelle, Paypal Price and Currency : $3250 USD OBO + calculated shipping Other Info and Full Description : A long kanmuri-otoshi or nagamaki-naoshi-zukuri katana signed Taira Nagamori. In shirasaya with koshirae. NBTHK Hozon. I've done my best to take useful photographs but I am happy to answer questions or take additional photos. I will be listing this on eBay at some point, but it's offered for less here minus the fees.
  21. I have a nice Emura for sale. This gendaito has a pronounced hada produced by forging with tamahagane. Nice sword. $3500 See a few photos below. MANY more photos can be seen on the website. Here is the link: https://stcroixblade...hop/Japanese-swords/ Let me know if you have questions. --Matthew Brice www.StCroixBlades.com
  22. As promised the second addition, this one for the Bizen crowd. This sword is o-suriage mumei with gonome choji-ba hamon, ko-nie, and utsuri. The better photos are again courtesy of @Ray Singer (that may be a trend with these) with some of my own thrown in... I know I need a darker background. Happy to provide any photos of specific areas if my skills allow. nagasa 69.9cm moto-haba 3.2cm kasane 6mm There is varying opinion on attribution: The NTHK attributed the blade to Hidekage, Eikyō era; there is a remnant of an old kinpunmei (see photo) that might be mitsu 光; and a previous owner was told it could be Nanbokucho Omiya. Attributions all in the same general style but vary from Nanbokucho to early Muromachi. In hand it has a lot of heft to it. I do plan to send to NBTHK shinsa once global shipping is more reliable and will update the thread then. The blade has a lot of heft and a lot of activity to see in hand that I am not good at describing quite yet. This was a forum purchase so some of you may have seen glimpses of it before. (The black line in the boshi is a relfection, not a ware)
×
×
  • Create New...