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To Buy Or Not To Buy


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#31 Vermithrax16

Vermithrax16

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Posted 08 July 2017 - 01:39 AM

Resurrect older thread to say:

 

The struggle is real! Struggling right now!  :bang:


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Jeremiah L.

 

"I wonder if we're being drawn into an ambush. Ultimately, it doesn't matter. We have to do this. We've already bought tickets for the last dance. And it's going to be a real gala event."  - Robopocalypse 

#32 Surfson

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Posted 25 July 2017 - 04:00 PM

I tried to contact Bob Hughes through his website but the email was not valid.  Is there a way to contact him?  Based on the rave reviews, I would like to get to know him.  Cheers, Bob


Robert S.

#33 Japan2112

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Posted 25 July 2017 - 08:21 PM

Here is what I have tended to do, after years of collecting. Discover my study interest (Gokaden, Bizen, Shinshinto, Tadayoshi school...Impressionist, Goya, or whatever...)and buy something that is representative and of the best quality I can afford. The smith, school, period, village... representation provides timeless opportunity for study and enjoyment. If I like what I've found in research, I will buy another, or something that compliments or contrasts the work .
In this way, a collection can become a just few pieces that really "talk" to you. As Ray points out, tastes change with appreciation - as in wines, so a collection may morph over time, but if you stay focused on quality you won't be so apt to "turnover" your purchase.

An interesting collection focus could be - students of the Soden Bizen masters - those of Kanemitsu, Nagayoshi, Motoshige. The collection could be as small as 3, but what a story.
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Mark C

"Better a diamond with a flaw than a pebble without."... Confucius




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