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Alainalain

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Everything posted by Alainalain

  1. Hello Uwe, i have found what could be a connexion : A source which attributes this kind of menpo to the iwai school in the book of Robert BURAWOY (p 141 Armurier du Japon étude du Meikô zoukant) a drawing is represented in the Meikô zukan, it presents these which "would" be the characteristics of this school: ressei, the non-detachable nose (in earlier versions), the yasurime.
  2. there is another menpo which has the same file strokes on the teeth as it is presented in the book Samurai: The Flowering of Japan by Andrew Mancabelli (sorry for the photo I have no better)
  3. Yes the tehen and the interior without shikoro and ukebari at the base of the original Korean bowl (above the shikoro) there are multiple openings originally intended to secure a neck protection
  4. Luc in fact I had not noticed, it have file strokes on the teeth, very interesting..t
  5. very interesting research uwe, some pictures of the menpo :
  6. Thank you Uwe I am very interested, having no other sources than the net concerning the Mon
  7. Thank you Luc, The ressei menpo, from momoyama / early Edo period is made of natural iron with yasurime, mustache and beard in silver lacquer and non-removable nose typical of the early Iwai school, maybe by Iwai Yozaemon imself ,the Tokugawa Ieyasu armourer, (we can dream .). An amazing feature of this menpo (which I haven't, yet, found on others) is that it doesn't have a sweat-draining hole under the chin, probably it was more intended for presenting an armor than intended for use in the field.
  8. Hello, Uwe, Curran, Sorry the term "timbre" is not the correct one (translation problem) in French the word "timbre" can also be used to refer to the helmet "boshi". there is no mark on the Kabuto. About the attribution of Mon to the IKEDA clan of Settsu province: I found information and the representation of Mon from Settsu-IKEDA on the following link: https://en.wikipedia.org/wiki/Ikeda_clan I did the same google searches on Japanese sites using the Settsu IKEDA kanji (摂 津 池田 氏) and found the same results: http://www2.harimaya.com/sengoku/html/s_iked_k.html I find that my are very similar to that of the kabuto, but obviously this is only a guess. On the Korean origin of the helmet: I found two arguments in favor of this hypothesis: - The boshi comes from "RUNJEET SINGH" a British antique dealer from Asia who attributed to it a Korean origin. - It is very similar to Korean helmets from the same period, like the one that belonged to Ryu Seong-ryong, the mounting of the helmet is very similar; a four piece bowl of russet iron, joined vertically by means of riveted winged straps with a median ridge, a method that can be found on many north Asian helmets of Mongol form. Finally, the presence of samurai from the IKEDA clan under the command of IKEDA Hideuji (池 田秀氏), one of the 6 generals of the right-wing army during the second invasion of Korea (1597-98) is confirmed. in two books that of Stéphane TURNBULL (Samurai Invasion Japan Korean War 1592-1598, p240) and that of Georges Sansom (A History of Japan, 1334-1615. Stanford University Press. P. 353), these books are available, in part , under google book and a search can be done using the name "IKEDA Hideuji" under google book. there is a Nanban helmet which is completely identical to this one (except the parts reassembled in Japan). This named Kabuto having belonged to TORII Motodata is exhibited at the Seichu shrine which honors Mototada in Mibu-cho, Tochigi prefecture. This is what I was able to find in my research.
  9. I share with you another kabuto from my collection, it is a Korean helmet dating back to the momoyama era, I also send you the state of my research on this Kabuto, do not hesitate to correct or complete : The helmet consists of 4 plates by 4 metal bands riveted with 32 rivets, a mount found on many North Asian Mongolian-shaped helmets. Inside the base of the original Korean stamp there are multiple openings originally intended to secure a neck protection. The bowl is topped with a tehen no kanamono at the top reported during reassembly, as is the koshi-maki and the tsunomoto. The mabizashi which replaces the original visor is bordered with a braided edging of silver copper wire (I have not found this type of decoration on any other kabuto ?). the openwork iron mon in the shape of a golden melon flower (shiho-mokko) is applied to the mabizashi. Mon used by the IKEDA clan (Settsu-Ikeda branch). The helmet was most certainly brought back from Korea during the Imjin wars (1592-1598), samurai of the IKEDA clan participated in the second invasion under the command of IKEDA Hideuji (池 田秀氏) who was one of the 6 generals (2800 men) of the right wing army under the command of MORI Hidemoto during the second invasion of Korea (1597-98). Stephen Turnbull, Samurai Invasion Japan Korean War 1592-1598, p240). A Joseon kabuto reassembled with an identical helmet that belonged to TORII Mototada (heroic commander of The defense of the castle of Fushimi prelude to the battle of Sekigahara) is kept at the Seichu shrine in Mibu-cho, Tochigi prefecture (Illustrated Sengoku armor collection - definitive edition (2) (Gunzo history series) ISBN: 405603642X (2005) A Korean helmet with a similar stamp that belonged to Ryu Seong-ryong (state councilor)who wore it during the Imjin war (Advanced Center for Korean Studies, Cultural Héritage Administration Trésor n° 460)
  10. Thank you for this first informations, if you have complementary it will be very nice
  11. I share with you an menpo from my collection for which I require your help. it is an unsigned Edo period ressei menpo, very expressive of which I do not know the school. In natural iron, it has a very prominent upper lip (the mustache is missing) the teeth are silver lacquered and it has a wide sweat running hole and a otayori. What is your opinion about the school and the period (early to late Edo?). If you know of other similar menpo? Thank you in advance.
  12. I would like to share with you on some samurai objects, for several years I have been collecting mainly elements and armor from the Momoyama Muromachi period or earlier (when it is possible to find it of course), the Edo period produced superb armor real objects of art but it is the historical and warlike aspect that fascinates me. I am obviously interested in your comments, clarifications or possible corrections on my descriptions. The first object is a Muromachi hoate which is quite simple in design but very natural in shape: Hanbô-shaped natural iron half-mask, covering half of the face and excluding the nose. The gorget (yodarekake), from edo period, consists of 4 lacquered metal blades joined by dark blue silk cords. Half masks from the Edo period only offer defense on the side of the cheek, this one is designed to cover even near the nose in front of the face. Half-masks from such an era are rare pieces. The narrow size of the nose opening immediately suggests a very old date, also confirmed by iron corrosion, which allows the object to be dated to the 16th century end of the Muromachi period (1336-1573). What appears to be a kirikomi (combat mark) is present on the back left side of the mask The general shape of the mask is very similar to a model drawn in the Meiko-zukan-zokushu signed by Yoshimichi and the hanbo by Takayoshi in the Orikasa collection. The curved lip and well-balanced lines follow the same design , as well as the sweat drainage tube (ase nagashi), here we find an otayori to fix the helmet lacing and wick away the sweat.
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