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Pete Klein

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Posts posted by Pete Klein

  1. Stephen - it seems to still be going forward but apparently the big issue is that if the state closes venues then it's off the books.  Living in South Florida things the way they are here there's absolutely no way I will get on a six hour flight going anywhere at my age, mask or not.  It's just not worth the risks.  I just hope things are good to go for the Chicago show next year as that one is a lot of fun.  Just like that bowl of porridge;  not too hot, not too cold - j-u-s-t   r-i-g-h-t!  LOL

    • Like 5
  2. Thanks much George - as you do also!

     

    Here is a scan of the applicable portion of the paper to the Sojo kogai you posted above.  It states, 'Biwa design' which is loquat in Japanese:  枇杷.  It's the top portion, Biwa no Zu.

    post-83-0-91946200-1593954787_thumb.jpg

    • Like 2
  3. Haynes Index gives you the artist's history and the volume number and page(s) in the meikan and other references where applicable.  If you read Japanese it's not all that necessary but few outside Japan have that ability.  I have all three references.  If you collect swords it's like having Fujishiro's Koto and Shinto along with the translation by Watson.

     

    You can find the Haynes Index here:  http://www.shibuiswords.com/books.htm       Just scroll down a bit from top page.

    • Like 1
  4. Den Jingo means most likely by someone in the Jingo school BUT possibly by someone non-aligned directly to the school.  There were other tsuba shi in the area who could make copies so the shinsa team is saying it has a slight doubt otherwise it would receive 'Jingo'.  If they felt it was to a specific generation but had reservations they would say den Jingo Nidai or whatever.  In some schools such as Goto or Owari they will use a time period such as Goto Edo Shoki (early Edo).  What one shouldn't do is to go 'up' the ladder with a den attribution in fittings as if they meant higher they would have said it.  That's just wishful thinking and really won't get you anywhere in the long run.  

     

    BTW - it's really important to understand that papers are just 'opinions' and attributions can be incorrect.  To me they act as a learning tool but don't make them the sole arbiter of your decisions.  It will take you ten to twenty years to begin to understand what really constitutes an attribution, especially if you live outside Japan and do not speak/read Japanese and nothing replaces hands on experience and the guidance of legitimate experts.

    • Like 9
  5. Even though I don't 'collect' swords I have followed Ono san's work for some time now (just because I would love to be able to have one) and it seems most of the ones up for sale go for ~2.5 => 3 MY.  The one top post might just prove this incorrect as it's quite something and is I believe published in the big Ono book from awhile back.  I should have kept my copy...  that's my lament.

     

    https://www.japaneseswordbooksandtsuba.com/store/books/b993-ono-yoshimitsu-juka-choji-no-sekai-full-translation

    • Like 1
  6. Robert - #1 didn't sell whereas #2 did.  I wouldn't have bought either at those prices.  

    The Yama Kichi Bei close price was idiotic.  It's not shodai work.  Classic example of where someone believed the dealer hype.

    • Like 1
  7. I'd be willing to bet the Dragon tsuba was at one time mounted on a Satsuma rig.  I cannot remember their name but you can see where the two small binding cord holes have been filled.  It also is not unusual to see a dragon depicted in association with Satsuma koshirae.

    • Like 1
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